Edition 2025

Early Music Day takes place every year on 21 March, at the initiative of REMA. This celebration of more than a thousand years of music, through concerts and events taking place simultaneously around the world, is an opportunity for Europeans to (re)discover our musical heritage!

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21/03/2025 20:30 CET \n Conservatorio di Musica G. Verdi di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n

\n DIETRICH BUXTEHUDE\n(1637-1707)\nOratorio Membra Jesu Nostri, BuxWV 75\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble of the Milan Conservatory<\/li>
Davide Iurilli, harpsichord master<\/li>
Curated by Anna Fontana and Noelia Reverte Reche<\/li><\/ul>\n <\/div>\n\n
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\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n The words of ecstasy: Catherine of Siena - between words, mysticism and politics\n <\/h3>\n\n \n Istituto Veritatis Splendor\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The life, mystical experience and political action of Caterina da Siena recounted by Gianni Festa OP (Theological Faculty of Emilia-Romagna). Music and reading from the Letters and Dialogue of Divine Providence performed by the ensemble Murmur Mori.\n <\/div>\n\n
\n Musicians<\/span>\n
Mirko Virginio Volpe: cythara, lyre, chant<\/li>
Silvia Kuro: chant, recitant voice, bells, drums<\/li>
Matteo Brusa: citole<\/li>
Alessandra Lazzarini: medieval transverse flutes\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n Concert of the ensemble week, direction Catherine Motuz and Frithjof Smith\n <\/h3>\n\n \n Schola Cantorum Basiliensis\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n This concert represents the culmination of an intensive project week of ensemble work for large mixed ensembles.\n <\/div>\n\n\n
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\n $\"Öppen$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Öppen Scen - Open Scene\n <\/h3>\n\n \n Svenska Kyrkan Höörs församling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n On Early Music Day, concerts are played simultaneously all over Europe! The celebration takes place every year on J. S. Bach\'s birthday, March 21\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Machaut$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Machaut turning in his grave\n <\/h3>\n\n \n Cite Musical Metz\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n Works by Machaut, Desprez, de Cluny, Codex Las Huelgas, Codex Montpellier, Cyprus Manuscript\n <\/div>\n\n
\n Musicians<\/span>\n
Olivier de Sagazan, performance<\/li>
Anna Danilevskaia, vielle and direction<\/li>
Carine Tinney, Tim Braithwaite, triplum<\/li>
Sophia Faltas, Roman Melish, motetus<\/li>
Lior Leibovici, Jonatan Alvarado, tenor<\/li>
Jacob Lawrence, Victor Sordo, contra-tenor<\/li>
Roger Helou, organetto<\/li><\/ul>\n <\/div>\n\n
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Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"First$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n First CD Recording by Cohaere thanks to S-EEEmerging Project\n <\/h3>\n\n \n Centre culturel de rencontre d'Ambronay\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A new recording to come of Pierre Gaultier\'s \"Symphonies divisées par suites de tons\" by a young and talented Polish Ensemble dedicated to French baroque repertory\n <\/div>\n\n
\n Musicians<\/span>\n
Marta Gawlas, historical transverse flutes<\/li>
Marta Korbel, historical violin<\/li>
Monika Hartmann, historical cello<\/li>
Natalia Olczak, harpsichord, historical keyboards\n<\/li><\/ul>\n <\/div>\n\n
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Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"'Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 08:00 AEDT (20/03/2025 22:00 CET)\n <\/small>\n <\/p>\n\n
\n 'Early Music Downunder Playlist 2025 launch'\n <\/h3>\n\n \n Jenny Eriksson\n <\/span>\n\n \n Australia<\/strong>\n <\/span>\n\n \n We have prepared updated Spotify and YouTube playlists of Australian early music recordings and performers for launch on EMD. We first lauched these playlists in 2023.\n <\/div>\n\n
\n Musicians<\/span>\n The broadest possible list of performers and ensembles based in Australia\n <\/div>\n\n
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Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\""L'amor$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 11:00 CET (23/03/2025 11:00 CET)\n <\/small>\n <\/p>\n\n
\n "L'amor donna ch'io te porto"\n <\/h3>\n\n \n Associazione Mozart Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music and love songs from the Renaissance to the early Baroque\n <\/div>\n\n
\n Musicians<\/span>\n
Vania Palumbo: Singing, Percussion<\/span><\/li>
Michele Tricarico: Recorder flutes<\/li>
Maurizio Ria: Viola da gamba<\/li>
Angela Lacalamita: Lute<\/li>
Giovanna Tricarico: Harpsichord<\/li><\/ul>\n <\/div>\n\n
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Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Missa$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 23/03/2025 18:00 CET (23/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Missa di Requiem \n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by D. Sarro, F. Durante, G. M. Trabaci\nA masterpiece by Domenico Sarro (1743) that presents a writing of remarkable finesse in a procedure observed but rich in painful passages that mark the feeling in music of the time.\n <\/div>\n\n
\n Musicians<\/span>\n
Coro Exultate<\/p>
Antonella Borrelli, Luigia Gargiulo*, Giovanna Moccia, Paola Pierno - Canto 1<\/li>
Antonella Ausanio, Rosa Ciaramella, Emerenziana Guido*, Lia Scognamiglio - Canto 2<\/li>
Paola Ciranni, Tiziana De Bellis, Marina Vagnoni*, Davide Troìa* - Alto<\/li>
Domenico Cardone, Angelo Chianese, Gennaro Di Bonito, Leopoldo Punziano* - Tenors<\/li>
Gianluca Avolio, Massimo Di Giovanni, João Fatela, Alfonso Oliva* - Basses<\/li>
* solo voices<\/li>
choirmaster Davide Troìa<\/li><\/ul>
Schola Gregoriana of the Pietà de\' Turchini<\/p>
Eduardo Campos de Dios, Jesus Ivan Flores Nuñez, Davide Franco, Alejandro Garcia, Edgardo Piña Macias, Antonio Sembiante, Roy Touma, Wiktor Wojcik - singers<\/li>
maestro Lanfranco Menga<\/li><\/ul>
Talenti Vulcanici<\/p>
Daria Spiridonova, Giuseppe Grieco - violins<\/li>
Pietro Massa - viola<\/li>
Marcello Scandelli - cello<\/li>
Giorgio Sanvito - doublebass<\/li>
Pierfrancesco Borrelli - organ<\/li>
Stefano Demicheli - conductor<\/li><\/ul>
musicological expertise by Paologiovanni Maione<\/p>
transcriptions by Enrico Gramigna<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Polish$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Polish Music for violin and Cello in the 19th century \n <\/h3>\n\n \n Polish Composers of the 19th Century \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Celebrate 19th-century Polish music! Come and listen to works by Szymanowska, Duranowski, and foreign composers like Fiorillo who embraced the Alla Polacca style. Explore Poland’s influence on European music with folk-inspired character and virtuosity \n <\/div>\n\n
\n Musicians<\/span>\n
Joanna Kreft - Historical Violin<\/li>
Matylda Adamus - Historical Cello<\/li><\/ul>\n <\/div>\n\n
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Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Ma$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n Ma Non Troppo, Chanson nouvelle \n <\/h3>\n\n \n Rencontres Internationales de musique ancienne en Trégor \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Italian and English Music from the Middle Ages and Some Contemporary Resonances<\/b><\/p>
Singing, bowed vielles<\/i><\/p>
800 years ago, in 1220, Francis of Assisi stepped down from leading the order he had founded, shedding the trappings of power to draw closer to a nature he cherished as divine creation. Who knows if he was a musician? Yet, he inspired a new popular song, in the Umbrian language, which flourished throughout the century around Assisi and Cortona.<\/span><\/p>
At the same time, west of the English Midlands, Worcester Cathedral stood out as a liturgical center with influence across the kingdom. Unlike the French, the English did not make unnecessary distinctions between scholarly and popular music. Composer Gavin Bryars (best known for his minimalist work) offers a kind of mirrored reflection of these two traditions, drawing inspiration from both the refinement of medieval English music up to John Dunstable and the simplicity of the Laudario di Cortona.<\/p>
Laudes from the Cortona Laudario, reinterpreted by Gavin Bryars (2003).<\/i><\/p>
Excerpts from English manuscripts from the 13th and 14th centuries.<\/i><\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Camille Aubret – singing, bowed vielle<\/li>
Emmanuelle Huteau – singing<\/li>
Elsa Papatanasios – singing<\/li>
Daniela Maltrain – singing, bowed vielle<\/li>
Camille Rancière – singing, bowed vielle<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Anna$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 01/04/2025 19:00 EEST (01/04/2025 18:00 CEST)\n <\/small>\n <\/p>\n\n
\n Anna Magdalena Bach Notenbüchlein (1725)\n <\/h3>\n\n \n Estonian Baroque Orchestra (EEBO)\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n At home with the Bach family: Johann Sebastian\'s elegant style, Carl Philipp Emanuel\'s youthful dance-energy, popular favourites then and now\n <\/div>\n\n
\n Musicians<\/span>\n
Estonian Baroque Orchestra<\/p>
Andrew Lawrence-King, musical director<\/p>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Monteverdi:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Monteverdi: Presentation of the *L'Orfeo* project in partnership with the Cité des Arts\n <\/h3>\n\n \n Ensemble Arianna & Marie Paule Nounou\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Open rehearsals as part of the partnership between Ensemble Arianna and the Cité des Arts of Montpellier. Free entry, subject to availability.<\/span><\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Direction: Marie-Paule Nounou and Jean-Philippe Zielinski<\/li>
Cast: Students from the Voice and Early Music Departments of the Cité des Arts
Ars Vocalis (Vocal Arts Division of Ensemble Arianna)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Le Mercure (pas) galant, Italian rivalries at the court of the Sun King\n <\/h3>\n\n \n HARMONIA SACRA\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n This musical show takes place in the imaginary salon of two great masters of music at the Court of Louis XIV: Jean Baptiste Lully and Paolo Lorenzani. Jousts between French and Italian styles mingle with the chronicles of the famous Mercure galant.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Il Buranello<\/p>
Stéphanie Revillion, soprano<\/li>
Zeljko Manic, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Rune$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2025 20:30 GMT (18/03/2025 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Rune - Decameron Musicale\n <\/h3>\n\n \n Leamington Music\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n A mosaic of musical stories from early modern Europe featuring music by Landini, de Vitry, Dunstable, Binchois, and Machaut, and threaded with medieval music from more distant times and places.\n <\/div>\n\n
\n Musicians<\/span>\n
\n
Angela Hicks, soprano<\/li>\n
Daniel Thomson, tenor<\/li>\n
Jean Kelly, harp<\/li>\n
May Robertson, vielle<\/li>\n
Daniel Scott, recorders & portative organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:30 CET\n <\/small>\n <\/p>\n\n
\n El Conservatori de Menorca celebra el Dia de la Música Antiga!\n <\/h3>\n\n \n Conservatori Professional de Música de Menorca and Joventuts Musicals d'Alaior\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Chamber music and orchestra\'s students will celebrate the Early Music Day with a concert around baroque and classical music.\n <\/div>\n\n
\n Musicians<\/span>\n String quartet and strings orchestra of the Conservatori de Menorca\n <\/div>\n\n
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Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 GMT (21/03/2025 21:00 CET)\n <\/small>\n <\/p>\n\n
\n The Gesualdo Six: Queen of Hearts\n <\/h3>\n\n \n Portsmouth Early Music Festival\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n The Gesualdo Six present a selection of Motets and Chansons from the French Court, focusing on European Queens: Anne of Brittany, Margaret of Austria, Anne Boleyn and Mary Tudor.\n <\/div>\n\n
\n Musicians<\/span>\n The Gesualdo Six\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Concert des professeurs des conservatoires à rayonnement départemental de Narbonne et Béziers Méditerranée\n <\/h3>\n\n \n Les Muses en Dialogue & le Réseau des Conservatoires Occitanie Méditérranée\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
As part of the European Early Music Day, the professors of this educational department offer a concert to explore the aesthetics and repertoire dedicated to this beautiful music. For information and reservations, contact the conservatories of Narbonne and Béziers.<\/span><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n Professeurs des CRD de Narbonne et Béziers Méditerranée, direction\n\nÉlèves instrumentistes du département des musiques anciennes du Conservatoire de Béziers Méditerranée et choeur baroque des ateliers musique ancienne du Conservatoire de Narbonne.\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n Concert by the professors of the Early Music Department of the Perpignan Regional Conservatory of Music (Conservatoire à Rayonnement Régional).\n <\/h3>\n\n \n Les Muses en Dialogue & Professeurs du DMA du Conservatoire à rayonnement régional de Perpignan\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Immerse yourself in a unique musical journey at the heart of the Hyacinthe Rigaud Art Museum\'s collections! As part of the European Early Music Days, the association Les Muses en Dialogue invites you to a concert by the professors of the Early Music Department of the Perpignan Regional Conservatory of Music. Blending the richness of Baroque works with the elegance of the art on display, this concert offers a one-of-a-kind experience where music and heritage resonate in perfect harmony. <\/span>Rates and access conditions: <\/span>Full price: €13 (entrance + €5) <\/span>Reduced price: €11 (entrance + €5) <\/span>Child price: €5 (entrance + €5) <\/span>Limited seating – Reservations required through the museum: <\/span>Phone: +33 (0)4 68 66 19 83 – Email: contact@musee-rigaud.fr<\/span><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Professors of the Early Music Department of the Perpignan Regional Conservatory of Music<\/p>\n <\/div>\n\n
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Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"El$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 12:58 CET\n <\/small>\n <\/p>\n\n
\n El Jardín de las Delicias \n <\/h3>\n\n \n All'Antica Musika\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
It is an interdisciplinary project that combines music, theater, dance, and audiovisuals, in such a way that, in the style of a zarzuela<\/em>, we intersperse music and dance with theatrical scenes. Regarding the music, we perform various Spanish and Latin American pieces, both vocal and instrumental, from the 16th, 17th, and 18th centuries.<\/p>\n
On the theatrical side, we tell the story of the death of King Philip II through his final thoughts, memories, and interactions with the characters of Death and the ghosts of his wives. All of this unfolds as he gazes at the painting The Garden of Earthly Delights<\/em> by Hieronymus Bosch, which the king himself had ordered to be placed at his deathbed.<\/p>\n
Throughout the performance, the king journeys through the painting, drawing parallels between various details of the artwork and his own reflections. Likewise, each musical piece we perform is somehow connected to the monarch\'s thoughts and emotions and to the various details of the painting.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Jorge Santos Pérez, actor - Philip II<\/span><\/li>
Laiene Alcalá, soprano - Death<\/li>
Venezia Grifell, dancer - Wives of Philip II<\/li>
Diego Parra, violin<\/li>
David Sáez, recorders<\/li>
Silvia Cantatore, viola da gamba<\/li>
Teresa Merino, theorbo<\/li>
Elvira Pujol, harpsichord<\/li>
Adrian Santamaría, percussion<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Early music concert by students of the Patio\n <\/h3>\n\n \n Le Patio, Ecole d'enseignement artistique du Pays de Morlaix\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Instrumental and vocal performance by students of the Patio, who will present early and Baroque music pieces at Saint-Agapit Church. The stage will feature an early music ensemble, students playing the traverso, harpsichord, recorder, and violin, as well as the Patio adult choir<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Saint-Agapit Church<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Note$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 18:00 CET (23/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Note Barocche\n <\/h3>\n\n \n Associazione Antica Massa Cybea\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by J. S. Bach, A. Vivaldi. P. A. Guglielmi and others\n <\/div>\n\n
\n Musicians<\/span>\n Performances by students from the \"Palma\" Musical High School in Massa and the \"Puccini\" Conservatory in La Spezia.\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"BACH$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 08:00 CET\n <\/small>\n <\/p>\n\n
\n BACH Continuo\n <\/h3>\n\n \n FCE Continuo\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n
\n We play Johann Sebastian Bach\'s music, especially made in Luxembourg, from 08:00 to 18:00!\n <\/div>\n\n
\n Musicians<\/span>\n
feat. among other ensembles:<\/p>
AD LIBITUM<\/li>
Les Muffatti<\/li>
Bach-Vereenegung Lëtzebuerg (BVL)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Fabrique$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Fabrique de clavecins de Martine Argellies\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Guided tour of the workshop<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Martine Argellies, harpsichord maker<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 09:00 CET\n <\/small>\n <\/p>\n\n
