Edition 2025

Early Music Day takes place every year on 21 March, at the initiative of REMA. This celebration of more than a thousand years of music, through concerts and events taking place simultaneously around the world, is an opportunity for Europeans to (re)discover our musical heritage!

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Pierre Gaultier and the birth of opera in Marseille

22/03/2025 18:00 CET \n Svenska Kyrkan Höörs församling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n

\n On Early Music Day, concerts are played simultaneously all over Europe! The celebration takes place every year on J. S. Bach\'s birthday, March 21\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""L'amor$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 11:00 CET (23/03/2025 11:00 CET)\n <\/small>\n <\/p>\n\n
\n "L'amor donna ch'io te porto"\n <\/h3>\n\n \n Associazione Mozart Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Music and love songs from the Renaissance to the early Baroque\n <\/div>\n\n
\n Musicians<\/span>\n
Vania Palumbo: Singing, Percussion<\/span><\/li>
Michele Tricarico: Recorder flutes<\/li>
Maurizio Ria: Viola da gamba<\/li>
Angela Lacalamita: Lute<\/li>
Giovanna Tricarico: Harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Polish$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Polish Music for violin and Cello in the 19th century \n <\/h3>\n\n \n Polish Composers of the 19th Century \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Celebrate 19th-century Polish music! Come and listen to works by Szymanowska, Duranowski, and foreign composers like Fiorillo who embraced the Alla Polacca style. Explore Poland’s influence on European music with folk-inspired character and virtuosity \n <\/div>\n\n
\n Musicians<\/span>\n
Joanna Kreft - Historical Violin<\/li>
Matylda Adamus - Historical Cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ma$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n Ma Non Troppo, Chanson nouvelle \n <\/h3>\n\n \n Rencontres Internationales de musique ancienne en Trégor \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Italian and English Music from the Middle Ages and Some Contemporary Resonances<\/b><\/p>
Singing, bowed vielles<\/i><\/p>
800 years ago, in 1220, Francis of Assisi stepped down from leading the order he had founded, shedding the trappings of power to draw closer to a nature he cherished as divine creation. Who knows if he was a musician? Yet, he inspired a new popular song, in the Umbrian language, which flourished throughout the century around Assisi and Cortona.<\/span><\/p>
At the same time, west of the English Midlands, Worcester Cathedral stood out as a liturgical center with influence across the kingdom. Unlike the French, the English did not make unnecessary distinctions between scholarly and popular music. Composer Gavin Bryars (best known for his minimalist work) offers a kind of mirrored reflection of these two traditions, drawing inspiration from both the refinement of medieval English music up to John Dunstable and the simplicity of the Laudario di Cortona.<\/p>
Laudes from the Cortona Laudario, reinterpreted by Gavin Bryars (2003).<\/i><\/p>
Excerpts from English manuscripts from the 13th and 14th centuries.<\/i><\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Camille Aubret – singing, bowed vielle<\/li>
Emmanuelle Huteau – singing<\/li>
Elsa Papatanasios – singing<\/li>
Daniela Maltrain – singing, bowed vielle<\/li>
Camille Rancière – singing, bowed vielle<\/li><\/ul>\n <\/div>\n\n
\n\n
Festival Lanvellec<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Ma Non Troppo<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Monteverdi:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Monteverdi: Presentation of the *L'Orfeo* project in partnership with the Cité des Arts\n <\/h3>\n\n \n Ensemble Arianna & Marie Paule Nounou\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Open rehearsals as part of the partnership between Ensemble Arianna and the Cité des Arts of Montpellier. Free entry, subject to availability.<\/span><\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Direction: Marie-Paule Nounou and Jean-Philippe Zielinski<\/li>
Cast: Students from the Voice and Early Music Departments of the Cité des Arts
Ars Vocalis (Vocal Arts Division of Ensemble Arianna)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website Les Muses en Dialogue<\/a><\/li>\n\n
Website Ensemble Arianna<\/a><\/li>\n\n
Website Cité des Arts<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Rune$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2025 20:30 GMT (18/03/2025 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Rune - Decameron Musicale\n <\/h3>\n\n \n Leamington Music\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n A mosaic of musical stories from early modern Europe featuring music by Landini, de Vitry, Dunstable, Binchois, and Machaut, and threaded with medieval music from more distant times and places.\n <\/div>\n\n
\n Musicians<\/span>\n
\n
Angela Hicks, soprano<\/li>\n
Daniel Thomson, tenor<\/li>\n
Jean Kelly, harp<\/li>\n
May Robertson, vielle<\/li>\n
Daniel Scott, recorders & portative organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 31/05/2024 19:30 CEST\n <\/small>\n <\/p>\n\n
\n The Magic of the Lute\n <\/h3>\n\n \n Ronda Barcelona\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n A selection of solos from my lutebook ‘The Magic of the Lute’, composed in the style of the sixteenth and seventeenth centuries. All these works may be played both on the lute or the vihuela. Full tablature published by the Lute Society in 2024.\n\n <\/div>\n\n
\n Musicians<\/span>\n Joaquim Bogunyà, vihuela.\n <\/div>\n\n
\n\n
Artist website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:30 CET\n <\/small>\n <\/p>\n\n
\n El Conservatori de Menorca celebra el Dia de la Música Antiga!\n <\/h3>\n\n \n Conservatori Professional de Música de Menorca and Joventuts Musicals d'Alaior\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Chamber music and orchestra\'s students will celebrate the Early Music Day with a concert around baroque and classical music.\n <\/div>\n\n
\n Musicians<\/span>\n String quartet and strings orchestra of the Conservatori de Menorca\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Concert des professeurs des conservatoires à rayonnement départemental de Narbonne et Béziers Méditerranée\n <\/h3>\n\n \n Les Muses en Dialogue & le Réseau des Conservatoires Occitanie Méditérranée\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
As part of the European Early Music Day, the professors of this educational department offer a concert to explore the aesthetics and repertoire dedicated to this beautiful music. For information and reservations, contact the conservatories of Narbonne and Béziers.<\/span><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n Professeurs des CRD de Narbonne et Béziers Méditerranée, direction\n\nÉlèves instrumentistes du département des musiques anciennes du Conservatoire de Béziers Méditerranée et choeur baroque des ateliers musique ancienne du Conservatoire de Narbonne.\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 15:00 CET\n <\/small>\n <\/p>\n\n
\n Concert by the professors of the Early Music Department of the Perpignan Regional Conservatory of Music (Conservatoire à Rayonnement Régional).\n <\/h3>\n\n \n Les Muses en Dialogue & Professeurs du DMA du Conservatoire à rayonnement régional de Perpignan\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Immerse yourself in a unique musical journey at the heart of the Hyacinthe Rigaud Art Museum\'s collections! As part of the European Early Music Days, the association Les Muses en Dialogue invites you to a concert by the professors of the Early Music Department of the Perpignan Regional Conservatory of Music. Blending the richness of Baroque works with the elegance of the art on display, this concert offers a one-of-a-kind experience where music and heritage resonate in perfect harmony. <\/span>Rates and access conditions: <\/span>Full price: €13 (entrance + €5) <\/span>Reduced price: €11 (entrance + €5) <\/span>Child price: €5 (entrance + €5) <\/span>Limited seating – Reservations required through the museum: <\/span>Phone: +33 (0)4 68 66 19 83 – Email: contact@musee-rigaud.fr<\/span><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Professors of the Early Music Department of the Perpignan Regional Conservatory of Music<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 00:00 CET\n <\/small>\n <\/p>\n\n
\n Journée Européenne de la Musique Ancienne à Ploubezre\n <\/h3>\n\n \n Nathalie Le Gaouyat\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Numerous concerts (20 minutes each) throughout the day from 10:30 a.m. to 6:00 p.m., performed by musicians from the Trégor region and their friends. Viola da gamba, traverso, recorder, violin, harpsichord, voice; chamber music, orchestra, and dance.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Chœur Anouna<\/li>
Ensemble Il Pastor Fido<\/li>
Ensemble Quatre quarts<\/li>
Collectif Trégor Baroque<\/li>
La Menestraudie<\/li>
Ensemble Spered Hyvarnion<\/li>
Chœur Claudio (dir. Isabelle Diverchy)<\/li>
