Édition 2021

Le 21/03/2021 17:30 UTC (21/03/2021 18:30 CET) MADRE DE DEVS. Músiques Religioses del Món - Festival MHA\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n

\n Músiques Religioses del Món is a concert series for the enjoyment of sacred music from every culture and reflect on themes like death, forgiveness, eternity, soul or goodness.\n <\/div>\n\n
\n Musiciens<\/span>\n Carles Magraner, conductor and viola da gamba\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Francesco Manfredini à la cour de Monaco\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Talk et vidéos musicales pré-enregistrées\n <\/div>\n\n
\n Musiciens<\/span>\n Furiosi Affetti - Orchestra Barocca di Roma, Lorenzo Gugole (1er violon)\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 28/03/2021 19:00 UTC (28/03/2021 21:00 CEST)\n <\/small>\n <\/p>\n\n
\n Bach for two\n <\/h3>\n\n \n \n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musiciens<\/span>\n Villu Vihermäe - viola da gamba & baroque cello, Saale Fischer - harpsichord\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Medieval Music in the Dales Online\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Medieval Music in the Dales Online takes place 20th March 2021 with an evening concert and 21st March 2021 with a day of workshops, performances and presentations.\n <\/div>\n\n
\n Musiciens<\/span>\n Vicente la Camera Mariño - workshop\nConsort of 1 (Lizzie Gutteridge) - workshop\nTrouvere - presentation\nSwann & Dyer - presentation\nTerry Mann (instrument maker) - workshop tour\nPhilippe Bolton (instrument maker) - workshop tour\n\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 18:00 UTC (20/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Medieval Music in the Dales Online\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Online Concert for Medieval Music in the Dales Online. Our Online Festival takes place 20th March with an evening concert and 21st March with a day of workshops, performances and presentations.\n <\/div>\n\n
\n Musiciens<\/span>\n Vicente la Camera Mariño\nConsort of 1 (Lizzie Gutteridge)\nTrouvere\nSwann & Dyer\nKatherine Christie Evans\n\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Printemps de la Musique Ancienne\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Exposition-vente d\'instruments anciens, conférences, concerts\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble Selva di Flauti, Ensemble Les Surprises\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Decryptions: Singing from the pages of Las Huelgas\n <\/h3>\n\n \n \n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n An a capella performance of music from the Las Huelgas Codex (13th c.) with 8 women singing directly from the pages of this rich source.\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble Scholastica\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 15/03/2021 19:30 UTC (15/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n SalonEra: Women in Music\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n SalonEra is a FREE early music webseries from Les Délices. March 15th\'s episode features instrumental and vocal music by women composers Maddalena Sirmen, Maria Nascimbeni, Isabella Leonarda.\n <\/div>\n\n
\n Musiciens<\/span>\n Harpsichordist Byron Schenkman, violinist Shelby Yamin, and soprano Michele Kennedy.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 29/03/2021 19:30 UTC (29/03/2021 21:30 CEST)\n <\/small>\n <\/p>\n\n
\n SalonEra: Medieval Visionaries\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n SalonEra is a free early music webseries from Les Délices. In this episode, hear music by medieval visionaries Christine de Pizan, Guillaume de Machaut, Binchois, Ockeghem, and more.\n <\/div>\n\n
\n Musiciens<\/span>\n Medieval organetto virtuoso Catalina Vicens, Blue Heron director Scott Metcalfe, and SalonEra host Debra Nagy\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 18/03/2021 19:30 UTC (18/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Les Délices Presents: Women of Genius\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Les Délices honors Women’s History Month by celebrating the contributions of remarkable women in 17th and 18th century France. Featuring works by Julie Pinel, Elisabeth Jacquet de la Guerre, and more!\n <\/div>\n\n
\n Musiciens<\/span>\n Clara Rottsolk, soprano\nDebra Nagy, oboe\nJulie Andrijeski, violin\nRebecca Reed, viola da gamba\nMark Edwards, harpsichord\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n 336. Bach-Geburtstag\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Thematisch dreht sich das Konzert um die Tradition der Hausmusik, die in der Bach-Familie über Generationen besonders intensiv gepflegt wurde und die hausmusikalischen Familientraditionen der Gäste.\n <\/div>\n\n