\n Visite commentée d'atelier\n <\/h3>\n\n \n Florent PETIT \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Guided tour of a workshop dedicated to the manufacture of early musical instruments, particularly from the viola da gamba family. Explanations and demonstrations on how to design and make this type of musical instrument.\n <\/div>\n\n
\n Musicians<\/span>\n
Florent Petit<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Seraphim\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Seraphim\n <\/h3>\n\n \n Muziekcentrum De Bijloke\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Like the gentle rustling of wings, music whispers through the air. The flight of an angel? Throughout the ages, the human spirit has sought connection with messengers from otherworldly realms — bearers of wisdom, admonition, retribution, or solace.\n\nIn a program full of captivating twists and turns, B’Rock brings together its Vocal Consort and chamber players with the extraordinary French mezzo Lucile Richardot. Seraphim mixes sounds from the early Middle Ages all the way to the present day. Hildegard von Bingen’s ode to the Creator echoes in Gubaidulina’s Engel on poetry by Else Lasker-Schüler, lush Romantic opulence by Louise Farrenc and Lili Boulanger glows side by side with baroque splendor from the Italian convents.\n <\/div>\n\n
\n Musicians<\/span>\n B\'Rock Orchestra & Vocal Consort\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"¡QUIÉREME,$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 17:57 CET (21/03/2025 17:57 CET)\n <\/small>\n <\/p>\n\n
\n ¡QUIÉREME, PICARITA!\n <\/h3>\n\n \n Jerez de la Frontera City Council\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n HP proposes to show the change that took place in the musical language of the Iberian Peninsula during the first decades of the 18th century, as a result of the influence of Italian stage music, from the appearance of the first zarzuela.\n <\/div>\n\n
\n Musicians<\/span>\n
MARIAN ROSA MONTAGUT, harpsichord and conductor<\/li>
RUTH ROSIQUE Y BELÉN ROIG, sopranos<\/li>
HARMONÍA DEL PARNÀS, ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2025 19:00 EET (17/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach Meditation\n <\/h3>\n\n \n Café Barock / Ensemble Nylandia\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n improvisation\nBWV 1007\nimprovisation\nBWV 1011\n <\/div>\n\n
\n Musicians<\/span>\n Hanna Pakkala, baroque viola\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Brandenburg$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Brandenburg Concertos\n <\/h3>\n\n \n La Trinité\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Masterpieces of Bach in Full. In 2025, <\/span>Les Folies françoises<\/em> will celebrate their twenty-fifth anniversary. Drawing from this quarter-century of award-winning concerts and recordings dedicated to the Cantor, the ensemble will present the complete Brandenburg Concertos on Bach\'s birthday—a rare concert experience! Composed around 1721, this unique corpus marks a major turning point in the history of music. With these six concertos, Bach demonstrated his unparalleled mastery of the concertante form, brilliantly exploring the sonic possibilities of the Baroque orchestra. Each concerto is a musical microcosm, combining virtuosity, contrapuntal complexity, and emotional expressiveness—emblematic works of the Baroque period.<\/span><\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Les Folies Françoises<\/li>
Patrick Cohën-Akenine, violin and conducting<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Pianto$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Pianto della Madonna (Soprano & organ concert)\n <\/h3>\n\n \n AMAORM (Asociación Merklin de de Amigos de los Órganos de la Región de Murcia), Ayuntamiento de Murcia\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Concert by Olalla Alemán (soprano) and Luis Antonio González (organ) in the cycle ‘Suenan los órganos’ in Murcia, Spain, with a programme comprising works by Frescobaldi, Monteverdi, Aguilera de Heredia, Correa de Arauxo, Sances, Froberger and Bach\n <\/div>\n\n
\n Musicians<\/span>\n
Olalla Alemán, soprano<\/li>
Luis Antonio González, organ<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Visite – Atelier de clavecin de Martine Argellies – Atelier Argellies\n <\/h3>\n\n \n Les Muses en Dialogue & Atelier Argellies\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Martine Argellies has been a harpsichord maker since 1981. Her workshop, located in Montpellier, is one of the last in France specializing in harpsichord production. Her passion for the Baroque musical repertoire—of which the harpsichord, with its pedal-free and plucked-string design, is a key emblem—along with her love for craftsmanship, guided her career choices.<\/p>\n
In her late teens, she joined a friend who owned a piano shop. She then studied with a cabinetmaker before teaching herself the craft over a decade. Together with the two team members who now work alongside her, she produces about a dozen instruments per year, a quarter of which are destined for export.<\/p>\n
Martine Argellies has been a harpsichord maker since 1981. Her workshop, located in Montpellier, is one of the last in France specializing in harpsichord production. Her passion for the Baroque musical repertoire—of which the harpsichord, with its pedal-free and plucked-string design, is a key emblem—along with her love for craftsmanship, guided her career choices.<\/p>\n
In her late teens, she joined a friend who owned a piano shop. She then studied with a cabinetmaker before teaching herself the craft over a decade. Together with the two team members who now work alongside her, she produces about a dozen instruments per year, a quarter of which are destined for export.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Martine Argellies\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 09:00 CET (21/03/2025 09:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach - Versio altera\n <\/h3>\n\n \n Andrea Banaudi\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n On the occasion of the 340th anniversary of Johann Sebastian Bach\'s birth, on March 21, 2025, the YouTube channel dedicated to the compositions of the great composer in versions different from the definitive ones will be launched.\n <\/div>\n\n
\n Musicians<\/span>\n
Andrea Banaudi, organ<\/li>
Marco Capello, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 22/03/2025 17:04 CET\n <\/small>\n <\/p>\n\n
\n WDR 3 Vesper (broadcast)\n <\/h3>\n\n \n Westdeutscher Rundfunk Köln (WDR)\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n A radio programme for the Early Music Day. The first part of the vespers programme features music from Bach\'s private music collection, while the second part features virtuoso Bach solo works.\n <\/div>\n\n
\n Musicians<\/span>\n various recordings\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visit$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 11:00 CET\n <\/small>\n <\/p>\n\n
\n Visit to Martine Argellies' harpsichord workshop\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Guided tour of the harpsichord workshop, which has been awarded the ‘Entreprise du patrimoine vivant’ (Living Heritage Company) label, where instruments from various schools of harpsichord making are on display, each with a different sound.\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"As$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 18:00 EET (21/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n As you like it (Nagu teile meeldib)\n <\/h3>\n\n \n Linnateater\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n Shakespeare\'s spring-time comedy, with ballad-tunes and songs from 1599 and new-composed. Additional performances 20th, 22nd, 25th, 26th March. Performed in Meri\'s classic translation into Estonian language.\n <\/div>\n\n
\n Musicians<\/span>\n
Linnateater Company<\/li>
Uku Uusberg, Director<\/li>
Andrew Lawrence-King, Musical Director<\/li>
Additional music by Andrew Lawrence-King<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2025 16:30 CET\n <\/small>\n <\/p>\n\n
\n Musical Tours of the Rigaud Museum collections with the Children's Choir of IRVEM\n <\/h3>\n\n \n Les Muses en Dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Dive into a musical journey with the children of the IRVEM Choir. Their voices will transport you through the ages, from the Middle Ages to the Baroque era, for a unique moment where art and song intertwine harmoniously.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Maîtrise d’enfants de l’IRVEM\n\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"J.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 20/03/2025 18:00 CET (20/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n J. S. BACH: L’ARTE DELLA FUGA tra Speculazione e Espressione - parte II\n <\/h3>\n\n \n Grandezze & Meraviglie \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Join us for the second concert lecture of Grandezze & Meraviglie in celebration of Early Music Day 2025. Die Kunst der Fuge BWV 1080 is the supreme synthesis of theory and emotion in Bach\'s mature works representing the culmination of counterpoint and variation techniques in all their forms.\n <\/div>\n\n
\n Musicians<\/span>\n Riccardo Castagnetti, harpsichord \n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Chloë$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 GMT (21/03/2025 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Chloë Hanslip and Danny Driver | Bach and Beyond I\n <\/h3>\n\n \n Turner Sims\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
The first in an exclusive series of concerts celebrating the creative genius of Johann Sebastian Bach.\nJS Bach is regarded as one of the greatest composers of all time. Part of a large family of German musicians, he was an outstanding harpsichordist and organist. His compositions, such as the Brandenburg Concertos and ‘The Well-Tempered Clavier’, are revered all over the world.<\/p>
In the first of their Bach series for Turner Sims, ‘Bach and Beyond’, violinist Chloë Hanslip and pianist Danny Driver delve into JS Bach’s works for solo violin. His six sonatas and partitas have inspired many composers, including Ysaÿe and Cesar Franck.<\/p>
Join us to hear these intricate and emotional works performed by two Turner Sims favourites.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Chloë Hanslip, violin<\/li>
Danny Driver, piano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ode$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Ode à Bacchus - Concert and appetizers\n <\/h3>\n\n \n Ensemble Obsidienne \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Wine! The wine of the influential Court of Burgundy, a great wine-growing region, and the recently revived Domaine des Sénons, are in the limelight at the opening of the La Reverdie Festival. The musicians of Obsidienne, conducted by Emmanuel Bonnardot, will be singing it, from Carmina Burana (13th century) to the earthy polyphonies of the Renaissance; Valérie and Stéphane, the chefs from the restaurant Les Mauvaises Herbes, will be accompanying it with exquisite sweet and savoury bites. An exceptional evening in an exceptional setting!\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Obsidienne<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Jorge$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 12:00 GMT (22/03/2025 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Jorge Jiménez: Récital informel\n <\/h3>\n\n \n The Early Music Shop\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Jorge Jiménez (violin, Baroque violin, vielle) will be peforming as part of our Informal Recital series.\nHe will be taking us through four centuries of unaccompanied violin music, with music by Alfonso X, Biber, J S Bach and Ysaÿe.\n <\/div>\n\n
\n Musicians<\/span>\n Jorge Jiménez, performer: violin, Baroque violin, vielle\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Monteverdi$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n Monteverdi & Co\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n As a prelude to the performance of L\'Orfeo, teachers from the Cité des Arts\' Early Music Department will be presenting works by the choirmaster of San Marco in Venice, as well as by composers from his circle.\n <\/div>\n\n
\n Musicians<\/span>\n
Teachers from the Montpellier CRR:<\/p>
Olivier Brouard, cornet à bouquin<\/li>
Julien Miro, sackbut<\/li>
Luc Gaugler, viola da gamba<\/li>
Alain Cahagne, organ<\/li><\/ul>
Ensemble Arianna: Marie-Paule Nounou, harpsichord<\/p>
Guest artists:<\/p>
Dagmar Šašková, soprano<\/li>
Liselotte Emery, cornet à bouquin<\/li>
Caroline Menuge, baroque violin<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Fiati$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Fiati in Eco\n <\/h3>\n\n \n Theresia Orchestra\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Theresia Winds present the programme \"Fiati in eco\", featuring Mysliveček\'s Partita No. 3, Mozart\'s Serenade KV 375, Triebensee\'s Echostücke, and his historic arrangement of arias from Don Giovanni. The ensemble offers a unique glimpse into the evolving styles and innovations in Haromiemusik of the late 18th century.\n <\/div>\n\n
\n Musicians<\/span>\n
Theresia Winds<\/p>
Alfredo Bernardini, tutor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"UNA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 15/03/2025 17:45 CET\n <\/small>\n <\/p>\n\n
\n UNA MESSA BAROCCA\n <\/h3>\n\n \n Associazione Hendel\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Hunting for beauty led us to the Kerll’s Mass of today’s concert. Entering its soundscape is like crossing the threshold of a South German Baroque church, where you’ll sometimes wonder: are you in a sacred space or a theater?\n <\/div>\n\n
\n Musicians<\/span>\n
LA RISONANZA<\/p>
Federica Napoletani, soprano<\/li>
Angela Oh, alto<\/li>
Emanuele Bianchi, countertenor<\/li>
Matteo Magistrali, tenor<\/li>
Salvo Vitale, bass<\/li>
Pietro Modesti, cornett<\/li>
Olivia Centurioni, Ulrike Slowik - violins<\/li>
Caterina Dell’Agnello, violoncello<\/li>
Guisella Massa – violone<\/li>
Fabio Bonizzoni – organ and conducting<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"IL$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 10:30 CET (21/03/2025 10:30 CET)\n <\/small>\n <\/p>\n\n
\n IL SALOTTO DEL GRANDUCA - Musica nuova e nuove idee alla corte di Pietro Leopoldo, Granduca di Toscana,\n <\/h3>\n\n \n Associazione culturale "Le Muse del Nespolo"\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with music by Pietro Nardini (1722 - 1793), great virtuoso of his time and first violin at the Viennese court first and then, in Florence, at the court of Pietro Leopoldo of Habsburg, Grand Duke of Tuscany from 1765 to 1790. The concert will be interspersed with the reading of passages taken from the Leopoldino Codex and the \"Physical reduction of the Maremma Senese\" by .L Ximenes, so as to frame an important aspect of the musical culture of the 18th century within a broader historical, social and political, full of ferments, requests, actions for renewal and improvement of living conditions in the territory of Tuscany, thanks to the enlightened thought of Grand Duke Leopold and the prominent figures who surrounded him.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Accordone<\/p>
Guido Morini, conducting<\/li>
Laura Pontecorvo, flute<\/li>
Guido Morini, harpsichord<\/li>
Cristina Vidoni, cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Per$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2025 14:12 CET (20/03/2025 14:12 CET)\n <\/small>\n <\/p>\n\n
\n Per le vie del Barocco\n <\/h3>\n\n \n Istituto Comprensivo Vallelunga - Marianopoli ad indirizzo musicale\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Trio di musica barocca e solisti con base preparati all\'interno dei progetti La Musica Unisce1\n <\/div>\n\n
\n Musicians<\/span>\n Alunni FSE+ Codice: ESO4.6.A4.A-FSEPN-SI-2024-66 La Musica Unisce1\n <\/div>\n\n
\n\n
https://drive.google.com/file/d/1EfK0qA63gTJRzquf6ybGw_CCIqv2B4xj/view?usp=drive_link<\/a><\/li>\n\n
https://drive.google.com/file/d/1EfK0qA63gTJRzquf6ybGw_CCIqv2B4xj/view?usp=drive_link<\/a><\/li>\n\n
https://drive.google.com/file/d/1m7lw3jWlB557TbzQ97tuUGNzW7j1qvIT/view?usp=drive_link<\/a><\/li>\n\n
https://drive.google.com/file/d/1_8IisGxKWTEaikKrLceXpP7eZAAtJPX1/view?usp=drive_link<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2025 18:30 CET (20/03/2025 18:30 CET)\n <\/small>\n <\/p>\n\n
\n La musica barocca\n <\/h3>\n\n \n Istituto Comprensivo Vallelunga Marianopoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Baroque group and soloist with base\n(Middle School I grade)\n <\/div>\n\n
\n Musicians<\/span>\n Enrolled FSE+ La musica Unisce I.C. Vallelunga Marianopoli\n <\/div>\n\n
\n\n
https://drive.google.com/file/d/1EfK0qA63gTJRzquf6ybGw_CCIqv2B4xj/view?usp=drivesdk<\/a><\/li>\n\n
https://drive.google.com/file/d/1n8E9ewseDwYoKGCvBp6sjY7vInSiPQmo/view?usp=drivesdk<\/a><\/li>\n\n
https://drive.google.com/file/d/1m7lw3jWlB557TbzQ97tuUGNzW7j1qvIT/view?usp=drivesdk<\/a><\/li>\n\n
https://drive.google.com/file/d/1_8IisGxKWTEaikKrLceXpP7eZAAtJPX1/view?usp=drivesdk<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visit$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Visit – Olivier Calmeille's violin and bow-making workshop – Atelier Scordatura\n <\/h3>\n\n \n Les Muses en Dialogue & Atelier Scordatura\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
L’Atelier Scordatura is located in Montpellier in an exceptional setting: the Hôtel Faulquier, a 19th-century mansion just steps away from the Saint-Roch train station.<\/p>\n
The origins of Atelier Scordatura lie in the meeting of two luthiers: Frédéric Becker, a master luthier and bow maker specializing in classical instruments, who worked at this address for nearly forty years, and Olivier Calmeille, now the workshop\'s director, a Montpellier-based luthier with 15 years of experience specializing in historical instruments and period setups.<\/p>\n
Atelier Scordatura invites you on a journey through time to discover the richness of classical and historical string instrument craftsmanship, from restoration to the creation of bowed string instruments (from violins to double basses, including viols).<\/p>\n
Free entry, registration required by email at atelier@scordatura.fr<\/a>.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Olivier Calmeille, luthier\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visit$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 14:00 CET\n <\/small>\n <\/p>\n\n