Le consort des violistes de la Ruche Artistique (dir. Nathalie Le Gaouyat)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"El$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 12:58 CET\n <\/small>\n <\/p>\n\n
\n El Jardín de las Delicias \n <\/h3>\n\n \n All'Antica Musika\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n
It is an interdisciplinary project that combines music, theater, dance, and audiovisuals, in such a way that, in the style of a zarzuela<\/em>, we intersperse music and dance with theatrical scenes. Regarding the music, we perform various Spanish and Latin American pieces, both vocal and instrumental, from the 16th, 17th, and 18th centuries.<\/p>\n
On the theatrical side, we tell the story of the death of King Philip II through his final thoughts, memories, and interactions with the characters of Death and the ghosts of his wives. All of this unfolds as he gazes at the painting The Garden of Earthly Delights<\/em> by Hieronymus Bosch, which the king himself had ordered to be placed at his deathbed.<\/p>\n
Throughout the performance, the king journeys through the painting, drawing parallels between various details of the artwork and his own reflections. Likewise, each musical piece we perform is somehow connected to the monarch\'s thoughts and emotions and to the various details of the painting.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Jorge Santos Pérez, actor - Philip II<\/span><\/li>
Laiene Alcalá, soprano - Death<\/li>
Venezia Grifell, dancer - Wives of Philip II<\/li>
Diego Parra, violin<\/li>
David Sáez, recorders<\/li>
Silvia Cantatore, viola da gamba<\/li>
Teresa Merino, theorbo<\/li>
Elvira Pujol, harpsichord<\/li>
Adrian Santamaría, percussion<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n Early music concert by students of the Patio\n <\/h3>\n\n \n Le Patio, Ecole d'enseignement artistique du Pays de Morlaix\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Instrumental and vocal performance by students of the Patio, who will present early and Baroque music pieces at Saint-Agapit Church. The stage will feature an early music ensemble, students playing the traverso, harpsichord, recorder, and violin, as well as the Patio adult choir<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Saint-Agapit Church<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Note$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 18:00 CET (23/03/2025 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Note Barocche\n <\/h3>\n\n \n Associazione Antica Massa Cybea\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by J. S. Bach, A. Vivaldi. P. A. Guglielmi and others\n <\/div>\n\n
\n Musicians<\/span>\n Performances by students from the \"Palma\" Musical High School in Massa and the \"Puccini\" Conservatory in La Spezia.\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Seraphim\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Seraphim\n <\/h3>\n\n \n Muziekcentrum De Bijloke\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n
\n Like the gentle rustling of wings, music whispers through the air. The flight of an angel? Throughout the ages, the human spirit has sought connection with messengers from otherworldly realms — bearers of wisdom, admonition, retribution, or solace.\n\nIn a program full of captivating twists and turns, B’Rock brings together its Vocal Consort and chamber players with the extraordinary French mezzo Lucile Richardot. Seraphim mixes sounds from the early Middle Ages all the way to the present day. Hildegard von Bingen’s ode to the Creator echoes in Gubaidulina’s Engel on poetry by Else Lasker-Schüler, lush Romantic opulence by Louise Farrenc and Lili Boulanger glows side by side with baroque splendor from the Italian convents.\n <\/div>\n\n
\n Musicians<\/span>\n B\'Rock Orchestra & Vocal Consort\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Brandenburg$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Brandenburg Concertos\n <\/h3>\n\n \n La Trinité\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Masterpieces of Bach in Full. In 2025, <\/span>Les Folies françoises<\/em> will celebrate their twenty-fifth anniversary. Drawing from this quarter-century of award-winning concerts and recordings dedicated to the Cantor, the ensemble will present the complete Brandenburg Concertos on Bach\'s birthday—a rare concert experience! Composed around 1721, this unique corpus marks a major turning point in the history of music. With these six concertos, Bach demonstrated his unparalleled mastery of the concertante form, brilliantly exploring the sonic possibilities of the Baroque orchestra. Each concerto is a musical microcosm, combining virtuosity, contrapuntal complexity, and emotional expressiveness—emblematic works of the Baroque period.<\/span><\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Les Folies Françoises<\/li>
Patrick Cohën-Akenine, violin and conducting<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Visite – Atelier de clavecin de Martine Argellies – Atelier Argellies\n <\/h3>\n\n \n Les Muses en Dialogue & Atelier Argellies\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Martine Argellies has been a harpsichord maker since 1981. Her workshop, located in Montpellier, is one of the last in France specializing in harpsichord production. Her passion for the Baroque musical repertoire—of which the harpsichord, with its pedal-free and plucked-string design, is a key emblem—along with her love for craftsmanship, guided her career choices.<\/p>\n
In her late teens, she joined a friend who owned a piano shop. She then studied with a cabinetmaker before teaching herself the craft over a decade. Together with the two team members who now work alongside her, she produces about a dozen instruments per year, a quarter of which are destined for export.<\/p>\n
Martine Argellies has been a harpsichord maker since 1981. Her workshop, located in Montpellier, is one of the last in France specializing in harpsichord production. Her passion for the Baroque musical repertoire—of which the harpsichord, with its pedal-free and plucked-string design, is a key emblem—along with her love for craftsmanship, guided her career choices.<\/p>\n
In her late teens, she joined a friend who owned a piano shop. She then studied with a cabinetmaker before teaching herself the craft over a decade. Together with the two team members who now work alongside her, she produces about a dozen instruments per year, a quarter of which are destined for export.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Martine Argellies\n <\/div>\n\n
\n\n
Website Les Muses en Dialogue<\/a><\/li>\n\n
Website Atelier Argellies<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 22/03/2025 17:04 CET\n <\/small>\n <\/p>\n\n
\n WDR 3 Vesper (broadcast)\n <\/h3>\n\n \n Westdeutscher Rundfunk Köln (WDR)\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n A radio programme for the Early Music Day. The first part of the vespers programme features music from Bach\'s private music collection, while the second part features virtuoso Bach solo works.\n <\/div>\n\n
\n Musicians<\/span>\n various recordings\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2025 16:30 CET\n <\/small>\n <\/p>\n\n
\n Musical Tours of the Rigaud Museum collections with the Children's Choir of IRVEM\n <\/h3>\n\n \n Les Muses en Dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Dive into a musical journey with the children of the IRVEM Choir. Their voices will transport you through the ages, from the Middle Ages to the Baroque era, for a unique moment where art and song intertwine harmoniously.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Maîtrise d’enfants de l’IRVEM\n\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Chloë$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:30 GMT (21/03/2025 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Chloë Hanslip and Danny Driver | Bach and Beyond I\n <\/h3>\n\n \n Turner Sims\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
The first in an exclusive series of concerts celebrating the creative genius of Johann Sebastian Bach.\nJS Bach is regarded as one of the greatest composers of all time. Part of a large family of German musicians, he was an outstanding harpsichordist and organist. His compositions, such as the Brandenburg Concertos and ‘The Well-Tempered Clavier’, are revered all over the world.<\/p>
In the first of their Bach series for Turner Sims, ‘Bach and Beyond’, violinist Chloë Hanslip and pianist Danny Driver delve into JS Bach’s works for solo violin. His six sonatas and partitas have inspired many composers, including Ysaÿe and Cesar Franck.<\/p>
Join us to hear these intricate and emotional works performed by two Turner Sims favourites.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Chloë Hanslip, violin<\/li>