\n Visit – Olivier Calmeille's violin and bow-making workshop – Atelier Scordatura\n <\/h3>\n\n \n Les Muses en Dialogue & Atelier Scordatura\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
L’Atelier Scordatura is located in Montpellier in an exceptional setting: the Hôtel Faulquier, a 19th-century mansion just steps away from the Saint-Roch train station.<\/p>
The origins of Atelier Scordatura lie in the meeting of two luthiers: Frédéric Becker, a master luthier and bow maker specializing in classical instruments, who worked at this address for nearly forty years, and Olivier Calmeille, now the workshop\'s director, a Montpellier-based luthier with 15 years of experience specializing in historical instruments and period setups.<\/p>
Atelier Scordatura invites you on a journey through time to discover the richness of classical and historical string instrument craftsmanship, from restoration to the creation of bowed string instruments (from violins to double basses, including viols).<\/p>
Free entry, registration required by email at atelier@scordatura.fr<\/a>.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Olivier Calmeille, luthier<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Nóra$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 10/03/2025 14:30 GMT (10/03/2025 15:30 CET)\n <\/small>\n <\/p>\n\n
\n Nóra B Kavanagh Solo Pieces inspired by Irish Traditional Music\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n As part of Early Music Day 2025, Nóra Byrne Kavanagh will perform a selection of pieces from the Irish Traditional Music idiom on solo piano. The performance will pay homage to the music of the renowned harper/composer Turlough Carolan (1670-1738) alongside the performance of some originally composed tunes by the performer.\n <\/div>\n\n
\n Musicians<\/span>\n Nóra B. Kavanagh\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mo$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 10/03/2025 14:30 GMT (10/03/2025 15:30 CET)\n <\/small>\n <\/p>\n\n
\n Mo Cheol\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n As part of Early Music Day 2025, Nóra Byrne Kavanagh will perform a selection of pieces from the Irish Traditional Music idiom on solo piano. The performance will pay homage to the music of the renowned harper/composer Turlough Carolan (1670-1738) alongside the performance of some originally composed tunes by the performer.\n <\/div>\n\n
\n Musicians<\/span>\n Nóra Byrne Kavanagh\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 17:00 CET (23/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n The Lionesses of Venice\n <\/h3>\n\n \n Titans Rising Verein für Alte Musik Berlin e.V. (Titans Rising concert series)\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Music by Venetian composers such as Barbara Strozzi, Benedetto Marcello, Antonio Lotti, Francesco Cavalli & Giovanni Legrenzi for solo women\'s voices\n <\/div>\n\n
\n Musicians<\/span>\n
Titans Rising Early Music Ensemble & Venice Music Project<\/p>
Liesl Odenweller<\/li>
Angela Postweiler<\/li>
Caterina Chiarcos<\/li>
Sarah Fuhs, soprano<\/li>
Jia Lim, harpsichord/organ<\/li>
Vladimir Waltham, baroque cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ārt$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Ārt House Social - queerPassion\n <\/h3>\n\n \n ĀRT HOUSE\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n How can queer representation take its place in Early Music being neither boring nor offensive? We will show the queer appropriation of Early Music in the form of a discursive workshop and gemütliches concert, using \"Seht jene Menschen\" - the new libretto by Thomas Höft for Bach\'s St Johns Passion. There will be food and drinks.\n <\/div>\n\n
\n Musicians<\/span>\n
ĀRT HOUSE 17<\/p>
Markus Schäfer, tenor<\/li>
Thomas Höft, narrator<\/li>
Michael Hell, harpsichord<\/li>
Georg Kroneis, viola da gamba<\/li>
Hannah Freienstein, violoncello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mozart:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2025 19:00 GMT (25/03/2025 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Mozart: La finta giardiniera\n <\/h3>\n\n \n The Mozartists\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n This sparkling comedy is one of Mozart’s most popular early operas. It was premièred in Munich in January 1775, and Mozart wrote home to his mother: “My opera turned out so well that it is impossible for me to describe… After every aria there was the most frightening clamour, with clapping and shouts of ‘Viva Maestro!’”. Our cast features an outstanding line-up of young singers headed by Ava Dodd and Hugo Brady.\n <\/div>\n\n
\n Musicians<\/span>\n
Ava Dodd (soprano) - Sandrina<\/li>
Camilla Harris (soprano) - Arminda<\/li>
Milly Forrest (soprano) - Serpetta<\/li>
Laura Fleur (mezzo-soprano) : Ramiro<\/li>
Hugo Brady (ténor) : Belfiore<\/li>
Michael Bell (ténor) - Podesta<\/li>
Jerome Knox (baryton) - Nardo<\/li>
The Mozartists<\/li>
Ian Page chef d\'orchestre<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach:$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 EET (21/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach: Spring 1725\n <\/h3>\n\n \n Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Cantatas written in March 1725 dialoguing with Telemann and Graupner\n\n <\/div>\n\n
\n Musicians<\/span>\n Bachcelona Consort & Salvat Soloists (Spain)\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"European$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n European Early Music Day 2025\n <\/h3>\n\n \n Visby domkyrkoförsamling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Early music concert\n <\/div>\n\n
\n Musicians<\/span>\n
Ad Fontes, vocal ensemble<\/li>
Bona Speranza, viola da gamba ensemble<\/li>
Campus Gotland Chamber Choir, choirmaster Dan Eiderfors, Elisabeth Lutteman & Gaston Apablaza<\/li>
Karin Nyman, soprano<\/li>
Dan Eiderfors, organ<\/li>
Lasse Pettersson, recorder<\/li>
Richard Hellgren, viola<\/li>
Elke Unt, organ <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Baroque$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Baroque in Yellow and Blue - a Swedish-Ukrainian Music Weave\n <\/h3>\n\n \n EARLY MUSIC SWEDEN\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Celebrate Early Music Day with EARLY MUSIC SWEDEN descovering beautiful unknown Ukrainian polyphony intertwined with Swedish baroque dances! Vocal ensemble PARTES (Kyiv) and harpsichordist Mariangiola Martello unite Mykola Dyletsky and Gustaf Düben in a concert of harmony and contrast. Join us at the German Church and online! Tickets from Feb 18 at earlymusicsweden.se. Recorded by the Swedish Radio.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble PARTES, Kyiv (Ukraine)<\/li>
Mariangiola Martello, harpsichord (Sweden)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"IL$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:30 CET (21/03/2025 18:30 CET)\n <\/small>\n <\/p>\n\n
\n IL SALOTTO DEL GRANDUCA - Musica nuova e nuove idee alla corte di Pietro Leopoldo, Granduca di Toscana\n <\/h3>\n\n \n Associazione culturale "Le Muse del Nespolo" - Magliano in Toscana (Grosseto, Tuscany, Italy)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with music by the composer and violinist Pietro Nardini (1722 - 1793), great virtuoso of his time and first violin at the Viennese court first and then, in Florence, at the court of Pietro Leopoldo of Habsburg, Grand Duke of Tuscany from 1765 to 1790, the first of the Habsburg-Lorraine to reside permanently in Florence. The concert will be interspersed with the reading of passages from the Leopoldino Codex so as to frame an important aspect of the musical culture of the 18th century within a broader historical, social and political, full of ferments, requests, actions for renewal and improvement of living conditions in the territory of Tuscany, thanks to the enlightened thought of Grand Duke Leopold and the prominent figures who surrounded him. The concert will be performed during the early music day and its aim is celebrating the \"Festa della Toscana\". With the support of Consiglio regionale della Toscana and of Comune di Magliano in Toscana (Grosseto, Tuscany, Italy)\n <\/div>\n\n
\n Musicians<\/span>\n
Associazione Culturale \"Le Muse del Nespolo\"<\/span><\/p>
Ensemble Accordone<\/span><\/p>
Guido Morini, direction<\/span><\/li>
Laura Pontecorvo, flûte traversière<\/li>
Guido Morini, clavecin<\/li>
Cristina Vidoni, violoncelle<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Viaggio$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 23/03/2025 17:00 CET (23/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Viaggio musicale nell'Europa barocca\n <\/h3>\n\n \n Associazione Culturale Vivere d'Arte E.T.S.\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by Johann Sebastian Bach, Georg Friedrich Händel, Georg Philipp Telemann, Girolamo Frescobaldi and other authors of the 16th and 17th centuries. Event with participation by invitation. Book your free entry now!\n <\/div>\n\n
\n Musicians<\/span>\n
Trio Hexachordum<\/p>
Guido Antoniotti, viola da gamba<\/li>
Silvia Capra, recorder<\/li>
Roberto Marazzato, organ<\/li>
Marco Farinella, greetings and presentation<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Palestrina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Palestrina 500: Giovanni Pierluigi e gli altri\n <\/h3>\n\n \n Diapason Consortium \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A tribute concert to Early Music in Vigevano, a beautiful town close to Milan both geographically and historically. Here, during the Renaissance, the Sforza Court moved from Milan; moreover, important figures such as Ludovico il Moro, Leonardo da Vinci and Donato Bramante lived here. The venue for the concert is the splendid San Dionigi Auditorium - a deconsecrated Baroque church that represents the temple of music in Vigevano - located a few meters from the fabulous Piazza Ducale.\nThe focus of concert will be Giovanni Pierluigi da Palestrina (Palestrina, 1525 – Roma, 2 febbraio 1594), on the occasion of the five hundredth anniversary of his birth.\n <\/div>\n\n
\n Musicians<\/span>\n Musicians and singers of artistic production collective \"Bottega dei Suoni\"\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BIBER,$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 30/03/2025 17:45 CEST\n <\/small>\n <\/p>\n\n
\n BIBER, LE SONATE DEL ROSARIO: I MISTERI GAUDIOSI\n <\/h3>\n\n \n Associazione Hendel / La Risonanza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Biber’s Rosary Sonatas are a monument to spirituality. Just as the Angel Gabriel’s announcement to Mary is poetic for believers and non-believers alike, Biber’s music transcends personal taste, reaching the realm of absolute beauty.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Lorenzo Gatto, narrator<\/li>
Olivia Centurioni, violin<\/li>
Caterina Dell’Agnello, violoncello<\/li>
Gabriele Palomba, theorbo<\/li>
Fabio Bonizzoni, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alessandro$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2025 15:41 CET (27/03/2025 15:41 CET)\n <\/small>\n <\/p>\n\n
\n Alessandro en Roma, Nápoles y Madrid\n <\/h3>\n\n \n Delirivm Musica\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Concert in tribute to Alessandro Scarlatti (1660-1725)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n Delirivm Musica\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Airs$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2025 17:07 CET\n <\/small>\n <\/p>\n\n
\n Airs & Fables\n <\/h3>\n\n \n Cultuurcentrum Strombeek Grimbergen\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n
Fables of Jean de La Fontaine set to music. François Couperin: Pièces mises en concert. <\/span>Airs by Montéclair, Lambert, Drambuis, and others<\/span><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
RedHerring Baroque Ensemble<\/p>
\n<\/p>
Claire Lefilliâtre – Soprano<\/li>
Dirk Vandaele – Violin<\/li>
Kaori Uemura – Viol<\/li>
Floris De Rycker – Theorbo<\/li>
Bart Jacobs – Harpsichord<\/li>
Patrick Denecker – Recorder and Director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"tvb$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 12:30 CET\n <\/small>\n <\/p>\n\n
\n tvb Bach: Maratona pianistica\n <\/h3>\n\n \n Associazione Culturale Mosuikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Selection of instrumental and vocal pieces by J.S.Bach\n <\/div>\n\n
\n Musicians<\/span>\n Students from Liceo Musicale \"A.Pigafetta\" di Vicenza \n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"tvb$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n tvb Bach! \n <\/h3>\n\n \n Associazione Culturale Mousikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Selection of instrumental pieces by Bach, Vivaldi and Corelli, and vocal pieces by Bach\n <\/div>\n\n
\n Musicians<\/span>\n Students from Liceo Musicale \"A.Pigafetta\" di (Vicenza)\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Adagio$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 21:30 CET\n <\/small>\n <\/p>\n\n
\n Adagio e Fuga - Come fu che lo stoccafisso arrivò da Røst a Vicenza\n <\/h3>\n\n \n Associazione Culturale Mousikè \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Adagio and Fugue from the 1st Sonata in G Minor BWV 1001\nMonologue in a \'Multilingual Grammelot\'\n <\/div>\n\n
\n Musicians<\/span>\n
Paola Volpi, violin<\/li>
Pino Costalunga, actor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Pierre$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Pierre Gaultier and the birth of opera in Marseille\n <\/h3>\n\n \n Alessandra\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
In 1685, Pierre Gaultier obtained Lully\'s permission to open the very first provincial opera house. From then on, opera became a Marseilles institution, central to the musical and cultural life of an entire region. Based on instrumental works by Gaultier, Concerto Soave has built a program around French opera of the late 17th and early 18th centuries. Lully is obviously present, but also Campra and Mouret, immense opera composers born in our region.
<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Concerto Soave<\/li>
Gabrielle Varbetian, soprano<\/li>
Romain Bockler, baritone<\/li>
Federica Basilico, Charlotte Gerbitz, violins<\/li>
Marine Rodallec, cello<\/li>
Jean-Marc Aymes, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"MAAV$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 18:30 CET (22/03/2025 18:30 CET)\n <\/small>\n <\/p>\n\n
\n MAAV festival - Festival di Musica Antica dell'Alto Vicentino\n <\/h3>\n\n \n Associazione dolci accenti - Istituto musicale città di Thiene\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n In late 18th century Vienna, princes or wealthy aristocrats could only call themselves such if they had a wind ensemble in their employ. Today they will be at our festival!\n <\/div>\n\n
\n Musicians<\/span>\n
Trio SIMIOT<\/p>
ROCCO CARBONARA, <\/span>NICOLÒ ANDRIOLO, RAFFAELE TROVÒ, historical clarinets<\/span><\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Semele\"$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Semele\n <\/h3>\n\n \n Associazione Hendel\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Prepare to be amazed! Discover a fresh take on a familiar plot from Handel’s oratorio, featuring a surprising composer, breathtaking music, and extraordinary young soloists. Watch now!\n <\/div>\n\n
\n Musicians<\/span>\n
Emilia Bertolini, Ino<\/li>
Federica Napoletani, Cadmus<\/li>
Piermarco Vinas, Athamas<\/li>
Angelo Testori, Jupiter<\/li>
Giacomo Nanni, Juno<\/li>
Jiayu Jin, Iris<\/li>
Maria Chiara Ardolino, Somnus<\/li>
Francesco Masilla, Apollo<\/li>
Francesco Masilla, Chief Priest<\/li>
Alessandro Ravasio, 2nd Priest and 1st Augur<\/li>
Emanuele Bianchi, 3rd Priest and 2nd Augur<\/li>
Matteo Magistrali<\/li><\/ul>
LA PRIMAVERA DE LA RISONANZA<\/span><\/p>
Ryo Terakado, Matteo Rozzi, Gabriele Cervia, Ruiqui Ren, I-Chun, Stefano Gerard – violins<\/li>
Elena Gelmi – viola<\/li>
Viktor Töpelmann, Agnieszka Oszanca – cellos<\/li>
Guisella Massa – violone<\/li>
Menglin Gao, Giorgia Zanin – theorbo<\/li>
Fabio Bonizzoni – harpsichord and conductor
<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Neapolita$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 18/03/2025 16:00 CET (18/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Neapolita Early Music Day\n <\/h3>\n\n \n Liceo Musicale "Margherita di Savoia" - NAPOLI\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A valuable music program by famous Baroque Italian Composers, as such as G.B. Pergolesi, A. Vivaldi, C. Caresana, performed by the Group Ensemble Musicale Barocco, a Youth musical ensemble from the secondary schools of Performing Arts Department in Naples. The instrumental sections include: Strings, Wind instruments, Harps, Organs, Harpsichord, a Baroque Poliphonic Choire, Percussions.\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians:\nCastiello Sofia, Tesone Maria Barbara, Yana Chukhrovska, Notaro Giovanni, De Vito Gaia, Santonicola Gabriele, Teleno Silvana, Serino Chiara, Dini Ciacci Luna, Giordano Viviana, Negri Alessia, Tramontana Emilianna, Pacilio Ilaria, Pollice Aurora Marie, Napoletano Giada, Varriale Alfredo, Sacco Adele, Scicchitano Miriam, Di Maria Viviana, Rossetti Flavia, Succoia Maria Teresa, Capuano Liliana, Russo Giuliano, Enrika Feola, Capocotta Valerio, Rimonti Zara Carolina, Botosineanu Elisa, Nastych Anna.<\/li>
Teachers: Amato Angela (violin), Caiazza Ida (singing), Catarci Katia (harp), Crimaldi Valentina (Flute), Durantino Giorgio (percussion), Nocerino Francesco (piano, organ, harpsichord)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Renaissance$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Renaissance à gogo, tous les hits du XVIe siècle\n <\/h3>\n\n \n Les Rendez-Vous de Musique Ancienne - Ensemble Céladon\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
On stage, a bizarre instrument: the clavicytherium (a kind of small vertical harpsichord), its imperturbable keyboardist, a counter-tenor who is also master of the game, and a 12-sided die, each of which corresponds to a piece of music. Renaissance à gogo is a fun way to learn about 16th-century music! So, shall we play?<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Paulin Bündgen, countertenor and artistic director<\/li>
Caroline Huynh Van Xuan, clavichytherium<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Daheim$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 30/03/2025 18:15 CEST\n <\/small>\n <\/p>\n\n
\n Daheim bei Milán & Galilei\n <\/h3>\n\n \n ReRenaissance – Forum for Early Music\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n
Journey through mini lute concerts in a Basel mansion! The “queen of instruments” inspired renowned virtuosos such as Luys de Milán and Vincenzo Galilei, both of whom celebrate anniversaries in 2025.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Julian Behr – lute<\/li>
Xavier Latorre – lute<\/li>
Orí Harmelin – lute<\/li>
Marc Lewon – lute; direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Masterpieces$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Masterpieces from the time of Jean-Jacques Rousseau\n <\/h3>\n\n \n Kammerata Luxembourg\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n Baroque music on original instruments between 1730 and 1750 | as part of the European Early Music Day\n\n‘Celebrate early music! – is the motto of the European Early Music Day. Kammerata Luxembourg is celebrating the occasion with a concert on historic instruments at the Saint-Hubert church in Merscheid.\nThe focal point of the evening is the Swiss philosopher, writer and composer Jean-Jacques Rousseau, who said of himself: ‘I was surely born for music, since I loved it from childhood, and since I loved it constantly at all times’.\nThe concert programme is dedicated to Rousseau’s musical contemporaries, and invites you to take a cross-border journey through the Baroque period, focusing on Telemann, Bach, Barsanti, Scarlatti, Handel, Geminiani and Rameau.\nPlaying on period instruments will make this musical journey authentic.\n\nGP Telemann | Quatuor parisien no.2 TWV 43:a2 | oboe, violin, bass viol, continuo\nCPE Bach | Sonata H 549 | oboe, b.c.\nFrancesco Barsanti | A collection of Old Scots Tunes (extr.)\nDomenico Scarlatti | Sonata K.69 | harpsichord\nGF Händel | Trio HWV 386a | violin, oboe, b.c.\nFrancesco Geminiani | A Treatise of Good Taste in the Art of Musick (extr.)\nJP Rameau | Pièces de clavecin en concert – Cinquième concert | harpsichord, violin, oboe, viola da gamba\n\nInformation / Booking\nTickets may only be purchased at the evening box office\nReservations not required via info@kammerata.lu\nTickets: 25 € | < 30 years: 15 € | Kulturpass welcome\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Kammerata Luxembourg:<\/p>
Raffaella Bortolini, baroque oboe <\/li>
Isabel Van Grysperre, baroque violin <\/li>
Borbala Janitsek, viola da gamba <\/li>
Fons Van der Linden, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 15:30 CET\n <\/small>\n <\/p>\n\n
\n Le basson avec Kaori Yokoyama\n <\/h3>\n\n \n Le Musée des instruments à vent\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Musician Kaori Yokoyama invites you to discover her unique collection of bassoons. She will trace the history of the bassoon and invite you to listen to this instrument with sounds as powerful as they are gentle. Did you know? In the musical tale “Peter and the Wolf”, the bassoon plays the grandfather.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Kaori Yokoyama, bassoonist<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Early music concert\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Programme with the Conservatoire choir and the early music orchestra based on De Lalande\'s ‘De Profundis’.
<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Vocalitas Choir, Helios Orchestra
<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 18/03/2025 16:00 CET (18/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Neapolitan early music day\n <\/h3>\n\n \n Francesco Nocerino\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A valuable music program by famous Baroque Italian Composers, as such as G.B. Pergolesi, A. Vivaldi, C. Caresana, performed by the Group Ensemble Musicale Barocco, a Youth musical ensemble from the secondary schools of Performing Arts Department in Naples. The instrumental sections include: Strings, Wind instruments, Harps, Organs, Harpsichord, a Baroque Poliphonic Choire, Percussions. \n <\/div>\n\n
\n Musicians<\/span>\n
Castiello Sofia, Tesone Maria Barbara, Yana Chukhrovska, Notaro Giovanni, De Vito Gaia, Santonicola Gabriele, Teleno Silvana, Serino Chiara, Dini Ciacci Luna, Giordano Viviana, Negri Alessia, Tramontana Emilianna, Pacilio Ilaria, Pollice Aurora Marie, Napoletano Giada, Varriale Alfredo, Sacco Adele, Scicchitano Miriam, Di Maria Viviana, Rossetti Flavia, Succoia Maria Teresa, Capuano Liliana, Russo Giuliano, Enrika Feola, Capocotta Valerio, Rimonti Zara Carolina, Botosineanu Elisa, Nastych Anna.<\/p>
Teachers: <\/span><\/p>
Amato Angela (violin)<\/span><\/li>
Caiazza Ida (singing)<\/li>
Catarci Katia (harp)<\/li>
Durantino Giorgio (percussion)<\/li>
Nocerino Francesco (organ, harpsichord)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Bernardo Pasquini: Il Mosè\n <\/h3>\n\n \n Associazione Culturale Pietro Antonio Locatelli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n We will open our 2025 musical season in Bergamo with the italian premiere of this oratorio by Bernardo Pasquini. The Concert will be taken in the principal Theater of the City: Teatro Gaetano Donizetti.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Locatelli<\/li>
Ensemble Vocale Locatelli<\/li>
Thomas Chigioni (Conductor)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"340.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n 340. Bach-Gebeurtstag\n <\/h3>\n\n \n Köthener BachGesellschaft mbH\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n On 21 March, the Köthen Bach Festival traditionally celebrates Johann Sebastian Bach\'s birthday with a concert in the Church of St. Agnus. This year\'s festival will be particularly unusual: Margret Köll, one of the best baroque harpists in the world, will be coming to Köthen (Anhalt) for a whole week to work with international students. Together with the Bach Festival director, they are developing a sound festival for the birthday concert that will fill the historic church of St Agnus with harmonies in every corner. The young Chilean singer Romina De la Fuente Villarroel, who has been living in Weimar for several years, will also be a guest. The musical celebration will feature the most beautiful sounds and repertoire highlights for and with harp from around 150 years, from the invention of opera at the beginning of the 17th century to the music of Johann Sebastian Bach. Together with the great baroque master, the composer Alfred Tokayer, who was also born in Köthen (Anhalt) on 21 March, will be celebrated. He was born in 1900 to a Jewish family in the city of Bach and received his first musical training here. In the 1920s, he made a career in Berlin and worked for theatre legend Max Reinhardt, among others. Tokayer had to flee to France in 1935. He was finally arrested by the Gestapo in Paris in 1942 and - like his parents - was killed in the Sobibor concentration camp in 1942. The concert will be streamed live on YouTube!
\n <\/div>\n\n
\n Musicians<\/span>\n
Margret Köll, baroque harp<\/li>
Romina De la Fuente Villarroel, soprano<\/li>
participants from the HARFEN LABORS in Köthen, surprise guests<\/li>
Folkert Uhde, animation<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Let's$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 16:00 CET (21/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Let's Chat with Eve Friedman\n <\/h3>\n\n \n Teddie Hwang\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Join us in a friendly conversation with the author of \"Tone Development on the Baroque Flute\"! Players of all levels and backgrounds, as well as educators teaching the baroque flute will no doubt find this talk helpful and informative.\n <\/div>\n\n
\n Musicians<\/span>\n
Eve Friedman, flutist and author of \"Tone Development on the Baroque Flute\"<\/li>
Teddie Hwang, founder of \"Teddie Talks Traverso\"<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Music$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Music & Climate\n <\/h3>\n\n \n Itinéraire Baroque en Périgord\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n In music, the seasons have often inspired composers: Vivaldi but also Lully, Purcell, Boismortier... Similarly, spectacular events (storms, tempests) but also moments of prosperity and calm have inspired musicians. Concert in collaboration with Cherval Avenir
\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Les Meslanges<\/li>
Van EssenThomas, baritone<\/li>
Van Waerbeke Jérôme, violin<\/li>
Hernandez Frédéric, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"L'organo$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n L'organo fantastico: Girolamo Frescobaldi, le Toccate del Primo Libro\n <\/h3>\n\n \n Conservatorio di musica "Giuseppe Verdi" di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Frescobaldi was a great musician who not only inaugurated a new manner of playing but also illustrated a new refined “modus componendi” through a language of astonishing modernity. This concert offers a rare opportunity to hear the entire collection of toccatas contained in his first book published in 1615, in Rome, performed on a magnificent organ belonging to one of the most famous dynasties of Brescian builders, active in the years between the sixteenth and seventeenth centuries: the Antegnati. In particular, it is an ancient organ built by Gian Giacomo Antegnati in 1554, located, in the wonderful Church of San Maurizio al Monastero Maggiore in Milan. The twelve Toccatas performed in this organ concert are so imbued with a great expressive intensity and a poignant grace that, even today, they amaze us with their relevance. They are compositions permeated by a magic of sounds and an emotional tension that seems to never end. Bach himself was fascinated by the music of this great Ferrarese master. Not by chance this music seduces by its spontaneity, by its freshness, by the naturalness of the lyric melodic gesture.\n <\/div>\n\n
\n Musicians<\/span>\n Ivana Valotti, a leading specialist in the Italian Renaissance and Baroque organ repertoire, teaches the advanced course in early music on the organ at the Giuseppe Verdi Conservatory in Milan.\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Audition$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2025 13:10 GMT (11/03/2025 14:10 CET)\n <\/small>\n <\/p>\n\n
\n Audition for the first organist on the 300th anniversary of St George’s, Hanover Square\n <\/h3>\n\n \n St George's, Hanover Square\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n The church of St George’s Hanover Square was consecrated by the Bishop of London\non March 23rd, 1725. The three-manual organ was built by Gerard Smith, nephew and successor of the famous Father Smith. The case of his organ remains as the central part of the current organ case. This recital will reflect the audition for the first organist, with music by the four assessors (Pepusch, Croft, Handel and Geminiani) and the successful candidate, Thomas Roseingrave, chosen for his ability to improvise fugues.\n <\/div>\n\n
\n Musicians<\/span>\n Andrew Benson-Wilson\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visites$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 10:30 CET\n <\/small>\n <\/p>\n\n
\n Visites en musique des collections du Musée Fabre - Les Ombres \n <\/h3>\n\n \n Les Muses en Dialogue - Les Ombres - Musée Fabre\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Friday, March 21 at 10:30 a.m. and 2:30 p.m.<\/p>
Le printemps<\/b><\/span>
<\/span><\/p>
As part of the European Early Music Days, the Musée Fabre opens its doors to musicians from the Les Ombres ensemble. On a guided musical and pictorial tour, music and paintings reveal their secrets. The flute and viola da gamba will resonate in this majestic setting during original guided tours, revealing each work under the prism of spring.<\/span>
<\/span><\/p>
Admission: €15, with registration by e-mail to amelie.belin@montpellier.fr, or directly online on the Musée Fabre website.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Margaux Blanchard, viola da gamba<\/li>
Sylvain Sartre, traverso<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ancient$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 17:00 CET (22/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Ancient Sounds in the Abbey - Exhibition of medieval instruments and medieval music concert\n <\/h3>\n\n \n Fondazione Abbatia Sancte Marie de Morimundo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n On the occasion of the Early Music Day, you are invited to a double event to discover the fascinating world of medieval music. The event begins with an exhibition of historical instruments and continues with a narrated concert, where a musicologist and a musician alternate between performing medieval sacred and secular music and recounting episodes of monastic life, passed down through songs and other medieval documents.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble In Itinere Musica Medievale<\/p>
Roberto Chiari - medieval fiddle, rebec, drum, and others<\/li>
Chiara Mojana - narrator, medieval harps and recorder<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BACH340\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 14:55 EET (21/03/2025 13:55 CET)\n <\/small>\n <\/p>\n\n
\n BACH340\n <\/h3>\n\n \n Lieto parish\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Bach340 with Organ&Cello\n <\/div>\n\n
\n Musicians<\/span>\n
Tomi Satomaa, organ<\/li>
Jukka Perksalo, cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 12:30 EET (21/03/2025 11:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music in the corridors of LMTA / LMTA Early Music Week 2025\n <\/h3>\n\n \n Lithuanian Academy of Music and Theatre\n <\/span>\n\n \n Lithuania<\/strong>\n <\/span>\n\n \n Welcome to the European Early Music Day at the Lithuanian Academy of Music and Theatre! Participants of “LMTA Early Music Week 2025“ will invite you to listen to works by Renaissance and Baroque composers and get acquainted with historical musical instruments.\n <\/div>\n\n
\n Musicians<\/span>\n Participants of \"LMTA Early Music Week 2025\"\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach’s$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 EET (21/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach’s Birthday \n <\/h3>\n\n \n Oulu University Chamber Orchestra \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Music by J.S.Bach, G.F.Handel, A.Vivaldi \n <\/div>\n\n
\n Musicians<\/span>\n
Oulu University Chamber Orchestra<\/p>
Tommi Pyykönen, concertmaster<\/li>
Sinikka Ala-Leppilampi, conductor <\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Tarquinio$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2025 14:30 CST (08/03/2025 07:30 CET)\n <\/small>\n <\/p>\n\n
\n Tarquinio Merula - Concerti Spirituali\n <\/h3>\n\n \n The Gleam Ensemble & Ensemble InAlto\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n
\n Time and Geography, they say, are destiny.\nLike Luigi Rossi, Francesco Cavalli and Giacomo Carissimi, Tarquinio Merula belonged to that generation of composers, born between 1595 and 1605, for whom the concertante style was no longer a new idiom, but the musical medium par excellence, acquired from childhood as the dominant musical language of the time. A musical language that was about to spread throughout the European continent.\nBorn in 1595 in Brusseto, Tarquinio Merula probably received his musical training at Cremona Cathedral; after serving as Kapellmeister in Lodi, Lombardy, and in Warsaw, at the Polish Royal Court, he alternated several times, from 1626 onwards, in the same positions for the cathedrals of Cremona and Bergamo.\nTarquinio Merula was known as a virtuoso on both the violin and organ and has published a wide variety of instrumental music for “chiesa e camera” : for both secular and sacred contexts.\nBy the 1630s, public enthusiasm for highly expressive solo madrigals composed in the recitative style had waned considerably. Contrary to the assumption of certain theorists that, in vocal music, music was only at the service of words, the composers of the younger generation were looking for a more balanced relationship between words and music, a relationship in which the declamatory and expressive achievements of this new era would be united with the emerging interest in formal construction and musical harmony.\nFilled with the daring inventions of his peers like Grandi, Monteverdi, Cavalieri etc… Merula never ceased to put his talent at the service of an incredibly expressive music.\nInAlto explores here the sacred compositions of the Cremonese Master, all at the image of the famous lullaby Hor che è tempo di dormire. Simple at times, yet impressively innovative. Sacred, yet grounded in human emotions.\n <\/div>\n\n
\n Musicians<\/span>\n
Alice Foccroulle, soprano<\/li>
Lambert Colson, cornetto<\/li>
Martin Chiang, dulcian<\/li>
Shio Ohshita, baroque violin<\/li>
Bernard Foccroulle, organ and harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Dreams$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:30 CET\n <\/small>\n <\/p>\n\n
\n Dreams : Un autre rêve\n <\/h3>\n\n \n LE BANQUET CÉLESTE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n In a candlelit cabinet of curiosities, Henry Purcell and John Dowland’s most beautiful tunes’ melancholy resonates. Le Banquet Céleste plunges us into the heart of a waking dream where circus, dance, and music converse.Inspired by the 17th century Vanities, the pair of directors Cécile Roussat and Julien Lubek design a show in which the enchanting beauty of the chiaroscuro images reminds us of our human condition’s fragility. Accompanied by a viola da gamba, a lute, and a harpsichord, the countertenor’s character and his mysterious acrobatic double masterfully suspend time.\n <\/div>\n\n
\n Musicians<\/span>\n
Paul Figuier, Counter-tenor<\/li>
Aurélien Oudot, Dancer-acrobat<\/li>
Isabelle Saint-Yves, Viola da gamba<\/li>
André Henrich, Lute<\/li>
Kevin Manent-Navratil, Harpsichord<\/li>