Danny Driver, piano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ode$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Ode à Bacchus - Concert and appetizers\n <\/h3>\n\n \n Ensemble Obsidienne \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Wine! The wine of the influential Court of Burgundy, a great wine-growing region, and the recently revived Domaine des Sénons, are in the limelight at the opening of the La Reverdie Festival. The musicians of Obsidienne, conducted by Emmanuel Bonnardot, will be singing it, from Carmina Burana (13th century) to the earthy polyphonies of the Renaissance; Valérie and Stéphane, the chefs from the restaurant Les Mauvaises Herbes, will be accompanying it with exquisite sweet and savoury bites. An exceptional evening in an exceptional setting!\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Obsidienne<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Fiati$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Fiati in Eco\n <\/h3>\n\n \n Theresia Orchestra\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Theresia Winds present the programme \"Fiati in eco\", featuring Mysliveček\'s Partita No. 3, Mozart\'s Serenade KV 375, Triebensee\'s Echostücke, and his historic arrangement of arias from Don Giovanni. The ensemble offers a unique glimpse into the evolving styles and innovations in Haromiemusik of the late 18th century.\n <\/div>\n\n
\n Musicians<\/span>\n
Theresia Winds<\/p>
Alfredo Bernardini, tutor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"UNA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 15/03/2025 17:45 CET\n <\/small>\n <\/p>\n\n
\n UNA MESSA BAROCCA\n <\/h3>\n\n \n Associazione Hendel\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Hunting for beauty led us to the Kerll’s Mass of today’s concert. Entering its soundscape is like crossing the threshold of a South German Baroque church, where you’ll sometimes wonder: are you in a sacred space or a theater?\n <\/div>\n\n
\n Musicians<\/span>\n
LA RISONANZA<\/p>
Federica Napoletani, soprano<\/li>
Angela Oh, alto<\/li>
Emanuele Bianchi, countertenor<\/li>
Matteo Magistrali, tenor<\/li>
Salvo Vitale, bass<\/li>
Pietro Modesti, cornett<\/li>
Olivia Centurioni, Ulrike Slowik - violins<\/li>
Caterina Dell’Agnello, violoncello<\/li>
Guisella Massa – violone<\/li>
Fabio Bonizzoni – organ and conducting<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"IL$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 10:30 CET (21/03/2025 10:30 CET)\n <\/small>\n <\/p>\n\n
\n IL SALOTTO DEL GRANDUCA - Musica nuova e nuove idee alla corte di Pietro Leopoldo, Granduca di Toscana,\n <\/h3>\n\n \n Associazione culturale "Le Muse del Nespolo"\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with music by Pietro Nardini (1722 - 1793), great virtuoso of his time and first violin at the Viennese court first and then, in Florence, at the court of Pietro Leopoldo of Habsburg, Grand Duke of Tuscany from 1765 to 1790. The concert will be interspersed with the reading of passages taken from the Leopoldino Codex and the \"Physical reduction of the Maremma Senese\" by .L Ximenes, so as to frame an important aspect of the musical culture of the 18th century within a broader historical, social and political, full of ferments, requests, actions for renewal and improvement of living conditions in the territory of Tuscany, thanks to the enlightened thought of Grand Duke Leopold and the prominent figures who surrounded him.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Accordone<\/p>
Guido Morini, conducting<\/li>
Laura Pontecorvo, flute<\/li>
Guido Morini, harpsichord<\/li>
Cristina Vidoni, cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visit$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 16:00 CET\n <\/small>\n <\/p>\n\n
\n Visit – Olivier Calmeille's violin and bow-making workshop – Atelier Scordatura\n <\/h3>\n\n \n Les Muses en Dialogue & Atelier Scordatura\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
L’Atelier Scordatura is located in Montpellier in an exceptional setting: the Hôtel Faulquier, a 19th-century mansion just steps away from the Saint-Roch train station.<\/p>\n
The origins of Atelier Scordatura lie in the meeting of two luthiers: Frédéric Becker, a master luthier and bow maker specializing in classical instruments, who worked at this address for nearly forty years, and Olivier Calmeille, now the workshop\'s director, a Montpellier-based luthier with 15 years of experience specializing in historical instruments and period setups.<\/p>\n
Atelier Scordatura invites you on a journey through time to discover the richness of classical and historical string instrument craftsmanship, from restoration to the creation of bowed string instruments (from violins to double basses, including viols).<\/p>\n
Free entry, registration required by email at atelier@scordatura.fr<\/a>.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Olivier Calmeille, luthier\n <\/div>\n\n
\n\n
Website Les Muses en Dialogue<\/a><\/li>\n\n
Website Atelier Scordatura<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visit$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 14:00 CET\n <\/small>\n <\/p>\n\n
\n Visit – Olivier Calmeille's violin and bow-making workshop – Atelier Scordatura\n <\/h3>\n\n \n Les Muses en Dialogue & Atelier Scordatura\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
L’Atelier Scordatura is located in Montpellier in an exceptional setting: the Hôtel Faulquier, a 19th-century mansion just steps away from the Saint-Roch train station.<\/p>
The origins of Atelier Scordatura lie in the meeting of two luthiers: Frédéric Becker, a master luthier and bow maker specializing in classical instruments, who worked at this address for nearly forty years, and Olivier Calmeille, now the workshop\'s director, a Montpellier-based luthier with 15 years of experience specializing in historical instruments and period setups.<\/p>
Atelier Scordatura invites you on a journey through time to discover the richness of classical and historical string instrument craftsmanship, from restoration to the creation of bowed string instruments (from violins to double basses, including viols).<\/p>
Free entry, registration required by email at atelier@scordatura.fr<\/a>.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Olivier Calmeille, luthier<\/p>\n <\/div>\n\n
\n\n
Website Les Muses en Dialogue<\/a><\/li>\n\n
Website Atelier Scordatura<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Nóra$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 10/03/2025 14:30 GMT (10/03/2025 15:30 CET)\n <\/small>\n <\/p>\n\n
\n Nóra B Kavanagh Solo Pieces inspired by Irish Traditional Music\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n As part of Early Music Day 2025, Nóra Byrne Kavanagh will perform a selection of pieces from the Irish Traditional Music idiom on solo piano. The performance will pay homage to the music of the renowned harper/composer Turlough Carolan (1670-1738) alongside the performance of some originally composed tunes by the performer.\n <\/div>\n\n
\n Musicians<\/span>\n Nóra B. Kavanagh\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mo$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 10/03/2025 14:30 GMT (10/03/2025 15:30 CET)\n <\/small>\n <\/p>\n\n
\n Mo Cheol\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n As part of Early Music Day 2025, Nóra Byrne Kavanagh will perform a selection of pieces from the Irish Traditional Music idiom on solo piano. The performance will pay homage to the music of the renowned harper/composer Turlough Carolan (1670-1738) alongside the performance of some originally composed tunes by the performer.\n <\/div>\n\n
\n Musicians<\/span>\n Nóra Byrne Kavanagh\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 17:00 CET (23/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n The Lionesses of Venice\n <\/h3>\n\n \n Titans Rising Verein für Alte Musik Berlin e.V. (Titans Rising concert series)\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Music by Venetian composers such as Barbara Strozzi, Benedetto Marcello, Antonio Lotti, Francesco Cavalli & Giovanni Legrenzi for solo women\'s voices\n <\/div>\n\n
\n Musicians<\/span>\n
Titans Rising Early Music Ensemble & Venice Music Project<\/p>
Liesl Odenweller<\/li>
Angela Postweiler<\/li>
Caterina Chiarcos<\/li>
Sarah Fuhs, soprano<\/li>
Jia Lim, harpsichord/organ<\/li>
Vladimir Waltham, baroque cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ārt$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Ārt House Social - queerPassion\n <\/h3>\n\n \n ĀRT HOUSE\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n How can queer representation take its place in Early Music being neither boring nor offensive? We will show the queer appropriation of Early Music in the form of a discursive workshop and gemütliches concert, using \"Seht jene Menschen\" - the new libretto by Thomas Höft for Bach\'s St Johns Passion. There will be food and drinks.\n <\/div>\n\n
\n Musicians<\/span>\n
ĀRT HOUSE 17<\/p>
Markus Schäfer, tenor<\/li>
Thomas Höft, narrator<\/li>
Michael Hell, harpsichord<\/li>
Georg Kroneis, viola da gamba<\/li>
Hannah Freienstein, violoncello<\/li><\/ul>\n <\/div>\n\n
\n\n
Artists website<\/a><\/li>\n\n
Venue website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mozart:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2025 19:00 GMT (25/03/2025 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Mozart: La finta giardiniera\n <\/h3>\n\n \n The Mozartists\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n This sparkling comedy is one of Mozart’s most popular early operas. It was premièred in Munich in January 1775, and Mozart wrote home to his mother: “My opera turned out so well that it is impossible for me to describe… After every aria there was the most frightening clamour, with clapping and shouts of ‘Viva Maestro!’”. Our cast features an outstanding line-up of young singers headed by Ava Dodd and Hugo Brady.\n <\/div>\n\n