Cécile Roussat & Julien Lubek, Visual design and stage direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Le Graduel d’Aliénor de Bretagne, abbesse de Fontevraud\n <\/h3>\n\n \n pôle Aliénor\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Extracts from the Fontevraud Manuscript: Plainchant and medieval polyphony Students from the early music department, under the direction of Isaac Alonso de Molina<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Isaac Alonso de Molina, artistic direction<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Neapolita$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 18/03/2025 16:00 CET (18/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Neapolita Early Music Day\n <\/h3>\n\n \n Liceo Musicale Statale "Margherita di Savoia" - Napoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A valuable music program by famous Baroque Italian Composers, as such as G.B. Pergolesi, A. Vivaldi, C. Caresana, performed by the Group Ensemble Musicale Barocco, a Youth musical ensemble from the secondary schools of Performing Arts Department in Naples. The instrumental sections include: Strings, Wind instruments, Harps, Organ, Harpsichord, Percussions, Solo Singers and a Baroque Poliphonic Choir.\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians:\nCastiello Sofia, Tesone Maria Barbara, Yana Chukhrovska, Notaro Giovanni, De Vito Gaia, Santonicola Gabriele, Teleno Silvana, Serino Chiara, Dini Ciacci Luna, Giordano Viviana, Negri Alessia, Tramontana Emilianna, Pacilio Ilaria, Pollice Aurora Marie, Napoletano Giada, Varriale Alfredo, Sacco Adele, Scicchitano Miriam, Di Maria Viviana, Rossetti Flavia, Succoia Maria Teresa, Capuano Liliana, Russo Giuliano, Enrika Feola, Capocotta Valerio, Rimonti Zara Carolina, Botosineanu Elisa, Nastych Anna.<\/li>
Teachers: Amato Angela (violin), Caiazza Ida (singing), Catarci Katia (harp), Crimaldi Valentina (Flute), Durantino Giorgio (percussion), Nocerino Francesco (piano, organ, harpsichord)\n\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Ich$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 10:00 CET (21/03/2025 10:00 CET)\n <\/small>\n <\/p>\n\n
\n Ich Habe Genug\n <\/h3>\n\n \n Barocco Europeo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Baritone Patrizio La Placa and the ensemble Cenacolo Musicale immerse themselves in Johann Sebastian Bach’s cantata Ich habe genug written for the Feast of the Purification of Mary, observed on February 2, 1727, also in the Lutheran liturgical calendar. The cantata alternates two recitatives and three solo arias. The concert featured in this video opens with The Oboe Concerto for Strings, a work from the final creative phase of Telemann, a remarkably prolific composer and a master of self-promotion. This piece perfectly encapsulates his art, striking a refined balance between intellectual sophistication and pure enjoyment. Telemann’s Oboe Concerto is followed by Carl Philipp Emanuel Bach’s Trio Sonata in B minor. The favored son of Johann Sebastian, gifted with extraordinary musical talent from an early age, would go on to guide his father’s musical legacy through the stylistic transformations of the forthcoming Classical era.\n <\/div>\n\n
\n Musicians<\/span>\n
Patrizio La Placa, baritone<\/li>
Ensemble Cenacolo Musicale<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Beatles$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:30 CET\n <\/small>\n <\/p>\n\n
\n Beatles Baroque\n <\/h3>\n\n \n Les Paladins\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n On the one hand, there\'s a ‘so British’ composer, a master of English song from the 17th century, whose captivating melodies and delicious harmonies are sometimes reminiscent of pop music-or maybe it\'s the other way round. On the other, ‘Quatre garçons dans le vent’, with their boundless musical and textual imagination, are always on the lookout for new sounds, sometimes flirting with the world of classical or traditional music to renew themselves.\n <\/div>\n\n
\n Musicians<\/span>\n
Magali Léger, Amandine Bontemps, sopranos<\/li>
Jean-François Lombard, tenor<\/li>
Olivia Gutherz, viola da gamba<\/li>
Franck Ratajczyk, double bass<\/li>
Jérôme Correas, harpsichord, organ and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Back$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Back to Bach ! \n <\/h3>\n\n \n La Fenice aVenire\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The young musicians of La Fenice aVenire are offering a ‘Bach spring evening’ to mark the birthday of the ‘Pater familias’ Johann Sebastian, who was born with spring on 21 March! Each musician will play for the other, inviting the audience (placed in a semi-circle around their artist friends) to share in the artistic and spiritual complicity offered by Johann Sebastian\'s eternally youthful music! A glass of friendship will bring this spring festival to a harmonious close, promising the return of fine weather!\n <\/div>\n\n
\n Musicians<\/span>\n
Matthieu Camilleri, solo violin<\/li>
Keiko Gomi, solo cello<\/li>
Ensemble La Fenice aVenire<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Musique$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 10:30 CET\n <\/small>\n <\/p>\n\n
\n Musique & peinture : miroirs de nos émotions\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Musical tours of the Musée Fabre collections<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
LES OMBRES<\/p>
Sylvain Sartre, flute<\/li>
Margaux Blanchard, viola da gamba<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Monteverdi$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Monteverdi : présentation du projet L’Orfeo\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Public rehearsal of the project for the stage version of Orfeo by the Early Music Department of the Cité des Arts de Montpellier, in partnership with the Arianna Ensemble.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Ars Vocalis (Ensemble Arianna\'s vocal arts centre)<\/p>
Marie-Paule Nounou, conductor<\/li><\/ul>
Voice and Early Music Department of the Cité des Arts de Montpellier<\/p>
Jean-Philippe Zielinski, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Concert des professeurs des conservatoires à rayonnement départemental de Narbonne et Béziers Méditerranée\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Concert by teachers from the Narbonne and Béziers Méditerranée departmental conservatories.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Réseau des Conservatoires Occitanie Méditerranée<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vous$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 14:00 CET\n <\/small>\n <\/p>\n\n
\n Vous avez dit baroque? \n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n 2.00 pm and 3.00 pm. These workshops offer children (aged 6 and over) the chance to discover the baroque violin and its development into the modern violin. Through musical extracts played on different violins, they will be able to compare sounds and playing techniques, and understand why strings, bows and tuning influence music.\n <\/div>\n\n
\n Musicians<\/span>\n
Françoise Duffaud, violinist<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n Concert by teachers from the early music department of Perpignan's Conservatoire à rayonnement régional\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n To mark the European Early Music Days, the association Les Muses en Dialogue invites you to a concert by teachers from the early music department of Perpignan\'s Conservatoire à rayonnement régional.\n <\/div>\n\n
\n Musicians<\/span>\n
DMA teachers at the Perpignan Regional Conservatory<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"GRANDEZZA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 16:00 CET (23/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n GRANDEZZA & LEVITÀ. Dal Concerto Grosso alla Musica sull’Acqua\n <\/h3>\n\n \n Grandezze & Meraviglie \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Join us for the third event of Grandezze & Meraviglie in celebration of Early Music Day 2025. A journey through the elegance and brilliance of Baroque music, from Corelli\'s refined concertos to Vivaldi\'s vibrant Venetian spirit and the majesty of Händel\'s Water Music. \n <\/div>\n\n
\n Musicians<\/span>\n
Giuseppe Falciglia, oboe and recorder<\/li>
Steno Boesso, bassoon<\/li>
I MUSICALI AFFETTI<\/li>
Fabio Missaggia, violin and direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Franz$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 EET (21/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Franz Schubert: Deutsche Messe\n <\/h3>\n\n \n Musicians of the King’s Road (Kuninkaantien muusikot)\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Deutsche Messe by Franz Schubert is a choral work of timeless beauty. Its nine parts are based on German poems. The composition has a very special character, and it differs from many other pieces of western church music.\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians of the King’s Road<\/p>
Andres Mustonen, conductor<\/li>
Ilpo Laspas, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Concert of the harpsichord class of Andrea Marcon\n <\/h3>\n\n \n Schola Cantorum Basiliensis\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Students of Andrea Marcon\'s harpsichord class will present repertoire for harpsichord in solo and ensemble formations\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Palestrina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 28/03/2025 19:30 GMT (28/03/2025 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Palestrina 500: Music from Italy and the Sistine Chapel\n <\/h3>\n\n \n Brighton Early Music Festival\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Join BREMF consort of voices to celebrate the 500 anniversary of the birth of Giovanni Pierluigi da Palestrina in 1525, whose graceful polyphony was written to be performed in the Sistine chapel and whose influence quickly spread throughout Europe. We will also be performing motets by some of his contemporaries including Allegri, Victoria, Gabrieli, and Marenzio.\n <\/div>\n\n
\n Musicians<\/span>\n
BREMF Consort of Voices<\/li>
James Elias, director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Giovanni$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 21:00 CET\n <\/small>\n <\/p>\n\n
\n Giovanni Legrenzi (1626-1690): Misticismo e Assoluto\n <\/h3>\n\n \n MUSICA MIRABILIS. International Musical Festival Giovanni Legrenzi - Municipality of Clusone (Bergamo)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music from «Harmonia d\'affetti devoti», opus III (Venezia, 1655) and «Compiete», opus VII (Venezia, 1657), by Giovanni Legrenzi. Organ Music from «Codici Chigi, Q.IV.25-29, München 1581», by Girolamo Frescobaldi.\n <\/div>\n\n
\n Musicians<\/span>\n
Collegium vocale et instrumentale « Nova Ars Cantandi » (Alessandro Carmignani, Cantus ; Salvo Disca, Altus ; Alberto Allegrezza, Tenor ; Gianluca Ferrarini, Tenor ; Marcello Vargetto, Bassus)<\/li>
Ivana Valotti, organ<\/li>
Giovanni Acciai, direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Johann$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 20:49 CET\n <\/small>\n <\/p>\n\n
\n Johann Sebastian Bach – visionary of the piano, lecture illustrated with music by Aleksandra Gajecka-Antosiewicz\n <\/h3>\n\n \n Palace at Rybna\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n A lecture on the keybord instruments of J.S.Bach\'s time and his attitude towards the subject. The lecture combined with piano recital by Aleksandra Gajecka-Antosiewicz\n <\/div>\n\n
\n Musicians<\/span>\n Aleksandra Gajecka-Antosiewicz\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"INTRECCI\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n INTRECCI\n <\/h3>\n\n \n N&B MARETERRA Festival\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by F. Sor, P. Rode, M.M. Ponce, P.I. Tchaikovsky and G. Susani\n <\/div>\n\n
\n Musicians<\/span>\n Giacomo Susani, guitar\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 10:30 CET\n <\/small>\n <\/p>\n\n
\n Journée Européenne de la Musique Ancienne \n <\/h3>\n\n \n La Ruche Artistique\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Numerous 20-minute concerts, “the time of a sonata”, from 10:30 a.m. to 6:30 p.m., meetings with all Brittany\'s musicians, amateur and professional, music and dance.\n <\/div>\n\n
\n Musicians<\/span>\n
Les violistes de la Ruche Artistique<\/li>
Chœur Claudio<\/li>
Ensemble Il Pastor Fido<\/li>
Ensemble Spered Hyvarnion, musique de chambre<\/li>
Ensemble vocal Anouna<\/li>
La Menestraudie et la Rigourden, musique et danse médiévale et renaissance<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"J.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 13/03/2025 18:00 CET (13/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n J. S. BACH: L’ARTE DELLA FUGA tra Speculazione e Espressione - parte I\n <\/h3>\n\n \n Grandezze & Meraviglie \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Join us for the inaugural concert lecture of Grandezze & Meraviglie in celebration of Early Music Day 2025. Die Kunst der Fuge BWV 1080 is the supreme synthesis of theory and emotion in Bach\'s mature works representing the culmination of counterpoint and variation techniques in all their forms.\n <\/div>\n\n
\n Musicians<\/span>\n Riccardo Castagnetti, harpsichord \n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Les$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Les Amateurs des Passions - Unikat\n <\/h3>\n\n \n Les Passions de l'Âme\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Les Amateurs des Passions is a project orchestra for amateur instrumentalists initiated by Les Passions de l\'Âme. Led by Meret Lüthi, the orchestra performs five different unique baroque pieces by Vivaldi, Biber, Muffat and J. Chr. Bach\n <\/div>\n\n
\n Musicians<\/span>\n
Les Amateurs des Passions: 11 baroque violins, 3 baroque violas, 2 baroque cellos<\/li>
Guests: Julian Behr, Giulio Falzone, Barbora Hulcova, Diego Chacón (lutes), Shuko Sugama (violone)<\/span><\/li>
Solo violin and leader: Meret Lüthi<\/span><\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Maitrise$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2025 16:30 CET\n <\/small>\n <\/p>\n\n
\n Maitrise d'enfants de l'IRVEM\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Musical tour of the Hyacinthe Rigaud art museum collections by the IRVEM Children\'s Choir\n <\/div>\n\n
\n Musicians<\/span>\n With the Children\'s Choir of the Institut de recherche vocale et d’enseignement musical Méditerranée (IRVEM)\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Andreas$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:15 CET (21/03/2025 20:15 CET)\n <\/small>\n <\/p>\n\n
\n Andreas Staier\n <\/h3>\n\n \n Amici della Musica di Padova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Andreas Staier, Bach Medal (2024) of the City of Leipzig, returns to Padova (first concert in our series was in the 1984, with Musica Antiqua Köln) with a program devoted to musical representations of Vanitas in seventeen-century France and Germany\n <\/div>\n\n
\n Musicians<\/span>\n Andreas Staier, harpsichord\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alessandro$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 10:00 CET\n <\/small>\n <\/p>\n\n
\n Alessandro Capece, il Maestro di Carissimi\n <\/h3>\n\n \n Musicaimmagine ETS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by: A. Capece, G. Carissimi, F. Colusso\nMusicaimmagine and Flavio Colusso, who have been involved since 1983 in the performance and publication of the works of Carissimi and the many pupils of his celebrated school at the German-Hungarian College in Rome, in 2025 take the opportunity to remember Alessandro Capece [Tarano, c. 1575 - (?), after 1636], who was his teacher at Tivoli Cathedral.\n <\/div>\n\n
\n Musicians<\/span>\n
Cappella Musicale di Santa Maria dell\'Anima<\/p>
Flavio Colusso, chapel master<\/span><\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"AlterEcho\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n AlterEcho\n <\/h3>\n\n \n AUBE MUSIQUE ANCIENNE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Baroque music concert\n <\/div>\n\n
\n Musicians<\/span>\n
Vocal ensemble La Compagnie des Humbles<\/li>
Student singers in the Voice program at the Marcel-Landowski Conservatory in Troyes<\/li>
Moana GALLETTI, baroque violin<\/li>
Teddy DANJEAN, cornet à bouquin<\/li>
Olivier RENAULT, alto sackbut<\/li>
Abel CORTES, tenor sackbut<\/li>
Luc RENAULT, bass sackbut<\/li>
Flore SEUBE, viola da gamba<\/li>
Stefano INTRIERI, organ and harpsichord<\/li>
Cécile Rigazio, conductor and director<\/li>
Xavier CLAVERIE-ROSPIDE, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"AlterEcho\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n AlterEcho\n <\/h3>\n\n \n AUBE MUSIQUE ANCIENNE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Baroque music concert\n <\/div>\n\n
\n Musicians<\/span>\n
Vocal ensemble La Compagnie des Humbles<\/li>
Student singers in the Voice program at the Marcel-Landowski Conservatory in Troyes<\/li>
Moana GALLETTI, baroque violin<\/li>
Teddy DANJEAN, cornet à bouquin<\/li>
Olivier RENAULT, alto sackbut<\/li>
Abel CORTES, tenor sackbut<\/li>
Luc RENAULT, bass sackbut<\/li>
Flore SEUBE, viola da gamba<\/li>
Stefano INTRIERI, organ and harpsichord<\/li>
Cécile Rigazio, conductor and director<\/li>
Xavier CLAVERIE-ROSPIDE, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Passio$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:30 CET\n <\/small>\n <\/p>\n\n
\n Passio secundum Joannem\n <\/h3>\n\n \n Associazione Liederiadi ETS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Passio Secundum Joannem - Alessandro Scarlatti\nStabat Mater a 10 voci - Domenico Scarlatti\n <\/div>\n\n
\n Musicians<\/span>\n
Intende Voci Ensemble<\/p>
Mirko Guadagnini, maestro concertatore<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Carmina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 17:00 CET (21/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Carmina sine Verbis - XVIth Century Lute Intabulations\n <\/h3>\n\n \n Művészetek Háza Veszprém\n <\/span>\n\n \n Hungary<\/strong>\n <\/span>\n\n
\n The concert will feature contemporary lute transcriptions of works for voice by Josquin des Prez, Johannes Ockeghem, Cipriano de Rore, Clemens non Papa and Jean Richafort, performed on period instruments.\n <\/div>\n\n
\n Musicians<\/span>\n Csaba Nagy, luth\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"„Echoes$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n „Echoes of the Past” - concert of baroque music created by students, teachers, and musical friends of the Music School\n <\/h3>\n\n \n Państwowa Szkoła Muzyczna I i II st. in Gliwice\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Step into a world of timeless pieces as the Państwowa Szkoła Muzyczna in Gliwice presents a concert of early music. Talented students, teachers, and the School Baroque Orchestra bring Bach, Handel, and Vivaldi to life.\n <\/div>\n\n
\n Musicians<\/span>\n
Soloists<\/li>
Vox Amici vocal ensemble<\/li>
Student Vocal Ensemble<\/li>
School Baroque Orchestra<\/li>
Natalia Olczak - project coordination<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Cantoría$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Cantoría | Ensaladas\n <\/h3>\n\n \n Festival Torroella de Montgrí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n Discover the fresh and energetic style of Cantoría, a vocal group born in Barcelona and grown up at the Festival de Torroella de Montgrí, as part of the residencies of the EEEmerging project.\n <\/div>\n\n
\n Musicians<\/span>\n
Inés Alonso, soprano<\/li>
Belén Herrero, alto<\/li>
Jorge Losana, tenor and direction<\/li>
Lluis Arratia, bass<\/li>
Marc de la Linde, viola de gambe<\/li>
Jeremy Nastasy, vihuela<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 14:30 CET (23/03/2025 14:30 CET)\n <\/small>\n <\/p>\n\n
\n The Sound of the Middle Ages: Musical Instruments Exhibition\n <\/h3>\n\n \n Fondazione Abbatia Sancte Marie de Morimundo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n On the occasion of the Early Music Day a single ticket allows visitors to explore the Cloister and the Chapter House, where an exhibition of replicas of medieval musical instruments is set up with short live musical performances.\n <\/div>\n\n
\n Musicians<\/span>\n
In Itinere Musica Medievale<\/li>
Roberto Chiari, medieval fiddle, rebec, drum, and others<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musica$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 18:30 CET\n <\/small>\n <\/p>\n\n
\n Musica per l'anima\n <\/h3>\n\n \n Associazione musicale culturale Coro Polifonico Sturm und Drang e Orchestra da camera l'Estro Armonico\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by Purcell, Playford, Storace, Bach\n <\/div>\n\n
\n Musicians<\/span>\n
Tiziana Coniglio, baroque violin<\/li>
Salvatore Coniglio, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Conversation$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Conversation with C. S. Tania Birardi : J. S. Bach … a “silhouette”\n <\/h3>\n\n \n C. S. Tania Birardi\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Lecture: biographical introduction with focus on compositions for harpsichord\n <\/div>\n\n
\n Musicians<\/span>\n C. S. Tania Birardi, speaker \n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert by Ensemble Allettamento: "Allá van a tus manos mis versos"\n <\/h3>\n\n \n Música Antigua Xixón\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This concert is focused on the music written for violin and basso/cello (violín y bajo a solo) that was part of the sounding landscape in Spain during the 18th century. The repertoire includes sonatas by Brunetti, Scarlatti, and Corelli among others.\n <\/div>\n\n
\n Musicians<\/span>\n
Mario Braña, baroque violin<\/li>
Elsa Pidre, baroque cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"13th$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET (21/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n 13th European Day of Early Music\n <\/h3>\n\n \n Conservatorio statale di musica "G. Rossini" di Pesaro\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n On March 21, 2025, the Rossini Conservatory celebrates European Early Music Day.\n <\/div>\n\n
\n Musicians<\/span>\n
Fortepiano class<\/div>
Prof. Maurizio Paciariello<\/li>
Enrico Maria Bertoni<\/li>
Giovanni Capelli<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ma$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Ma belle Dame souverainne - Guillaume Dufay, Chansons \n <\/h3>\n\n \n Rainer Böhm (Alta Musica)\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Alta Musical presents a varied program with music by Guillaume Dufay. The composer, who was already famous during his lifetime, shaped and influenced the transition from the Middle Ages to the Renaissance like no other contemporary musician.\n <\/div>\n\n
\n Musicians<\/span>\n
Alta Musica<\/p>
Rainer Böhm (blockflöte, pommer)<\/li>
Antonia Biemer (sopran)<\/li>
Dagmar Jaenicke (blockflöte, pommer)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"MUSIK$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:30 CET\n <\/small>\n <\/p>\n\n
\n MUSIK DER RENAISSANCE (MUSIC OF THE RENAISSANCE)\n <\/h3>\n\n \n Gabor Sarai\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n A concert with works by old masters such as Valderrábano, Arbeau, Senfl, Susato, Dowland, Visée.\n <\/div>\n\n
\n Musicians<\/span>\n
Lecturers in the early music department of the Dithmarscher music school:<\/p>
Gabor Sarai<\/li>
Fumie Shikichi-Sarai<\/li><\/ul>
and music school students<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Frauen$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 30/03/2025 18:00 CEST\n <\/small>\n <\/p>\n\n
\n Frauen am Flügel / Women at the Keyboard\n <\/h3>\n\n \n Klavieratelier Mignon 1904\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n March, for the International Women’s Day, is also a month honoring women. This concert features two parts: one showcasing female composers with works for fortepiano and harpsichord, and another highlighting women pianists who recorded piano rolls.\n <\/div>\n\n
\n Musicians<\/span>\n FANNY DAVIES Ensemble (Sebastian Bausch and Laura Granero)\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musiques$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 19:00 -04 (23/03/2025 00:00 CET)\n <\/small>\n <\/p>\n\n
\n Musiques pour l'eau\n <\/h3>\n\n \n Vox Caribæi\n <\/span>\n\n \n Martinique<\/strong>\n <\/span>\n\n \n A show where Art and Nature meet. Baroque music linked to water and aerial videos captured above the waterways of Martinique. On the program: Lully, Delalande, Philidor, Vivaldi & Haendel.\n <\/div>\n\n
\n Musicians<\/span>\n
Distribution :<\/p>
Nour Trottier (flûtes traversières baroques)<\/li>
Thomas Raso (violon I)<\/span><\/li>
Laurent Masson (violon II)<\/span><\/li>
Jean-Damien Poullet (alto)<\/span><\/li>
Lara Slabiak (violoncelle)<\/span><\/li>
Eric Martinel (direction artistique & musicale)<\/span><\/li>
Yannick Eugène (captation vidéo aérienne)<\/span><\/li><\/ul>
Public : ouvert à tous, dans la limite de 200 places disponibles<\/span><\/p>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Pierre$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Pierre Gaultier and the birth of opera in Marseille\n <\/h3>\n\n \n Mars en Baroque 2025\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Based on instrumental works by Gaultier, Concerto Soave has built a program around French opera in the late 17th and early 18th centuries. Lully is obviously present, but also Campra and Mouret.\n <\/div>\n\n
\n Musicians<\/span>\n
Concerto Soave<\/p>
Lise Viricel, soprano<\/li>
Romain Bockler, baritone<\/li>
Federica Basilico, Charlotte Gerbitz, violins<\/li>
Marine Rodallec, cello<\/li>
Jean-Marc Aymes, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Quicksilver:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 PDT (22/03/2025 03:30 CET)\n <\/small>\n <\/p>\n\n
\n Quicksilver: The Early Moderns\n <\/h3>\n\n \n Early Music Vancouver\n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n Known for their “impeccable, soulful playing” (The New York Times), Quicksilver presents a programme exploring the musical revolutions of the Early Modern period. This “modern” music is exemplified in extravagant and sumptuous sonatas.\n <\/div>\n\n
\n Musicians<\/span>\n
Robert Mealy & Julie Andrijeski, violins & directors<\/li>
Dominic Teresi, dulcian<\/li>
David Morris, viola da gamba<\/li>
Charles Weaver, guitar & lute<\/li>
Avi Stein, harpsichord & organ\n\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Piccolo$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 08:00 -04 (21/03/2025 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Piccolo & l'eau\n <\/h3>\n\n \n Vox Caribæi\n <\/span>\n\n \n Martinique<\/strong>\n <\/span>\n\n \n Educational workshop for young audiences. A time to raise awareness of the art and preservation of water, using the baroque transverse flute, traditional flutes and a cartoon on the journey of water.\n <\/div>\n\n
\n Musicians<\/span>\n
Instructors :<\/p>
Nour Trottier (baroque transverse flute)<\/li>
Max Télèphe (traditional bamboo flute)<\/li>
Éric Martinel (tambourine flute and native flute)<\/li><\/ul>
Participants: Cycle III students (classes from CM1 to 6ème)<\/span><\/p>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BACH$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2025 19:00 EET (24/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n BACH 340.1 - Sonatas\n <\/h3>\n\n \n Cultural Center of Harghita County\n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n Miercurea Ciuc Early Music Festival joined a few years ago the European Early Music Day.\nProgram: Sonatas for violin and harpischord\nSonata in b minor, BWV 1014, Sonata in A major, BWV 1015, Sonata in E major, BWV 1016\n <\/div>\n\n
\n Musicians<\/span>\n
Zsuzsa CSENGERI KOSTYÁK, harpischord<\/li>
Előd GÁBOR, violin<\/span><\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Francesca$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2025 19:00 EET (08/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Francesca Caccini "La liberazione di Ruggiero da l'isola d'Alcina" (1625)\n <\/h3>\n\n \n Utopia Chamber Choir (Helsinki)\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n The first opera by a woman composer, in its 400th anniversary year, on International Women\'s Day. \nSemi-staged production with baroque gesture & historical action. \nNew-composed baroque dance-music for the Ballo and Horse Ballet. \n <\/div>\n\n
\n Musicians<\/span>\n
Utopia Chamber Choir (Helsinki)<\/li>
Instrumental ensemble led by Anthony Marini (baroque violin)<\/li>
Directed (stage & music) by Andrew Lawrence-King (baroque harp, keyboards, etc)<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Pour$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Pour l'amour de Bach !\n <\/h3>\n\n \n Conservatoire royal de Bruxelles\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n J.S. Bach \"father of all the music\" is a strong myth. There are good reasons for this: his music does us good, galvanizes and enchants us, amazes and nourishes. It is a perpetual gift for all musicians, and for all music lovers.\n <\/div>\n\n
\n Musicians<\/span>\n The students of the Early Music Department of Brussels Conservatoire \n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Les$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:30 CET\n <\/small>\n <\/p>\n\n
\n Les Nuits du Roy Soleil\n <\/h3>\n\n \n WUNDERKAMMER trieste\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A glimpse at nightfall, when all contours are blurred by candlelight, searching through the shadows for the Sun King\'s innermost soul.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble of the Ancient Music Departement of Conservatorio A. Pedrollo of Vicenza\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Happy$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2025 09:00 CET\n <\/small>\n <\/p>\n\n
\n Happy Birthday Bach - concert lecture with Margherita Dalla Vecchia on organ\n <\/h3>\n\n \n Associazione Culturare Mousiké Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Lecture-concert for school students and others on the Mascioni organ. Organist Margherita Dalla Vecchia will explain and play JSBach\'s toccata and fugue.\n <\/div>\n\n
\n Musicians<\/span>\n Margherita Dalla Vecchia\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"EARLY$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n EARLY MUSIC DAY COPENHAGEN 2025\n <\/h3>\n\n \n Copenhagen Renaissance Music Festival\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n Agnethe Christensen in Memoriam - a tribute to the Swedish/Danish Vølve\" who passed away 2024 - much too early.\n <\/div>\n\n
\n Musicians<\/span>\n
With Benjamin Bagby (US/FR)<\/li>
Norbert Rodenkirchen (DE)<\/li>
Leah Stuttard (UK)<\/li>
Giovannangelo de Gennaro (IT)<\/li>
Elizabeth Gaver (US/NO)<\/li>
Gro Siri Ognøy (NO)<\/li>
Poul Høxbro (DK)<\/li>
Helen Davies (UK/DK)<\/li>
Gilbert Martinez (US/DK)<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 19:00 CET (22/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day, Szczecin 2025: Concert by Consortium Sedinum\n <\/h3>\n\n \n Famd.pl\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n We are truly happy to invite you for the first time in Szczecin to celebrate the Early Music Day where listeners will be taken on a musical journey through 17th-century Europe by Consoritum Sedinum.\n <\/div>\n\n
\n Musicians<\/span>\n
CONSORTIUM SEDINUM<\/p>
Olga Musiał Kurzawska, flutes<\/li>
Katarzyna Cendlak, violin<\/li>
Justyna Młynarczyk, viola da gamba<\/li>
Urszula Stawicka, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"TRENDS$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n TRENDS & TRANSITION\n <\/h3>\n\n \n Conservatorio Profesional de Música de Torrelavega - Cantabria \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n The concert explores the evolving styles in classical music. Händel, Telemann, Pergolesi, Janitsch y Boccherini \n <\/div>\n\n
\n Musicians<\/span>\n
Isabel Guerrero Martínez, soprano<\/li>
Francisco Guazo Bolado, traverso<\/li>
Enrique Campos Varea, violin<\/li>
Inés Moreno Martínez, viola<\/li>
Manuel Márquez Pozo, double bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"EARLY$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:30 CET (21/03/2025 20:30 CET)\n <\/small>\n <\/p>\n\n
\n EARLY MUSIC DAY: FLORES ROSARUM / AGNUS DEI, CHRISTUS IMMOLATUS EST\n <\/h3>\n\n \n KBF Krakow Festival Office\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n The female ensemble Flores Rosarum will perform excerpts from the Tenebrae chants preserved in Wawel Cathedral’s chant books, interwoven in alternatim with organ improvisations by Krzysztof Pawlisz on reconstructed Renaissance organs of the abbey.\n <\/div>\n\n
\n Musicians<\/span>\n
Flores Rosarum<\/p>
Susi Ferfoglia, artistic direction<\/li>
Krzysztof Pawlisz, organ <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 17:00 CET (21/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert by the Early Music Department of the ‘A. Casella’ Conservatory of L'Aquila\n <\/h3>\n\n \n Museo Nazionale d'Abruzzo dell'Aquila\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Abruzzo National Museum in L\'Aquila, in collaboration with the A. Casella Conservatory of L\'Aquila, will participate with a concert performed by teachers and students of the Early Music Department on 21 March at 5 p.m. in the Franciscan Hall\n <\/div>\n\n
\n Musicians<\/span>\n
Szilvia Komaromi, Serena Patruno, sopranos<\/li>
Lin Huiru contralto<\/li>
Lorenzo Timini, tenor<\/li>
Bin Zhang, baritone<\/li>
Chiara Leonzi, Tamara Manganaro, violins<\/li>
Alberto Lattanzi, viola da gamba<\/li>
Gaia Panzanaro, lute<\/li>
Alice Medas, harpsichord<\/li>
Giovanna Barbati, viola da gamba and ensemble music for voices and ancient instruments<\/li>
Sonia Tedla, baroque and renaissance singing<\/li>
Andrea Coen, harpsichord and historical keyboards<\/li>
Daniela Nuzzoli, baroque violin<\/li>
Marco Pesci, lute Maria De Martini, recorder<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"MUSICAL$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n MUSICAL BELONGINGS III - EISENVOGEL 铁鸟\n <\/h3>\n\n \n lautten compagney BERLIN\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n The lautten compagney BERLIN welcomes five outstanding musicians from Shanghai, Taipei, Taichung and Nanjing to explore classical Chinese music and contemporary poetry together at the Humboldt Forum.\n <\/div>\n\n
\n Musicians<\/span>\n
Xu Fengxia Guzheng, sanxian & vocals Lucy Zhao, pipa<\/span><\/li>
Lung-Yi Huang, Sheng Tzu-Ning Liao, erhu & zhonghu<\/li>
Lin Chen, Chinese drum, yangqin & percussion<\/li>
Young-Shin Kim, acting<\/li>
Zheng Xiaoqiong, poetry<\/li><\/ul>
lautten compagney BERLIN<\/p>
Wolfgang Katschner, musical direction<\/li>
Christian Filips, dramaturgy<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"TRENDS$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n TRENDS & TRANSITION\n <\/h3>\n\n \n Conservatorio Profesional de Música de Torrelavega \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n The concert explores different trends of the Baroque period that will evolve into later styles such Classicism and Romanticism. Music from Händel, Telemann, Pergolesi, Janistch and Boccherini.\n <\/div>\n\n
\n Musicians<\/span>\n
Isabel Guerrero, soprano<\/li>
Francisco Guazo, traverso<\/li>
Enrique Campos, violin<\/li>
Ines Moreno, viola<\/li>
Manuel Márquez, bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"A$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 11:32 EET (21/03/2025 10:32 CET)\n <\/small>\n <\/p>\n\n
\n A School Community Project: Parents Play Early Music\n <\/h3>\n\n \n Musically Together\n <\/span>\n\n \n Greece<\/strong>\n <\/span>\n\n \n This is a school project, inviting parents who play an instrument to perform and record classical pieces. Their recordings are shared on the school website and played during recess, bringing early music into the school community. \n <\/div>\n\n
\n Musicians<\/span>\n Students and parents of the school.\nMusic Teacher: Georgia Mavrea\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"LI$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n LI NAPOLITANI ARMONICI\n <\/h3>\n\n \n AREA ARTE ASSOCIAZIONE\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Vocal and instrumental works by the Neapolitan masters of the 18th century with the Neapolitan ensemble Le Musiche Da Camera.\nMusic by L. Leo, E.R Duni, N.A.Porpora, E. Barbella, A. Caputi, G.F. Haendel.\nModern transcriptions by Egidio Mastrominico and Renata Cataldi.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Le Musiche Da Camera<\/p>
Rosa Montano, mezzo-soprano<\/li>
Francesco Divito, soprano<\/li>
Egidio Mastrominico, concert violin<\/li>
Giuseppe Grieco, baroque violin<\/li>
Renata Cataldi, transverse flute<\/li>
Giorgio Bottiglioni, viola<\/li>
Leonardo Massa, baroque cello<\/li>
Cristiano Pennone, double bass<\/li>
Michele Carreca, theorbo<\/li>