\n Musicians<\/span>\n
Ava Dodd (soprano) - Sandrina<\/li>
Camilla Harris (soprano) - Arminda<\/li>
Milly Forrest (soprano) - Serpetta<\/li>
Laura Fleur (mezzo-soprano) : Ramiro<\/li>
Hugo Brady (ténor) : Belfiore<\/li>
Michael Bell (ténor) - Podesta<\/li>
Jerome Knox (baryton) - Nardo<\/li>
The Mozartists<\/li>
Ian Page chef d\'orchestre<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach:$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 EET (21/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach: Spring 1725\n <\/h3>\n\n \n Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Cantatas written in March 1725 dialoguing with Telemann and Graupner\n\n <\/div>\n\n
\n Musicians<\/span>\n Bachcelona Consort & Salvat Soloists (Spain)\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"European$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET\n <\/small>\n <\/p>\n\n
\n European Early Music Day 2025\n <\/h3>\n\n \n Visby domkyrkoförsamling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Early music concert\n <\/div>\n\n
\n Musicians<\/span>\n
Ad Fontes, vocal ensemble<\/li>
Bona Speranza, viola da gamba ensemble<\/li>
Campus Gotland Chamber Choir, choirmaster Dan Eiderfors, Elisabeth Lutteman & Gaston Apablaza<\/li>
Karin Nyman, soprano<\/li>
Dan Eiderfors, organ<\/li>
Lasse Pettersson, recorder<\/li>
Richard Hellgren, viola<\/li>
Elke Unt, organ <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Baroque$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Baroque in Yellow and Blue - a Swedish-Ukrainian Music Weave\n <\/h3>\n\n \n EARLY MUSIC SWEDEN\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Celebrate Early Music Day with EARLY MUSIC SWEDEN descovering beautiful unknown Ukrainian polyphony intertwined with Swedish baroque dances! Vocal ensemble PARTES (Kyiv) and harpsichordist Mariangiola Martello unite Mykola Dyletsky and Gustaf Düben in a concert of harmony and contrast. Join us at the German Church and online! Tickets from Feb 18 at earlymusicsweden.se. Recorded by the Swedish Radio.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble PARTES, Kyiv (Ukraine)<\/li>
Mariangiola Martello, harpsichord (Sweden)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"IL$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:30 CET (21/03/2025 18:30 CET)\n <\/small>\n <\/p>\n\n
\n IL SALOTTO DEL GRANDUCA - Musica nuova e nuove idee alla corte di Pietro Leopoldo, Granduca di Toscana\n <\/h3>\n\n \n Associazione culturale "Le Muse del Nespolo" - Magliano in Toscana (Grosseto, Tuscany, Italy)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with music by the composer and violinist Pietro Nardini (1722 - 1793), great virtuoso of his time and first violin at the Viennese court first and then, in Florence, at the court of Pietro Leopoldo of Habsburg, Grand Duke of Tuscany from 1765 to 1790, the first of the Habsburg-Lorraine to reside permanently in Florence. The concert will be interspersed with the reading of passages from the Leopoldino Codex so as to frame an important aspect of the musical culture of the 18th century within a broader historical, social and political, full of ferments, requests, actions for renewal and improvement of living conditions in the territory of Tuscany, thanks to the enlightened thought of Grand Duke Leopold and the prominent figures who surrounded him. The concert will be performed during the early music day and its aim is celebrating the \"Festa della Toscana\". With the support of Consiglio regionale della Toscana and of Comune di Magliano in Toscana (Grosseto, Tuscany, Italy)\n <\/div>\n\n
\n Musicians<\/span>\n
Associazione Culturale \"Le Muse del Nespolo\"<\/span><\/p>
Ensemble Accordone<\/span><\/p>
Guido Morini, direction<\/span><\/li>
Laura Pontecorvo, flûte traversière<\/li>
Guido Morini, clavecin<\/li>
Cristina Vidoni, violoncelle<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Viaggio$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 23/03/2025 17:00 CET (23/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Viaggio musicale nell'Europa barocca\n <\/h3>\n\n \n Associazione Culturale Vivere d'Arte E.T.S.\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music by Johann Sebastian Bach, Georg Friedrich Händel, Georg Philipp Telemann, Girolamo Frescobaldi and other authors of the 16th and 17th centuries. Event with participation by invitation. Book your free entry now!\n <\/div>\n\n
\n Musicians<\/span>\n
Trio Hexachordum<\/p>
Guido Antoniotti, viola da gamba<\/li>
Silvia Capra, recorder<\/li>
Roberto Marazzato, organ<\/li>
Marco Farinella, greetings and presentation<\/li><\/ul>\n <\/div>\n\n
\n\n
Free reservation<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram (live streaming)<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
X<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Palestrina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Palestrina 500: Giovanni Pierluigi e gli altri\n <\/h3>\n\n \n Diapason Consortium \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A tribute concert to Early Music in Vigevano, a beautiful town close to Milan both geographically and historically. Here, during the Renaissance, the Sforza Court moved from Milan; moreover, important figures such as Ludovico il Moro, Leonardo da Vinci and Donato Bramante lived here. The venue for the concert is the splendid San Dionigi Auditorium - a deconsecrated Baroque church that represents the temple of music in Vigevano - located a few meters from the fabulous Piazza Ducale.\nThe focus of concert will be Giovanni Pierluigi da Palestrina (Palestrina, 1525 – Roma, 2 febbraio 1594), on the occasion of the five hundredth anniversary of his birth.\n <\/div>\n\n
\n Musicians<\/span>\n Musicians and singers of artistic production collective \"Bottega dei Suoni\"\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BIBER,$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 30/03/2025 17:45 CEST\n <\/small>\n <\/p>\n\n
\n BIBER, LE SONATE DEL ROSARIO: I MISTERI GAUDIOSI\n <\/h3>\n\n \n Associazione Hendel / La Risonanza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Biber’s Rosary Sonatas are a monument to spirituality. Just as the Angel Gabriel’s announcement to Mary is poetic for believers and non-believers alike, Biber’s music transcends personal taste, reaching the realm of absolute beauty.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Lorenzo Gatto, narrator<\/li>
Olivia Centurioni, violin<\/li>
Caterina Dell’Agnello, violoncello<\/li>
Gabriele Palomba, theorbo<\/li>
Fabio Bonizzoni, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alessandro$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2025 15:41 CET (27/03/2025 15:41 CET)\n <\/small>\n <\/p>\n\n
\n Alessandro en Roma, Nápoles y Madrid\n <\/h3>\n\n \n Delirivm Musica\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Concert in tribute to Alessandro Scarlatti (1660-1725)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n Delirivm Musica\n <\/div>\n\n
\n\n
Website festival<\/a><\/li>\n\n
Website artists<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Airs$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2025 17:07 CET\n <\/small>\n <\/p>\n\n
\n Airs & Fables\n <\/h3>\n\n \n Cultuurcentrum Strombeek Grimbergen\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n
Fables of Jean de La Fontaine set to music. François Couperin: Pièces mises en concert. <\/span>Airs by Montéclair, Lambert, Drambuis, and others<\/span><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
RedHerring Baroque Ensemble<\/p>
\n<\/p>
Claire Lefilliâtre – Soprano<\/li>
Dirk Vandaele – Violin<\/li>
Kaori Uemura – Viol<\/li>
Floris De Rycker – Theorbo<\/li>
Bart Jacobs – Harpsichord<\/li>
Patrick Denecker – Recorder and Director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Pierre$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Pierre Gaultier and the birth of opera in Marseille\n <\/h3>\n\n \n Alessandra\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
In 1685, Pierre Gaultier obtained Lully\'s permission to open the very first provincial opera house. From then on, opera became a Marseilles institution, central to the musical and cultural life of an entire region. Based on instrumental works by Gaultier, Concerto Soave has built a program around French opera of the late 17th and early 18th centuries. Lully is obviously present, but also Campra and Mouret, immense opera composers born in our region.
<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Concerto Soave<\/li>
Gabrielle Varbetian, soprano<\/li>
Romain Bockler, baritone<\/li>
Federica Basilico, Charlotte Gerbitz, violins<\/li>
Marine Rodallec, cello<\/li>
Jean-Marc Aymes, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Semele\"$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Semele\n <\/h3>\n\n \n Associazione Hendel\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Prepare to be amazed! Discover a fresh take on a familiar plot from Handel’s oratorio, featuring a surprising composer, breathtaking music, and extraordinary young soloists. Watch now!\n <\/div>\n\n
\n Musicians<\/span>\n
Emilia Bertolini, Ino<\/li>
Federica Napoletani, Cadmus<\/li>
Piermarco Vinas, Athamas<\/li>
Angelo Testori, Jupiter<\/li>