Debora Capitanio, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Maioris$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Maioris Hebdomadae Officia - The officiating of Holy Week between Gregorian chant and "canto fratto"\n <\/h3>\n\n \n Associazione Hexachordum -Cappella Musicale Corradiana - Fondazione Museo diocesano di Molfetta - Fe. Art. Soc Coop \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Cappella Musicale Corradiana offers a touching musical meditation on the Easter Triduum, combining Gregorian chant, canto fratto and falsobordone, developed in the 18th century by Molfettese chapel masters.\n <\/div>\n\n
\n Musicians<\/span>\n Praecentor: Antonio Magarelli\nOrgano: Gaetano Magarelli \nSchola gregoriana Cappella Musicale Corradiana \n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ensemble$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 11:15 GMT (21/03/2025 12:15 CET)\n <\/small>\n <\/p>\n\n
\n Ensemble Augelletti\n <\/h3>\n\n \n National Centre for Early Music \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Join us in celebrating Early Music Day 2025 with a stunning performance by Ensemble Augelletti. This event is presented by the NCEM, BBC Radio 3, and the Royal College of Music New Generation Baroque Ensemble.\n <\/div>\n\n
\n Musicians<\/span>\n
Ellen Bundy, violin<\/li>
Toby Carr, lutes<\/li>
Carina Drury, cello<\/li>
Olwen Foulkes, recorders<\/li>
Benedict Williams, keyboards<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concerti$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Concerti alle corti del nord tra Vienna e Berlino\n <\/h3>\n\n \n Istituto di Musica Antica della Civica Scuola di Musica Claudio Abbado - Fondazione Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The programme focuses on the 18th century and a number of solo concertos composed both for grand court festivities and for chamber music for entertainment. Music by Hertel, Wagenseil, Monn and Telemann.\n <\/div>\n\n
\n Musicians<\/span>\n
Antonio Frigé, harpsichord and direction<\/p>
Soloists:<\/p>
Céline Pasche, harp<\/li>
Giulia Alberani, Laura Minguzzi, flutes<\/li>
Martin Moya Fernandez, Giorgio Tosi, violins<\/li>
Maria Calvo, cello<\/li><\/ul>
Baroque Orchestra of the Civica Scuola di Musica Claudio Abbado<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Napoletani$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET (21/03/2025 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Napoletani prima... o poi\n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by N. A. Porpora, D. Gallo, A. Ragazzi, A. Schnittke, D. Scarlatti\nNeapolitan music, with its roots deeply embedded in theater and dance, has been able to conquer the hearts of a vast audience, transcending geographical and temporal boundaries.\n <\/div>\n\n
\n Musicians<\/span>\n
Talenti Vulcanici<\/p>
Margherita Pupulin, Heriberto Delgado - violins<\/li>
Sara Bagnati - viola<\/li>
Marius Malanetchi - cello<\/li>
Davide Nava - doublebass<\/li>
Juan Josè Francione - lute and baroque guitar<\/li>
Stefano Demicheli - harpsichord and direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 13:00 EET (21/03/2025 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock: Vanhan musiikin uudet toivot - Early music awards 2024\n <\/h3>\n\n \n Café Barock / Ensemble Nylandia\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Finnish Early Music Association\'s (Svamuli ry) annual \"Early music achievement of the year\" prize ceremony and concert.\n <\/div>\n\n
\n Musicians<\/span>\n Students from the Early Music Department of Sibelius-Academy\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Open$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 16:00 CET (21/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Open Day Q&A \n <\/h3>\n\n \n Heliosfero Academy\n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Heliosfero is an academy for aspiring early music specialists. We are based in The Netherlands, but we offer online private lessons, masterclasses and workshops for students anywhere in the world. This will be a Q&A session with staff.\n\nLink: https://us05web.zoom.us/j/81081781553?pwd=KWR1XmQescE0bpijT4EMCSziDxBnAC.1\n <\/div>\n\n
\n Musicians<\/span>\n
Rebecca Huber<\/li>
Orlando Aguilar Velazquez<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
https://us05web.zoom.us/j/81081781553?pwd=KWR1XmQescE0bpijT4EMCSziDxBnAC.1<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Trends&Trandition\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n Trends&Trandition\n <\/h3>\n\n \n Conservatorio Profesional de Música de Torrelavega \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n A musical tour through baroque trends and transition to classicism and romanticism.\n <\/div>\n\n
\n Musicians<\/span>\n
Isabel Guerrero, soprano<\/li>
Francisco Guazo, traverso<\/li>
Enrique Campos, violin<\/li>
Ines Moreno, viola\nManuel Márquez, double bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lecture$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 11:00 CET\n <\/small>\n <\/p>\n\n
\n Lecture - Concert: Organ A. Zeni\n <\/h3>\n\n \n Associazione Culturale Mousikè \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n M. Weckmann Magnificat four verses\nJ.S.Bach Trio Sonata II in C minor BWV 526\nR. Schumann Fugue VI super B.A.C.H.\n <\/div>\n\n
\n Musicians<\/span>\n Marco Favotto, organ\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 10:00 CET\n <\/small>\n <\/p>\n\n
\n Bach by Harnoncourt: Compare 5 versions of Bach's Matthäus-Passion by Nikolaus Harnoncourt following his score\n <\/h3>\n\n \n Nikolaus Harnoncourt Zentrum, Bruckner University Linz\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n We provide five films showing Nikolaus Harnoncourt\'s conducting score of the opening chorus of Bach\'s Matthäus-Passion BWV 244 in five different recordings. Compare his evolution and different visions on the same piece with different orchestras.\n <\/div>\n\n
\n Musicians<\/span>\n
Nikolaus Harnoncourt<\/li>
Johann Sebastian Bach<\/li>
Concentus musicus Wien<\/li>
Wiener Philharmoniker<\/li>
Royal Concertgebouw Orchestra<\/li>
Arnold Schoenberg Chor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vanamuusikapäeva$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 16:00 EET (21/03/2025 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Vanamuusikapäeva kontsert\n <\/h3>\n\n \n Tallinn College of Music and Ballet – MUBA\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n The concert will bring to the stage the students of singing and early music departments, who will perform music by Scarlatti, Telemann, Buxtehude, Handel and others.\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"I,$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 EET (21/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n I, Elizabeth (1 February 1587) \n <\/h3>\n\n \n Teatteri Jurkka\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n A musical monologue on Elizabeth I considering her options on signing the death warrant of Mary Stuart. During the process she practices various musical pieces on her virginal by her contemporaries Bull, Gibbons, Byrd, Farnaby, Dowland and Picchi.\n <\/div>\n\n
\n Musicians<\/span>\n
Elina Mustonen, actress and harpsichordist<\/li>
Nely Keinänen, author<\/li>
Laura Jäntti, director<\/li>
Tarja Simone, scenographer<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Open$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 12:00 CET\n <\/small>\n <\/p>\n\n
\n Open day\n <\/h3>\n\n \n LES PASSIONS-Orchestre Baroque de Montauban\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A CD of the Passions autographed by the conductor will be offered to you on this occasion!\n <\/div>\n\n
\n Musicians<\/span>\n Jean-Marc Andrieu, musical director of Les Passions\n\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 EET (21/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n The Scents of Versailles\n <\/h3>\n\n \n FInnish Baroque Orchestra\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n This Finnish Baroque Orchestra\'s concert draws inspiration from life at the Sun King’s court, and the room will be filled not only with music by Marais, De la Guerre, Couperin and Rameau but also with the scents of Trudon candles.\n <\/div>\n\n
\n Musicians<\/span>\n
FiBO players<\/p>
Markku Luolajan-Mikkola, viola da gamba<\/li>
Anthony Marini, violin<\/li>
Louna Hosia, viola da gamba<\/li>
Marianna Henriksson, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n The Nightingale and the Chinese Emperor - musical shadow theatre based on Andersen's story\n <\/h3>\n\n \n Ville de Vienne en Val \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The tale of The Nightingale and the Emperor sums up the beauty of music and birdsong: they are elusive and always renew our sense of wonder.\n\nLe Rossignol et l\'Empereur (The Nightingale and the Emperor), a chinoiserie written by someone who has never been to China, offers plenty of food for thought, and provides an opportunity to hear some of the vanished instruments so dear to 18th-century birdwatchers and bird lovers: the bird flageolets. This tale also offers a contemporary look at the relationship between humans and animals, at a time when biodiversity is under threat and birds are gradually disappearing from our soundscape.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble La Rêveuse<\/p>
Benjamin Perrot<\/li>
Florence Bolton<\/li>
Koske Nozaki<\/li><\/ul>
Cécile Hurbault (storyteller and puppeteer) <\/p>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"A$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 01:00 EDT (21/03/2025 06:00 CET)\n <\/small>\n <\/p>\n\n
\n A Garden of Earthly Delights: Marco Marazzoli’s extravagant musical entertainments\n <\/h3>\n\n \n Boston Early Music Festival\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n
\n Marco Marazzoli’s miniature dramas present a kaleidoscopic variety of arias, duets, trios and quartets culminating in glorious choruses for six voices with the all-star singers and instrumentalists of the BEMF Vocal & Chamber Ensembles.\n <\/div>\n\n
\n Musicians<\/span>\n
Boston Early Music Festival Vocal & Chamber Ensemble<\/p>
Paul O\'Dette, Musical Co-director<\/li>
Stephen Stubbs, Musical Co-director<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"tvb$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n tvb Bach! \n <\/h3>\n\n \n Associazione Culturale Mousikè \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Selection of instrumental pieces by J.S.Bach\n <\/div>\n\n
\n Musicians<\/span>\n Students from Liceo Musicale \"Giorgione\" of Castelfranco Veneto\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"From$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n From Venice to Leipzig, from the Zimmermann Café Concerts to Swing\n <\/h3>\n\n \n Associazione Culturale Mousikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Selection of instrumental pieces by Gabrieli, Castello, Marini and J.S.Bach: \nConcerto in C minor BWV 1062 for two harpsichords and strings\nAria on the 4th String and Chorale ‘Wachet Auf runft uns die Stimme’\n <\/div>\n\n
\n Musicians<\/span>\n
Li Scolari Sonatori, strings<\/li>
Lisa Moroso, Margherita Dalla Vecchia, harpsichord<\/li>
Il teatro Armonico, vocal octet<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""I$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 21:00 CET\n <\/small>\n <\/p>\n\n
\n "I venerdì al Monte" of Fondazione Monte di Pietà\n <\/h3>\n\n \n Associazione Culturale Mousikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Selection of Music J.S.Bach, B. Bartok, B. Britten, M. Arcaro\n <\/div>\n\n
\n Musicians<\/span>\n Giacomo Copiello - Chitarra a 8 corde\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 13:00 CET\n <\/small>\n <\/p>\n\n
\n Bach. Organ. Offering.\n <\/h3>\n\n \n Kharkiv I.P.Kotlyarevsky National University of Arts\n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n
\n A presentation of the new organ, donated by volunteers to the University of Arts, will take place. The program includes organ works by Bach and dedications to Bach by composers such as F. Liszt and R. Schumann.\n <\/div>\n\n
\n Musicians<\/span>\n
Stanislav Kalinin, organ<\/li>
Vira Lytovchenko, violin<\/li>
Dmytro Zaporozhan, contratenor<\/span><\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Kharkiv-Bach-Marathon-2025\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Kharkiv-Bach-Marathon-2025\n <\/h3>\n\n \n Kharkiv I.P.Kotlyarevsky National University of Arts, Kharkiv City Council, Department of Culture\n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n
\n The marathon will feature both simple works by Bach (inventions), as well as parts of suites, overtures, and arias from cantatas, in their original performance on piano, violin, vocals, choir, and in arrangements for different instruments.\n <\/div>\n\n
\n Musicians<\/span>\n The marathon will feature both young musicians—students of Kharkiv art schools, the Kharkiv State Music Lyceum, the choir of the Regional Palace of Children\'s and Youth Creativity, students of the Kharkiv Professional Music College, and postgraduate students of the Kharkiv I.P. Kotliarevsky National University of Arts—as well as experienced artists from the M.V. Lysenko Kharkiv National Opera and Ballet Theatre and the Kharkiv Regional Philharmonic.\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Bach - Busoni e Bachianas\n <\/h3>\n\n \n Associazione Culturale Mousikè \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Instrumental and vocal selections by J.S.Bach, D. Buxtehude, Bach-Busoni, H. Villa-Lobos\n <\/div>\n\n
\n Musicians<\/span>\n
V.E. Marzotto Città di Valdagno Complesso strumentale<\/li>
Francesca Borgarelli - Soprano<\/li>
Massimo Gonzo - Conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n The Magic of the Lute\n <\/h3>\n\n \n Ronda Barcelona\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n A selection of solos from my lutebook ‘The Magic of the Lute’, composed in the style of the sixteenth and seventeenth centuries. All these works may be played both on the lute or the vihuela. Full tablature published by the Lute Society in 2024.\n <\/div>\n\n
\n Musicians<\/span>\n Joaquim Bogunyà, vihuela.\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Not$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:30 CET\n <\/small>\n <\/p>\n\n
\n Not Only Bach\n <\/h3>\n\n \n Kharkiv I.P.Kotlyarevsky National University of Arts\n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n
\n The palette of Bach\'s music will be presented (in particular, toccatas, suites, counterpoint from \"The Art of Fugue\") and his era - arias by Vivaldi, Pergolesi, works by Marcello. the evening will end with Bach\'s music interpreted by jazz pianist.\n <\/div>\n\n
\n Musicians<\/span>\n
Оlexander \nSukhlenko, Yulia Komendant, Anna Burel, Elizaveta Grosova, Yuriy Sukhlenko, Kateryna Tsyganok, Vira Fedorenko (piano), Natalia Polikarpova, Anastasia Lytvyn (vocals), Mikhail Ryapolov (cello), Ariana Gutman, Maksym Dudits (flute), Diana Ponomareva (bayan), Viktor Churikov (soprano saxophone)<\/li>
Play Bach by Sergey Davydov<\/li>
Concertmasters: Lyudmila Suzdaltseva, Marina Koroleva, Iryna Burik<\/li>
Organizer and presenter: Yulia Nikolaevska<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Neapolitan$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 18/03/2025 15:28 CET\n <\/small>\n <\/p>\n\n
\n Neapolitan baroque music\n <\/h3>\n\n \n Liceo Margherita di Savoia\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n A valuable music program by famous Baroque Italian Composers, as such as G.B. Pergolesi, A. Vivaldi, C. Caresana, performed by the Group Ensemble Musicale Barocco, from Naples.\n <\/div>\n\n
\n Musicians<\/span>\n Castiello Sofia, Tesone Maria Barbara, Yana Chukhrovska, Notaro Giovanni, De Vito Gaia, Santonicola Gabriele, Teleno Silvana, Serino Chiara, Dini Ciacci Luna, Giordano Viviana, Negri Alessia, Tramontana Emilianna, Pacilio Ilaria, Pollice Aurora Marie, Napoletano Giada, Varriale Alfredo, Sacco Adele, Scicchitano Miriam, Di Maria Viviana, Rossetti Flavia, Succoia Maria Teresa, Capuano Liliana, Russo Giuliano, Enrika Feola, Capocotta Valerio, Rimonti Zara Carolina, Botosineanu Elisa, Nastych Anna, Vittorio Cerbone.\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Bach dal Nord\n <\/h3>\n\n \n Associazione Culturale Mousikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Music by J. Downland, H. Purcell, J.S.Bach, A. Vivaldi, E.Grieg and from the Norwegian tradition. \n <\/div>\n\n
\n Musicians<\/span>\n
Steinerskolens Jentekor, choir<\/li>
Tone Wik, conducting<\/li>
Tommaso Cona, piano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Hausmusik$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2025 19:30 CET\n <\/small>\n <\/p>\n\n
\n Hausmusik con Bach dal Libro Anna Magdalena Bach\n <\/h3>\n\n \n Associazione Culturale Mousikè \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n J.S.Bach: \nPrelude in C major BWV 846\nChorales Wie wohl ist mir, So oft ich meine Tobaks Pfeife, Warum betrübst du dich \nSuite II BWV 813 \nGiovannini Aria, Aria List tu bei mir\n <\/div>\n\n
\n Musicians<\/span>\n
Nina Cuk, mezzosoprano<\/li>
Marco Favotto, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Jazzando$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2025 21:00 CET\n <\/small>\n <\/p>\n\n
\n Jazzando Bach\n <\/h3>\n\n \n Associazione Culturale Mousikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Partita in Do Minore BWV 826\n <\/div>\n\n
\n Musicians<\/span>\n
Edoardo Maria Crepaldi, piano<\/li>
Gabriele Da Ros, drums<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Masterpieces$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2025 11:00 CET\n <\/small>\n <\/p>\n\n
\n Masterpieces of organ art for the Mascioni organ\n <\/h3>\n\n \n Associazione Culturale Mousikè\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n D. Buxtehude Passacaglia in D minor BuxWV 161\nJ.S.Bach Prelude and Fugue in C BWV 545\nJ.S.Bach Trio Sonata No. 3 BWV 527\nJ.S.Bach Passacaglia in C minor BWV 582\n <\/div>\n\n
\n Musicians<\/span>\n
Giacomo Silverio Scremin, organ<\/li>
Francesco Esposito, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n The A.M.Bach Book in the 3rd Centenary\n <\/h3>\n\n \n Associazione Culturale Mousikè \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Historical introduction and performance of arias, chorales and harpsichord pieces\n <\/div>\n\n
\n Musicians<\/span>\n
Maria Borghesi, musicologist<\/li>
Eugenia Corrieri, soprano<\/li>
Margherita Dalla Vecchia, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); />