Giacomo Nanni, Juno<\/li>
Jiayu Jin, Iris<\/li>
Maria Chiara Ardolino, Somnus<\/li>
Francesco Masilla, Apollo<\/li>
Francesco Masilla, Chief Priest<\/li>
Alessandro Ravasio, 2nd Priest and 1st Augur<\/li>
Emanuele Bianchi, 3rd Priest and 2nd Augur<\/li>
Matteo Magistrali<\/li><\/ul>
LA PRIMAVERA DE LA RISONANZA<\/span><\/p>
Ryo Terakado, Matteo Rozzi, Gabriele Cervia, Ruiqui Ren, I-Chun, Stefano Gerard – violins<\/li>
Elena Gelmi – viola<\/li>
Viktor Töpelmann, Agnieszka Oszanca – cellos<\/li>
Guisella Massa – violone<\/li>
Menglin Gao, Giorgia Zanin – theorbo<\/li>
Fabio Bonizzoni – harpsichord and conductor
<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Artist website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Renaissance$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Renaissance à gogo, tous les hits du XVIe siècle\n <\/h3>\n\n \n Les Rendez-Vous de Musique Ancienne - Ensemble Céladon\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
On stage, a bizarre instrument: the clavicytherium (a kind of small vertical harpsichord), its imperturbable keyboardist, a counter-tenor who is also master of the game, and a 12-sided die, each of which corresponds to a piece of music. Renaissance à gogo is a fun way to learn about 16th-century music! So, shall we play?<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Paulin Bündgen, countertenor and artistic director<\/li>
Caroline Huynh Van Xuan, clavichytherium<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Daheim$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 30/03/2025 18:15 CEST\n <\/small>\n <\/p>\n\n
\n Daheim bei Milán & Galilei\n <\/h3>\n\n \n ReRenaissance – Forum for Early Music\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n
Journey through mini lute concerts in a Basel mansion! The “queen of instruments” inspired renowned virtuosos such as Luys de Milán and Vincenzo Galilei, both of whom celebrate anniversaries in 2025.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Julian Behr – lute<\/li>
Xavier Latorre – lute<\/li>
Orí Harmelin – lute<\/li>
Marc Lewon – lute; direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Masterpieces$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Masterpieces from the time of Jean-Jacques Rousseau\n <\/h3>\n\n \n Kammerata Luxembourg\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n Baroque music on original instruments between 1730 and 1750 | as part of the European Early Music Day\n\n‘Celebrate early music! – is the motto of the European Early Music Day. Kammerata Luxembourg is celebrating the occasion with a concert on historic instruments at the Saint-Hubert church in Merscheid.\nThe focal point of the evening is the Swiss philosopher, writer and composer Jean-Jacques Rousseau, who said of himself: ‘I was surely born for music, since I loved it from childhood, and since I loved it constantly at all times’.\nThe concert programme is dedicated to Rousseau’s musical contemporaries, and invites you to take a cross-border journey through the Baroque period, focusing on Telemann, Bach, Barsanti, Scarlatti, Handel, Geminiani and Rameau.\nPlaying on period instruments will make this musical journey authentic.\n\nGP Telemann | Quatuor parisien no.2 TWV 43:a2 | oboe, violin, bass viol, continuo\nCPE Bach | Sonata H 549 | oboe, b.c.\nFrancesco Barsanti | A collection of Old Scots Tunes (extr.)\nDomenico Scarlatti | Sonata K.69 | harpsichord\nGF Händel | Trio HWV 386a | violin, oboe, b.c.\nFrancesco Geminiani | A Treatise of Good Taste in the Art of Musick (extr.)\nJP Rameau | Pièces de clavecin en concert – Cinquième concert | harpsichord, violin, oboe, viola da gamba\n\nInformation / Booking\nTickets may only be purchased at the evening box office\nReservations not required via info@kammerata.lu\nTickets: 25 € | < 30 years: 15 € | Kulturpass welcome\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Kammerata Luxembourg:<\/p>
Raffaella Bortolini, baroque oboe <\/li>
Isabel Van Grysperre, baroque violin <\/li>
Borbala Janitsek, viola da gamba <\/li>
Fons Van der Linden, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 15:30 CET\n <\/small>\n <\/p>\n\n
\n Le basson avec Kaori Yokoyama\n <\/h3>\n\n \n Le Musée des instruments à vent\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Musician Kaori Yokoyama invites you to discover her unique collection of bassoons. She will trace the history of the bassoon and invite you to listen to this instrument with sounds as powerful as they are gentle. Did you know? In the musical tale “Peter and the Wolf”, the bassoon plays the grandfather.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Kaori Yokoyama, bassoonist<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
culture.evreux.fr<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n Early music concert\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Programme with the Conservatoire choir and the early music orchestra based on De Lalande\'s ‘De Profundis’.
<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Vocalitas Choir, Helios Orchestra
<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 18/03/2025 16:00 CET (18/03/2025 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Neapolitan early music day\n <\/h3>\n\n \n Francesco Nocerino\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A valuable music program by famous Baroque Italian Composers, as such as G.B. Pergolesi, A. Vivaldi, C. Caresana, performed by the Group Ensemble Musicale Barocco, a Youth musical ensemble from the secondary schools of Performing Arts Department in Naples. The instrumental sections include: Strings, Wind instruments, Harps, Organs, Harpsichord, a Baroque Poliphonic Choire, Percussions. \n <\/div>\n\n
\n Musicians<\/span>\n
Castiello Sofia, Tesone Maria Barbara, Yana Chukhrovska, Notaro Giovanni, De Vito Gaia, Santonicola Gabriele, Teleno Silvana, Serino Chiara, Dini Ciacci Luna, Giordano Viviana, Negri Alessia, Tramontana Emilianna, Pacilio Ilaria, Pollice Aurora Marie, Napoletano Giada, Varriale Alfredo, Sacco Adele, Scicchitano Miriam, Di Maria Viviana, Rossetti Flavia, Succoia Maria Teresa, Capuano Liliana, Russo Giuliano, Enrika Feola, Capocotta Valerio, Rimonti Zara Carolina, Botosineanu Elisa, Nastych Anna.<\/p>
Teachers: <\/span><\/p>
Amato Angela (violin)<\/span><\/li>
Caiazza Ida (singing)<\/li>
Catarci Katia (harp)<\/li>
Durantino Giorgio (percussion)<\/li>
Nocerino Francesco (organ, harpsichord)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Bernardo Pasquini: Il Mosè\n <\/h3>\n\n \n Associazione Culturale Pietro Antonio Locatelli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n We will open our 2025 musical season in Bergamo with the italian premiere of this oratorio by Bernardo Pasquini. The Concert will be taken in the principal Theater of the City: Teatro Gaetano Donizetti.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Locatelli<\/li>
Ensemble Vocale Locatelli<\/li>
Thomas Chigioni (Conductor)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"340.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2025 19:00 CET (21/03/2025 19:00 CET)\n <\/small>\n <\/p>\n\n
\n 340. Bach-Gebeurtstag\n <\/h3>\n\n \n Köthener BachGesellschaft mbH\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n On 21 March, the Köthen Bach Festival traditionally celebrates Johann Sebastian Bach\'s birthday with a concert in the Church of St. Agnus. This year\'s festival will be particularly unusual: Margret Köll, one of the best baroque harpists in the world, will be coming to Köthen (Anhalt) for a whole week to work with international students. Together with the Bach Festival director, they are developing a sound festival for the birthday concert that will fill the historic church of St Agnus with harmonies in every corner. The young Chilean singer Romina De la Fuente Villarroel, who has been living in Weimar for several years, will also be a guest. The musical celebration will feature the most beautiful sounds and repertoire highlights for and with harp from around 150 years, from the invention of opera at the beginning of the 17th century to the music of Johann Sebastian Bach. Together with the great baroque master, the composer Alfred Tokayer, who was also born in Köthen (Anhalt) on 21 March, will be celebrated. He was born in 1900 to a Jewish family in the city of Bach and received his first musical training here. In the 1920s, he made a career in Berlin and worked for theatre legend Max Reinhardt, among others. Tokayer had to flee to France in 1935. He was finally arrested by the Gestapo in Paris in 1942 and - like his parents - was killed in the Sobibor concentration camp in 1942. The concert will be streamed live on YouTube!
\n <\/div>\n\n
\n Musicians<\/span>\n
Margret Köll, baroque harp<\/li>
Romina De la Fuente Villarroel, soprano<\/li>
participants from the HARFEN LABORS in Köthen, surprise guests<\/li>
Folkert Uhde, animation<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
YouTube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Music$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 18:00 CET\n <\/small>\n <\/p>\n\n
\n Music & Climate\n <\/h3>\n\n \n Itinéraire Baroque en Périgord\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n In music, the seasons have often inspired composers: Vivaldi but also Lully, Purcell, Boismortier... Similarly, spectacular events (storms, tempests) but also moments of prosperity and calm have inspired musicians. Concert in collaboration with Cherval Avenir