Concerto di Quaresima On-site
Conservatorio di Musica G. Verdi di Milano Italy
Parrocchia della Sacra Famiglia in Rogoredo, Via Monte Peralba, 15, 20138 Milano
DIETRICH BUXTEHUDE (1637-1707) Oratorio Membra Jesu Nostri, BuxWV 75

Musicians
Ensemble of the Milan Conservatory
Davide Iurilli, harpsichord master
Curated by Anna Fontana and Noelia Reverte Reche

Website

21/03/2025 18:00 CET

The words of ecstasy: Catherine of Siena - between words, mysticism and politics On-site
Istituto Veritatis Splendor Italy
Art Museum Raccolta Lercaro, Via Riva di Reno, 55 , 40122 Bologna
The life, mystical experience and political action of Caterina da Siena recounted by Gianni Festa OP (Theological Faculty of Emilia-Romagna). Music and reading from the Letters and Dialogue of Divine Providence performed by the ensemble Murmur Mori.

Musicians
Mirko Virginio Volpe: cythara, lyre, chant
Silvia Kuro: chant, recitant voice, bells, drums
Matteo Brusa: citole
Alessandra Lazzarini: medieval transverse flutes

Website

Facebook

Instagram

Youtube

21/03/2025 19:30 CET

Concert of the ensemble week, direction Catherine Motuz and Frithjof Smith On-site
Schola Cantorum Basiliensis Switzerland
Predigerkirche Basel, Totentanz 19, 4056 Basel
This concert represents the culmination of an intensive project week of ensemble work for large mixed ensembles.

Website

20/03/2025 18:00 CET

Öppen Scen - Open Scene On-site
Svenska Kyrkan Höörs församling Sweden
Höörs Kyrka, Skolgatan 8, 24330
On Early Music Day, concerts are played simultaneously all over Europe! The celebration takes place every year on J. S. Bach's birthday, March 21

22/03/2025 20:00 CET

Machaut turning in his grave On-site
Cite Musical Metz France
Arsenal, Saint-Pierre-aux-Nonnains, 1 rue de la Citadelle Metz, 57000 Metz
Works by Machaut, Desprez, de Cluny, Codex Las Huelgas, Codex Montpellier, Cyprus Manuscript

Musicians
Olivier de Sagazan, performance
Anna Danilevskaia, vielle and direction
Carine Tinney, Tim Braithwaite, triplum
Sophia Faltas, Roman Melish, motetus
Lior Leibovici, Jonatan Alvarado, tenor
Jacob Lawrence, Victor Sordo, contra-tenor
Roger Helou, organetto

Website

25/03/2025 16:00 CET

First CD Recording by Cohaere thanks to S-EEEmerging Project On-site
Centre culturel de rencontre d'Ambronay France
Chapelle des Soieries Bonnet, Chapelle des Soieries Bonnet, Jujurieux
A new recording to come of Pierre Gaultier's "Symphonies divisées par suites de tons" by a young and talented Polish Ensemble dedicated to French baroque repertory

Musicians
Marta Gawlas, historical transverse flutes
Marta Korbel, historical violin
Monika Hartmann, historical cello
Natalia Olczak, harpsichord, historical keyboards

Website

21/03/2025 08:00 AEDT (20/03/2025 22:00 CET)

'Early Music Downunder Playlist 2025 launch' Online
Jenny Eriksson Australia
Osborne Ave, 2112 Putney
We have prepared updated Spotify and YouTube playlists of Australian early music recordings and performers for launch on EMD. We first lauched these playlists in 2023.

Musicians The broadest possible list of performers and ensembles based in Australia

Website

Youtube

23/03/2025 11:00 CET (23/03/2025 11:00 CET)

"L'amor donna ch'io te porto" On-site
Associazione Mozart Lecce Italy
Museo Provinciale "Sigismondo Castromediano", Viale Gallipoli, 31, 73100 Lecce
Music and love songs from the Renaissance to the early Baroque

Musicians
Vania Palumbo: Singing, Percussion
Michele Tricarico: Recorder flutes
Maurizio Ria: Viola da gamba
Angela Lacalamita: Lute
Giovanna Tricarico: Harpsichord

Website

23/03/2025 18:00 CET (23/03/2025 18:00 CET)

Missa di Requiem Online
Pietà de' Turchini Foundation Italy
https://maps.app.goo.gl/Zng2EYhz4oRCaC5p6, 80132 Naples
Music by D. Sarro, F. Durante, G. M. Trabaci A masterpiece by Domenico Sarro (1743) that presents a writing of remarkable finesse in a procedure observed but rich in painful passages that mark the feeling in music of the time.

Musicians
Coro Exultate
Antonella Borrelli, Luigia Gargiulo*, Giovanna Moccia, Paola Pierno - Canto 1
Antonella Ausanio, Rosa Ciaramella, Emerenziana Guido*, Lia Scognamiglio - Canto 2
Paola Ciranni, Tiziana De Bellis, Marina Vagnoni*, Davide Troìa* - Alto
Domenico Cardone, Angelo Chianese, Gennaro Di Bonito, Leopoldo Punziano* - Tenors
Gianluca Avolio, Massimo Di Giovanni, João Fatela, Alfonso Oliva* - Basses
* solo voices
choirmaster Davide Troìa
Schola Gregoriana of the Pietà de' Turchini
Eduardo Campos de Dios, Jesus Ivan Flores Nuñez, Davide Franco, Alejandro Garcia, Edgardo Piña Macias, Antonio Sembiante, Roy Touma, Wiktor Wojcik - singers
maestro Lanfranco Menga
Talenti Vulcanici
Daria Spiridonova, Giuseppe Grieco - violins
Pietro Massa - viola
Marcello Scandelli - cello
Giorgio Sanvito - doublebass
Pierfrancesco Borrelli - organ
Stefano Demicheli - conductor
musicological expertise by Paologiovanni Maione
transcriptions by Enrico Gramigna

Website

Youtube

21/03/2025 18:00 CET

Polish Music for violin and Cello in the 19th century On-site
Polish Composers of the 19th Century Poland
Muzeum Diecezjalne, ul. Książąt Opolskich 44, 46-020 Opole
Celebrate 19th-century Polish music! Come and listen to works by Szymanowska, Duranowski, and foreign composers like Fiorillo who embraced the Alla Polacca style. Explore Poland’s influence on European music with folk-inspired character and virtuosity

Musicians
Joanna Kreft - Historical Violin
Matylda Adamus - Historical Cello

Website

23/03/2025 15:00 CET

Ma Non Troppo, Chanson nouvelle On-site
Rencontres Internationales de musique ancienne en Trégor France
3 rue du château, salle Steredenn, 22420 Lanvellec

Italian and English Music from the Middle Ages and Some Contemporary Resonances
Singing, bowed vielles
800 years ago, in 1220, Francis of Assisi stepped down from leading the order he had founded, shedding the trappings of power to draw closer to a nature he cherished as divine creation. Who knows if he was a musician? Yet, he inspired a new popular song, in the Umbrian language, which flourished throughout the century around Assisi and Cortona.
At the same time, west of the English Midlands, Worcester Cathedral stood out as a liturgical center with influence across the kingdom. Unlike the French, the English did not make unnecessary distinctions between scholarly and popular music. Composer Gavin Bryars (best known for his minimalist work) offers a kind of mirrored reflection of these two traditions, drawing inspiration from both the refinement of medieval English music up to John Dunstable and the simplicity of the Laudario di Cortona.
Laudes from the Cortona Laudario, reinterpreted by Gavin Bryars (2003).
Excerpts from English manuscripts from the 13th and 14th centuries.

Musicians
Camille Aubret – singing, bowed vielle
Emmanuelle Huteau – singing
Elsa Papatanasios – singing
Daniela Maltrain – singing, bowed vielle
Camille Rancière – singing, bowed vielle

Website

Website

Website

01/04/2025 19:00 EEST (01/04/2025 18:00 CEST)

Anna Magdalena Bach Notenbüchlein (1725) On-site
Estonian Baroque Orchestra (EEBO) Estonia
Mustpeade maja, Pikk 26, 10133 Tallinn
At home with the Bach family: Johann Sebastian's elegant style, Carl Philipp Emanuel's youthful dance-energy, popular favourites then and now

Musicians
Estonian Baroque Orchestra
Andrew Lawrence-King, musical director

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21/03/2025 19:00 CET

Monteverdi: Presentation of the *L'Orfeo* project in partnership with the Cité des Arts On-site
Ensemble Arianna & Marie Paule Nounou France
Maison des Chœurs, Place Albert 1er, 34090 Montpellier

Open rehearsals as part of the partnership between Ensemble Arianna and the Cité des Arts of Montpellier. Free entry, subject to availability.

Musicians
Direction: Marie-Paule Nounou and Jean-Philippe Zielinski
Cast: Students from the Voice and Early Music Departments of the Cité des Arts
Ars Vocalis (Vocal Arts Division of Ensemble Arianna)

Website

Website

Website

22/03/2025 19:00 CET

Le Mercure (pas) galant, Italian rivalries at the court of the Sun King On-site
HARMONIA SACRA France
Le Phénix, Scène Nationale Valenciennes, Boulevard Harpignies , 59301 Valenciennes
This musical show takes place in the imaginary salon of two great masters of music at the Court of Louis XIV: Jean Baptiste Lully and Paolo Lorenzani. Jousts between French and Italian styles mingle with the chronicles of the famous Mercure galant.

Musicians
Ensemble Il Buranello
Stéphanie Revillion, soprano
Zeljko Manic, harpsichord

Website

18/03/2025 20:30 GMT (18/03/2025 21:30 CET)

Rune - Decameron Musicale On-site
Leamington Music United Kingdom
St Mary's Church, Warwick, Old Square, CV34 4RA Warwick
A mosaic of musical stories from early modern Europe featuring music by Landini, de Vitry, Dunstable, Binchois, and Machaut, and threaded with medieval music from more distant times and places.

Musicians

Angela Hicks, soprano

Daniel Thomson, tenor

Jean Kelly, harp

May Robertson, vielle

Daniel Scott, recorders & portative organ

Website

21/03/2025 18:30 CET

El Conservatori de Menorca celebra el Dia de la Música Antiga! On-site
Conservatori Professional de Música de Menorca and Joventuts Musicals d'Alaior Spain
Concert, Carrer des Banyer s/n, 07730 Alaior
Chamber music and orchestra's students will celebrate the Early Music Day with a concert around baroque and classical music.

Musicians String quartet and strings orchestra of the Conservatori de Menorca

Website

21/03/2025 20:00 GMT (21/03/2025 21:00 CET)

The Gesualdo Six: Queen of Hearts On-site
Portsmouth Early Music Festival United Kingdom
Portsmouth Cathedral, Portsmouth Cathedral, High Street, PO1 2HH Portsmouth
The Gesualdo Six present a selection of Motets and Chansons from the French Court, focusing on European Queens: Anne of Brittany, Margaret of Austria, Anne Boleyn and Mary Tudor.

Musicians The Gesualdo Six

Tickets

21/03/2025 19:00 CET

Concert des professeurs des conservatoires à rayonnement départemental de Narbonne et Béziers Méditerranée On-site
Les Muses en Dialogue & le Réseau des Conservatoires Occitanie Méditérranée France
Eglise Saint-Vincent-de-Saragosse, Place de l'église, 34490 Lignan sur Orb

As part of the European Early Music Day, the professors of this educational department offer a concert to explore the aesthetics and repertoire dedicated to this beautiful music. For information and reservations, contact the conservatories of Narbonne and Béziers.

Musicians Professeurs des CRD de Narbonne et Béziers Méditerranée, direction Élèves instrumentistes du département des musiques anciennes du Conservatoire de Béziers Méditerranée et choeur baroque des ateliers musique ancienne du Conservatoire de Narbonne.

Website

22/03/2025 15:00 CET

Concert by the professors of the Early Music Department of the Perpignan Regional Conservatory of Music (Conservatoire à Rayonnement Régional). On-site
Les Muses en Dialogue & Professeurs du DMA du Conservatoire à rayonnement régional de Perpignan France
Musée d'art Hyacinthe Rigaud, 21 Rue Mailly, 66000 Perpignan

Immerse yourself in a unique musical journey at the heart of the Hyacinthe Rigaud Art Museum's collections! As part of the European Early Music Days, the association Les Muses en Dialogue invites you to a concert by the professors of the Early Music Department of the Perpignan Regional Conservatory of Music. Blending the richness of Baroque works with the elegance of the art on display, this concert offers a one-of-a-kind experience where music and heritage resonate in perfect harmony. Rates and access conditions: Full price: €13 (entrance + €5) Reduced price: €11 (entrance + €5) Child price: €5 (entrance + €5) Limited seating – Reservations required through the museum: Phone: +33 (0)4 68 66 19 83 – Email: contact@musee-rigaud.fr

Musicians
Professors of the Early Music Department of the Perpignan Regional Conservatory of Music

Website

22/03/2025 12:58 CET

El Jardín de las Delicias On-site
All'Antica Musika Spain
Auditorio Clara Campoamor Barakaldo, Gernikako Arbola Etorbidea, 41, 48902 Barakaldo, Bizkaia, 48902 Barakaldo

It is an interdisciplinary project that combines music, theater, dance, and audiovisuals, in such a way that, in the style of a zarzuela, we intersperse music and dance with theatrical scenes. Regarding the music, we perform various Spanish and Latin American pieces, both vocal and instrumental, from the 16th, 17th, and 18th centuries.

On the theatrical side, we tell the story of the death of King Philip II through his final thoughts, memories, and interactions with the characters of Death and the ghosts of his wives. All of this unfolds as he gazes at the painting The Garden of Earthly Delights by Hieronymus Bosch, which the king himself had ordered to be placed at his deathbed.

Throughout the performance, the king journeys through the painting, drawing parallels between various details of the artwork and his own reflections. Likewise, each musical piece we perform is somehow connected to the monarch's thoughts and emotions and to the various details of the painting.

Musicians
Jorge Santos Pérez, actor - Philip II
Laiene Alcalá, soprano - Death
Venezia Grifell, dancer - Wives of Philip II
Diego Parra, violin
David Sáez, recorders
Silvia Cantatore, viola da gamba
Teresa Merino, theorbo
Elvira Pujol, harpsichord
Adrian Santamaría, percussion

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Edition 2025

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Edition 2025

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\n Fabrique de clavecins de Martine Argellies\n <\/h3>\n\n \n Les muses en dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Guided tour of the workshop<\/p>\n <\/div>\n\n

\n Early music concert\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Programme with the Conservatoire choir and the early music orchestra based on De Lalande\'s ‘De Profundis’.<\/p>\n <\/div>\n\n