\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Les Meslanges<\/li>
Van EssenThomas, baritone<\/li>
Van Waerbeke Jérôme, violin<\/li>
Hernandez Frédéric, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Ensemble Les Meslanges<\/a><\/li>\n\n
Cherval Avenir<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"L'organo$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2025 20:00 CET\n <\/small>\n <\/p>\n\n
\n L'organo fantastico: Girolamo Frescobaldi, le Toccate del Primo Libro\n <\/h3>\n\n \n Conservatorio di musica "Giuseppe Verdi" di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Frescobaldi was a great musician who not only inaugurated a new manner of playing but also illustrated a new refined “modus componendi” through a language of astonishing modernity. This concert offers a rare opportunity to hear the entire collection of toccatas contained in his first book published in 1615, in Rome, performed on a magnificent organ belonging to one of the most famous dynasties of Brescian builders, active in the years between the sixteenth and seventeenth centuries: the Antegnati. In particular, it is an ancient organ built by Gian Giacomo Antegnati in 1554, located, in the wonderful Church of San Maurizio al Monastero Maggiore in Milan. The twelve Toccatas performed in this organ concert are so imbued with a great expressive intensity and a poignant grace that, even today, they amaze us with their relevance. They are compositions permeated by a magic of sounds and an emotional tension that seems to never end. Bach himself was fascinated by the music of this great Ferrarese master. Not by chance this music seduces by its spontaneity, by its freshness, by the naturalness of the lyric melodic gesture.\n <\/div>\n\n
\n Musicians<\/span>\n Ivana Valotti, grande spécialiste du répertoire d\'orgue italien de la Renaissance et du Baroque, est professeur d\'orgue au Conservatoire « Giuseppe Verdi » de Milan, pour le cours avancé de musique ancienne à l\'orgue.\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Audition$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2025 13:10 GMT (11/03/2025 14:10 CET)\n <\/small>\n <\/p>\n\n
\n Audition for the first organist on the 300th anniversary of St George’s, Hanover Square\n <\/h3>\n\n \n St George's, Hanover Square\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n
\n The church of St George’s Hanover Square was consecrated by the Bishop of London\non March 23rd, 1725. The three-manual organ was built by Gerard Smith, nephew and successor of the famous Father Smith. The case of his organ remains as the central part of the current organ case. This recital will reflect the audition for the first organist, with music by the four assessors (Pepusch, Croft, Handel and Geminiani) and the successful candidate, Thomas Roseingrave, chosen for his ability to improvise fugues.\n <\/div>\n\n
\n Musicians<\/span>\n Andrew Benson-Wilson\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visites$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 10:30 CET\n <\/small>\n <\/p>\n\n
\n Visites en musique des collections du Musée Fabre - Les Ombres \n <\/h3>\n\n \n Les Muses en Dialogue - Les Ombres - Musée Fabre\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Friday, March 21 at 10:30 a.m. and 2:30 p.m.<\/p>
Le printemps<\/b><\/span>
<\/span><\/p>
As part of the European Early Music Days, the Musée Fabre opens its doors to musicians from the Les Ombres ensemble. On a guided musical and pictorial tour, music and paintings reveal their secrets. The flute and viola da gamba will resonate in this majestic setting during original guided tours, revealing each work under the prism of spring.<\/span>
<\/span><\/p>
Admission: €15, with registration by e-mail to amelie.belin@montpellier.fr, or directly online on the Musée Fabre website.<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n Margaux Blanchard, viola da gamba<\/li>
Sylvain Sartre, traverso<\/li><\/ul>\n <\/div>\n\n
\n\n
Les Muses en Dialogue - Visites en musique<\/a><\/li>\n\n
Musée Fabre - réservation<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ancient$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2025 17:00 CET (22/03/2025 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Ancient Sounds in the Abbey - Exhibition of medieval instruments and medieval music concert\n <\/h3>\n\n \n Fondazione Abbatia Sancte Marie de Morimundo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n On the occasion of the Early Music Day, you are invited to a double event to discover the fascinating world of medieval music. The event begins with an exhibition of historical instruments and continues with a narrated concert, where a musicologist and a musician alternate between performing medieval sacred and secular music and recounting episodes of monastic life, passed down through songs and other medieval documents.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble In Itinere Musica Medievale<\/p>
Roberto Chiari - medieval fiddle, rebec, drum, and others<\/li>
Chiara Mojana - narrator, medieval harps and recorder<\/li><\/ul>\n <\/div>\n\n
\n\n
Organiser website<\/a><\/li>\n\n
Artists website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BACH340\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 14:55 EET (21/03/2025 13:55 CET)\n <\/small>\n <\/p>\n\n
\n BACH340\n <\/h3>\n\n \n Lieto parish\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n
\n Bach340 with Organ&Cello\n <\/div>\n\n
\n Musicians<\/span>\n
Tomi Satomaa, organ<\/li>
Jukka Perksalo, cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2025 12:30 EET (21/03/2025 11:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music in the corridors of LMTA / LMTA Early Music Week 2025\n <\/h3>\n\n \n Lithuanian Academy of Music and Theatre\n <\/span>\n\n \n Lithuania<\/strong>\n <\/span>\n\n
\n Welcome to the European Early Music Day at the Lithuanian Academy of Music and Theatre! Participants of “LMTA Early Music Week 2025“ will invite you to listen to works by Renaissance and Baroque composers and get acquainted with historical musical instruments.\n <\/div>\n\n
\n Musicians<\/span>\n Participants of \"LMTA Early Music Week 2025\"\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Tarquinio$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2025 14:30 CST (08/03/2025 07:30 CET)\n <\/small>\n <\/p>\n\n
\n Tarquinio Merula - Concerti Spirituali\n <\/h3>\n\n \n The Gleam Ensemble & Ensemble InAlto\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n Time and Geography, they say, are destiny.\nLike Luigi Rossi, Francesco Cavalli and Giacomo Carissimi, Tarquinio Merula belonged to that generation of composers, born between 1595 and 1605, for whom the concertante style was no longer a new idiom, but the musical medium par excellence, acquired from childhood as the dominant musical language of the time. A musical language that was about to spread throughout the European continent.\nBorn in 1595 in Brusseto, Tarquinio Merula probably received his musical training at Cremona Cathedral; after serving as Kapellmeister in Lodi, Lombardy, and in Warsaw, at the Polish Royal Court, he alternated several times, from 1626 onwards, in the same positions for the cathedrals of Cremona and Bergamo.\nTarquinio Merula was known as a virtuoso on both the violin and organ and has published a wide variety of instrumental music for “chiesa e camera” : for both secular and sacred contexts.\nBy the 1630s, public enthusiasm for highly expressive solo madrigals composed in the recitative style had waned considerably. Contrary to the assumption of certain theorists that, in vocal music, music was only at the service of words, the composers of the younger generation were looking for a more balanced relationship between words and music, a relationship in which the declamatory and expressive achievements of this new era would be united with the emerging interest in formal construction and musical harmony.\nFilled with the daring inventions of his peers like Grandi, Monteverdi, Cavalieri etc… Merula never ceased to put his talent at the service of an incredibly expressive music.\nInAlto explores here the sacred compositions of the Cremonese Master, all at the image of the famous lullaby Hor che è tempo di dormire. Simple at times, yet impressively innovative. Sacred, yet grounded in human emotions.\n <\/div>\n\n
\n Musicians<\/span>\n
Alice Foccroulle, soprano<\/li>
Lambert Colson, cornetto<\/li>
Martin Chiang, dulcian<\/li>
Shio Ohshita, baroque violin<\/li>
Bernard Foccroulle, organ and harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2025 17:00 CET\n <\/small>\n <\/p>\n\n
\n Le Graduel d’Aliénor de Bretagne, abbesse de Fontevraud\n <\/h3>\n\n \n pôle Aliénor\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Extracts from the Fontevraud Manuscript: Plainchant and medieval polyphony Students from the early music department, under the direction of Isaac Alonso de Molina<\/p>\n <\/div>\n\n
\n Musicians<\/span>\n
Isaac Alonso de Molina, artistic direction<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); ait_of_several_musicians_and_artists-_by_francois_puget_1688_-_brunel_1980_p31.jpg" />

Pierre Gaultier and the birth of opera in Marseille On-site
Alessandra France
Auditorium du Musée d'histoire de la Ville de Marseille, 2 rue Henri Barbusse, 13001 Marseille

In 1685, Pierre Gaultier obtained Lully's permission to open the very first provincial opera house. From then on, opera became a Marseilles institution, central to the musical and cultural life of an entire region. Based on instrumental works by Gaultier, Concerto Soave has built a program around French opera of the late 17th and early 18th centuries. Lully is obviously present, but also Campra and Mouret, immense opera composers born in our region.

Musicians
Concerto Soave
Gabrielle Varbetian, soprano
Romain Bockler, baritone
Federica Basilico, Charlotte Gerbitz, violins
Marine Rodallec, cello
Jean-Marc Aymes, harpsichord and conductor

Website

21/03/2025 17:00 CET

Semele Online
Associazione Hendel Italy
Museo Nazionale Scienza e Tecnologia Leonardo Da Vinci, Via San Vittore 21, 20123 Milan
Prepare to be amazed! Discover a fresh take on a familiar plot from Handel’s oratorio, featuring a surprising composer, breathtaking music, and extraordinary young soloists. Watch now!

Musicians
Emilia Bertolini, Ino
Federica Napoletani, Cadmus
Piermarco Vinas, Athamas
Angelo Testori, Jupiter
Giacomo Nanni, Juno
Jiayu Jin, Iris
Maria Chiara Ardolino, Somnus
Francesco Masilla, Apollo
Francesco Masilla, Chief Priest
Alessandro Ravasio, 2nd Priest and 1st Augur
Emanuele Bianchi, 3rd Priest and 2nd Augur
Matteo Magistrali
LA PRIMAVERA DE LA RISONANZA
Ryo Terakado, Matteo Rozzi, Gabriele Cervia, Ruiqui Ren, I-Chun, Stefano Gerard – violins
Elena Gelmi – viola
Viktor Töpelmann, Agnieszka Oszanca – cellos
Guisella Massa – violone
Menglin Gao, Giorgia Zanin – theorbo
Fabio Bonizzoni – harpsichord and conductor

Website

Artist website

21/03/2025 20:00 CET

Renaissance à gogo, tous les hits du XVIe siècle On-site
Les Rendez-Vous de Musique Ancienne - Ensemble Céladon France
16 rue des Chartreux, 69001 Lyon

On stage, a bizarre instrument: the clavicytherium (a kind of small vertical harpsichord), its imperturbable keyboardist, a counter-tenor who is also master of the game, and a 12-sided die, each of which corresponds to a piece of music. Renaissance à gogo is a fun way to learn about 16th-century music! So, shall we play?

Musicians
Paulin Bündgen, countertenor and artistic director
Caroline Huynh Van Xuan, clavichytherium

Website

Tickets

30/03/2025 18:15 CEST

Daheim bei Milán & Galilei On-site
ReRenaissance – Forum for Early Music Switzerland
Haus zum Kirschgarten, Historical Museum Basel, Elisabethenstrasse 27, 4051 Basel

Journey through mini lute concerts in a Basel mansion! The “queen of instruments” inspired renowned virtuosos such as Luys de Milán and Vincenzo Galilei, both of whom celebrate anniversaries in 2025.

Musicians
Julian Behr – lute
Xavier Latorre – lute
Orí Harmelin – lute
Marc Lewon – lute; direction

Website

23/03/2025 17:00 CET

Masterpieces from the time of Jean-Jacques Rousseau On-site
Kammerata Luxembourg Luxembourg
St. Hubert Church in Merscheid (Putscheid), Luxembourg, 1-4 Wellerwee, 9380 Mierschent Pëtscht
Baroque music on original instruments between 1730 and 1750 | as part of the European Early Music Day ‘Celebrate early music! – is the motto of the European Early Music Day. Kammerata Luxembourg is celebrating the occasion with a concert on historic instruments at the Saint-Hubert church in Merscheid. The focal point of the evening is the Swiss philosopher, writer and composer Jean-Jacques Rousseau, who said of himself: ‘I was surely born for music, since I loved it from childhood, and since I loved it constantly at all times’. The concert programme is dedicated to Rousseau’s musical contemporaries, and invites you to take a cross-border journey through the Baroque period, focusing on Telemann, Bach, Barsanti, Scarlatti, Handel, Geminiani and Rameau. Playing on period instruments will make this musical journey authentic. GP Telemann | Quatuor parisien no.2 TWV 43:a2 | oboe, violin, bass viol, continuo CPE Bach | Sonata H 549 | oboe, b.c. Francesco Barsanti | A collection of Old Scots Tunes (extr.) Domenico Scarlatti | Sonata K.69 | harpsichord GF Händel | Trio HWV 386a | violin, oboe, b.c. Francesco Geminiani | A Treatise of Good Taste in the Art of Musick (extr.) JP Rameau | Pièces de clavecin en concert – Cinquième concert | harpsichord, violin, oboe, viola da gamba Information / Booking Tickets may only be purchased at the evening box office Reservations not required via info@kammerata.lu Tickets: 25 € | < 30 years: 15 € | Kulturpass welcome

Musicians
Ensemble Kammerata Luxembourg:
Raffaella Bortolini, baroque oboe
Isabel Van Grysperre, baroque violin
Borbala Janitsek, viola da gamba
Fons Van der Linden, harpsichord

Website

22/03/2025 15:30 CET

Le basson avec Kaori Yokoyama On-site
Le Musée des instruments à vent France
2 rue d'Ivry, 27750 La Couture-Boussey

Musician Kaori Yokoyama invites you to discover her unique collection of bassoons. She will trace the history of the bassoon and invite you to listen to this instrument with sounds as powerful as they are gentle. Did you know? In the musical tale “Peter and the Wolf”, the bassoon plays the grandfather.

Musicians
Kaori Yokoyama, bassoonist

Website

culture.evreux.fr

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21/03/2025 20:00 CET

Early music concert On-site
Conservatoire de Châtenay-Malabry France
2 rue du Lavoir, 92290 Châtenay-Malabry

Programme with the Conservatoire choir and the early music orchestra based on De Lalande's ‘De Profundis’.

Musicians
Vocalitas Choir, Helios Orchestra

Website

18/03/2025 16:00 CET (18/03/2025 16:00 CET)

Neapolitan early music day Online
Francesco Nocerino Italy
Salita Pontecorvo, 72, 80135 Napoli
A valuable music program by famous Baroque Italian Composers, as such as G.B. Pergolesi, A. Vivaldi, C. Caresana, performed by the Group Ensemble Musicale Barocco, a Youth musical ensemble from the secondary schools of Performing Arts Department in Naples. The instrumental sections include: Strings, Wind instruments, Harps, Organs, Harpsichord, a Baroque Poliphonic Choire, Percussions.

Musicians
Castiello Sofia, Tesone Maria Barbara, Yana Chukhrovska, Notaro Giovanni, De Vito Gaia, Santonicola Gabriele, Teleno Silvana, Serino Chiara, Dini Ciacci Luna, Giordano Viviana, Negri Alessia, Tramontana Emilianna, Pacilio Ilaria, Pollice Aurora Marie, Napoletano Giada, Varriale Alfredo, Sacco Adele, Scicchitano Miriam, Di Maria Viviana, Rossetti Flavia, Succoia Maria Teresa, Capuano Liliana, Russo Giuliano, Enrika Feola, Capocotta Valerio, Rimonti Zara Carolina, Botosineanu Elisa, Nastych Anna.
Teachers:
Amato Angela (violin)
Caiazza Ida (singing)
Catarci Katia (harp)
Durantino Giorgio (percussion)
Nocerino Francesco (organ, harpsichord)

29/03/2025 17:00 CET

Bernardo Pasquini: Il Mosè On-site
Associazione Culturale Pietro Antonio Locatelli Italy
Associazione Culturale Pietro Antonio Locatelli, Piazza Cavour 15, 24121 Bergamo
We will open our 2025 musical season in Bergamo with the italian premiere of this oratorio by Bernardo Pasquini. The Concert will be taken in the principal Theater of the City: Teatro Gaetano Donizetti.

Musicians
Ensemble Locatelli
Ensemble Vocale Locatelli
Thomas Chigioni (Conductor)

Website

21/03/2025 19:00 CET (21/03/2025 19:00 CET)

340. Bach-Gebeurtstag Online and On-site
Köthener BachGesellschaft mbH Germany
Kirche St. Agnus , Stiftstraße 11, 06366 Köthen (Anhalt)
On 21 March, the Köthen Bach Festival traditionally celebrates Johann Sebastian Bach's birthday with a concert in the Church of St. Agnus. This year's festival will be particularly unusual: Margret Köll, one of the best baroque harpists in the world, will be coming to Köthen (Anhalt) for a whole week to work with international students. Together with the Bach Festival director, they are developing a sound festival for the birthday concert that will fill the historic church of St Agnus with harmonies in every corner. The young Chilean singer Romina De la Fuente Villarroel, who has been living in Weimar for several years, will also be a guest. The musical celebration will feature the most beautiful sounds and repertoire highlights for and with harp from around 150 years, from the invention of opera at the beginning of the 17th century to the music of Johann Sebastian Bach. Together with the great baroque master, the composer Alfred Tokayer, who was also born in Köthen (Anhalt) on 21 March, will be celebrated. He was born in 1900 to a Jewish family in the city of Bach and received his first musical training here. In the 1920s, he made a career in Berlin and worked for theatre legend Max Reinhardt, among others. Tokayer had to flee to France in 1935. He was finally arrested by the Gestapo in Paris in 1942 and - like his parents - was killed in the Sobibor concentration camp in 1942. The concert will be streamed live on YouTube!

Musicians
Margret Köll, baroque harp
Romina De la Fuente Villarroel, soprano
participants from the HARFEN LABORS in Köthen, surprise guests
Folkert Uhde, animation

Website

YouTube

22/03/2025 18:00 CET

Music & Climate On-site
Itinéraire Baroque en Périgord France
Musiques & Climats, Eglise de Cherval, 24320 CHERVAL
In music, the seasons have often inspired composers: Vivaldi but also Lully, Purcell, Boismortier... Similarly, spectacular events (storms, tempests) but also moments of prosperity and calm have inspired musicians. Concert in collaboration with Cherval Avenir

Musicians
Ensemble Les Meslanges
Van EssenThomas, baritone
Van Waerbeke Jérôme, violin
Hernandez Frédéric, harpsichord

Website

Ensemble Les Meslanges

Cherval Avenir

21/03/2025 20:00 CET

L'organo fantastico: Girolamo Frescobaldi, le Toccate del Primo Libro Online
Conservatorio di musica "Giuseppe Verdi" di Milano Italy
Chiesa di San Maurizio al Monastero Maggiore di Milano, Corso Magenta 15 , 20123 Milano
Frescobaldi was a great musician who not only inaugurated a new manner of playing but also illustrated a new refined “modus componendi” through a language of astonishing modernity. This concert offers a rare opportunity to hear the entire collection of toccatas contained in his first book published in 1615, in Rome, performed on a magnificent organ belonging to one of the most famous dynasties of Brescian builders, active in the years between the sixteenth and seventeenth centuries: the Antegnati. In particular, it is an ancient organ built by Gian Giacomo Antegnati in 1554, located, in the wonderful Church of San Maurizio al Monastero Maggiore in Milan. The twelve Toccatas performed in this organ concert are so imbued with a great expressive intensity and a poignant grace that, even today, they amaze us with their relevance. They are compositions permeated by a magic of sounds and an emotional tension that seems to never end. Bach himself was fascinated by the music of this great Ferrarese master. Not by chance this music seduces by its spontaneity, by its freshness, by the naturalness of the lyric melodic gesture.

Musicians Ivana Valotti, grande spécialiste du répertoire d'orgue italien de la Renaissance et du Baroque, est professeur d'orgue au Conservatoire « Giuseppe Verdi » de Milan, pour le cours avancé de musique ancienne à l'orgue.

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11/03/2025 13:10 GMT (11/03/2025 14:10 CET)

Audition for the first organist on the 300th anniversary of St George’s, Hanover Square On-site
St George's, Hanover Square United Kingdom
St George's, Hanover Square, St George's Street, Mayfair, , W1S 1FX London
The church of St George’s Hanover Square was consecrated by the Bishop of London on March 23rd, 1725. The three-manual organ was built by Gerard Smith, nephew and successor of the famous Father Smith. The case of his organ remains as the central part of the current organ case. This recital will reflect the audition for the first organist, with music by the four assessors (Pepusch, Croft, Handel and Geminiani) and the successful candidate, Thomas Roseingrave, chosen for his ability to improvise fugues.

Musicians Andrew Benson-Wilson

Website

21/03/2025 10:30 CET

Visites en musique des collections du Musée Fabre - Les Ombres On-site
Les Muses en Dialogue - Les Ombres - Musée Fabre France
Musée Fabre, 39 boulevard Bonne Nouvelle , 34000 Montpellier

Friday, March 21 at 10:30 a.m. and 2:30 p.m.
Le printemps
As part of the European Early Music Days, the Musée Fabre opens its doors to musicians from the Les Ombres ensemble. On a guided musical and pictorial tour, music and paintings reveal their secrets. The flute and viola da gamba will resonate in this majestic setting during original guided tours, revealing each work under the prism of spring.
Admission: €15, with registration by e-mail to amelie.belin@montpellier.fr, or directly online on the Musée Fabre website.

Musicians
Margaux Blanchard, viola da gamba
Sylvain Sartre, traverso

Les Muses en Dialogue - Visites en musique

Musée Fabre - réservation

22/03/2025 17:00 CET (22/03/2025 17:00 CET)

Ancient Sounds in the Abbey - Exhibition of medieval instruments and medieval music concert On-site
Fondazione Abbatia Sancte Marie de Morimundo Italy
Morimondo Abbey, Chapter Hall, Piazza Municipio n. 6, 20081 Morimondo (MI)
On the occasion of the Early Music Day, you are invited to a double event to discover the fascinating world of medieval music. The event begins with an exhibition of historical instruments and continues with a narrated concert, where a musicologist and a musician alternate between performing medieval sacred and secular music and recounting episodes of monastic life, passed down through songs and other medieval documents.

Musicians
Ensemble In Itinere Musica Medievale
Roberto Chiari - medieval fiddle, rebec, drum, and others
Chiara Mojana - narrator, medieval harps and recorder

Organiser website

Artists website

21/03/2025 14:55 EET (21/03/2025 13:55 CET)

BACH340 On-site
Lieto parish Finland
Lieto, Hyvättyläntie 19, 21420 Lieto
Bach340 with Organ&Cello

Musicians
Tomi Satomaa, organ
Jukka Perksalo, cello

Website

21/03/2025 12:30 EET (21/03/2025 11:30 CET)

Early Music in the corridors of LMTA / LMTA Early Music Week 2025 On-site
Lithuanian Academy of Music and Theatre Lithuania
Lobby, Lithuanian Academy of Music and Theatre, Building 2, Vilniaus str. 6-2, Vilnius
Welcome to the European Early Music Day at the Lithuanian Academy of Music and Theatre! Participants of “LMTA Early Music Week 2025“ will invite you to listen to works by Renaissance and Baroque composers and get acquainted with historical musical instruments.

Musicians Participants of "LMTA Early Music Week 2025"

Website

08/03/2025 14:30 CST (08/03/2025 07:30 CET)

Tarquinio Merula - Concerti Spirituali On-site
The Gleam Ensemble & Ensemble InAlto Taiwan
National Recital Hall Taipei, No.21-1, Zhongshan S. Rd., Zhongzheng Dist.,,, 100012 Taipei City
Time and Geography, they say, are destiny. Like Luigi Rossi, Francesco Cavalli and Giacomo Carissimi, Tarquinio Merula belonged to that generation of composers, born between 1595 and 1605, for whom the concertante style was no longer a new idiom, but the musical medium par excellence, acquired from childhood as the dominant musical language of the time. A musical language that was about to spread throughout the European continent. Born in 1595 in Brusseto, Tarquinio Merula probably received his musical training at Cremona Cathedral; after serving as Kapellmeister in Lodi, Lombardy, and in Warsaw, at the Polish Royal Court, he alternated several times, from 1626 onwards, in the same positions for the cathedrals of Cremona and Bergamo. Tarquinio Merula was known as a virtuoso on both the violin and organ and has published a wide variety of instrumental music for “chiesa e camera” : for both secular and sacred contexts. By the 1630s, public enthusiasm for highly expressive solo madrigals composed in the recitative style had waned considerably. Contrary to the assumption of certain theorists that, in vocal music, music was only at the service of words, the composers of the younger generation were looking for a more balanced relationship between words and music, a relationship in which the declamatory and expressive achievements of this new era would be united with the emerging interest in formal construction and musical harmony. Filled with the daring inventions of his peers like Grandi, Monteverdi, Cavalieri etc… Merula never ceased to put his talent at the service of an incredibly expressive music. InAlto explores here the sacred compositions of the Cremonese Master, all at the image of the famous lullaby Hor che è tempo di dormire. Simple at times, yet impressively innovative. Sacred, yet grounded in human emotions.

Musicians
Alice Foccroulle, soprano
Lambert Colson, cornetto
Martin Chiang, dulcian
Shio Ohshita, baroque violin
Bernard Foccroulle, organ and harpsichord

Website

29/03/2025 17:00 CET

Le Graduel d’Aliénor de Bretagne, abbesse de Fontevraud On-site
pôle Aliénor France
église Saint-Jean-de-Montierneuf, 29 place Montierneuf, 86000 Poitiers

Extracts from the Fontevraud Manuscript: Plainchant and medieval polyphony Students from the early music department, under the direction of Isaac Alonso de Molina

Musicians
Isaac Alonso de Molina, artistic direction

Website

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Search events

\n Early music concert\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Programme with the Conservatoire choir and the early music orchestra based on De Lalande\'s ‘De Profundis’.<\/p>\n <\/div>\n\n

Pierre Gaultier and the birth of opera in Marseille On-site

Semele Online

Renaissance à gogo, tous les hits du XVIe siècle On-site

Daheim bei Milán & Galilei On-site

Masterpieces from the time of Jean-Jacques Rousseau On-site

Le basson avec Kaori Yokoyama On-site

Early music concert On-site

Neapolitan early music day Online

Bernardo Pasquini: Il Mosè On-site

340. Bach-Gebeurtstag Online and On-site

Music & Climate On-site

L'organo fantastico: Girolamo Frescobaldi, le Toccate del Primo Libro Online

Audition for the first organist on the 300th anniversary of St George’s, Hanover Square On-site

Visites en musique des collections du Musée Fabre - Les Ombres On-site

Ancient Sounds in the Abbey - Exhibition of medieval instruments and medieval music concert On-site

BACH340 On-site

Early Music in the corridors of LMTA / LMTA Early Music Week 2025 On-site

Tarquinio Merula - Concerti Spirituali On-site

Le Graduel d’Aliénor de Bretagne, abbesse de Fontevraud On-site