\n Musiciens<\/span>\n Margret Köll, Barockharfe | Benedikt Kristjánsson, Tenor | Folkert Uhde, Moderation\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Baroque Tales\n <\/h3>\n\n \n \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Concert with the young, talented Swedish and international LYNX ENSEMBLE. An innovative project offering folk tunes from Hälsingland (Swedish region) dazzlingly arranged from a baroque perspective.\n <\/div>\n\n
\n Musiciens<\/span>\n LYNX ENSEMBLE\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 21:00 UTC (21/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n EUROPA CONCORDIA MUSICAE\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n «Europa Concordia Musicae» is a new European festival of early music in Milan. Concert program: Giovanni Legrenzi (1626-1690), «Compiete», for five voices, opus 7 (Venice 1662).\n <\/div>\n\n
\n Musiciens<\/span>\n Collegium vocale et instrumentale «Nova Ars Cantandi» (Alessandro Carmignani, Cantus; Andrea Arrivabene, Altus; Massimo Altieri, Quintus; Gianluca Ferrarini, Tenor; Marcello Vargetto, Bassus e Ivana Valotti, Bassus continuus).\nGiovanni Acciai, conductor. \n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 30/03/2021 00:30 UTC (30/03/2021 02:30 CEST)\n <\/small>\n <\/p>\n\n
\n Voices from the Pan\n <\/h3>\n\n \n \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n A Video performance in collaboration with Lala Rasic and take it\'s ground from strong female voices from the baroque era. The performance has music by Orlando di Lasso, Strozzi, Monteverdi and Marini\n <\/div>\n\n
\n Musiciens<\/span>\n Anna Maria Friman - Soprano. Amanda Flodin - Alto. Karl Peter Eriksson - Bas. Fredrik From - Violin. Hannah Tibell - Violin. Marie Louise Marming - Viola. Nora Roll - Viola da Gamba. Josué Melèndez Peláez - Cornetto. Doyho Sol - Teorbo. Magnus Kjellson - Claviorganum/Artistic Director. Per Buhre - Director. Beate Persdotter Loken - Light/Costume. Lala Rasic - Artist\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 16:00 UTC (21/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Discovering Jommelli\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Concert - Iberian Ensemble. N. Jommelli (1714-1774) Trio Sonata I; Trio Sonata V ; Trio Sonata VI.\n <\/div>\n\n
\n Musiciens<\/span>\n Olavo Barros (baroque flute); Alexandre Andrade (baroque flute); David Cruz (baroque cello); Rui Soares (harpsichord).\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 26/03/2021 22:00 UTC (26/03/2021 23:00 CET)\n <\/small>\n <\/p>\n\n
\n Stabat Mater di Pergolesi\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n A presentation of Pergolesi\'s Baroque Easter Masterpiece: Stabat Mater\n <\/div>\n\n
\n Musiciens<\/span>\n Cristina Lopez Risueno,soprano Clarice Williams ,contralto David Geary, piano\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 19:30 UTC (21/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Seicento. Italian violin music of the 17th century\n <\/h3>\n\n \n \n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musiciens<\/span>\n Vladimir Shulyakovskiy (baroque violin), Musica Antiqua Russica\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Fermenta o teu Ser\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Workshop\n <\/div>\n\n
\n Musiciens<\/span>\n Carlota Sousa\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 28/03/2021 15:00 UTC (28/03/2021 17:00 CEST)\n <\/small>\n <\/p>\n\n
\n Dido and Æneas di Henry Purcell\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Direttore Giulio Prandi. Regia, scene e costumi Stefano Monti. Luci di Paolo Mazzon. Lo spettacolo, sarà preceduto dalla cantata “Giusti Numi che il ciel reggete” dalla Didone abbandonata di Jommelli.\n <\/div>\n\n
\n Musiciens<\/span>\n Dido: Josè Maria Lo Monaco\nÆneas: Renato Dolcini\nBelinda: Maria Grazia Schiavo\nSecond Woman: Eleonora Bellocci\nSorceress: Margherita Maria Sala\nFirst Witch / Spirit: Federico Fiorio\nSecond Witch: Marta Redaelli\nSailor: Raffaele Giordani\n\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Roderick Williams Directs Bach and Handel\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Roderick Williams directs soprano Rowan Pierce and the OAE in Handel’s tragic tale of unrequited love, recorded from Southbank Centre’s Royal Festival Hall and Wiltshire Music Centre.\n <\/div>\n\n
\n Musiciens<\/span>\n Roderick Williams BARITONE\nRowan Pierce SOPRANO\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Handel's Messiah\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Handel\'s Messiah recorded at St Paul’s Knightsbridge.\n <\/div>\n\n
\n Musiciens<\/span>\n Anna Dennis: Soprano\nChristine Ric: Mezzo-Soprano\nHugo Hymas: Tenor\nDingle Yandell: Bass\nOrchestra of the Age of Enlightenment\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 08:00 UTC (21/03/2021 09:00 CET)\n <\/small>\n <\/p>\n\n
\n Telemann Fantasias\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Experience ornate and intimate performances of some of Telemann’s most beautiful Fantasias for solo instruments from Fitzrovia Chapel.\n <\/div>\n\n
\n Musiciens<\/span>\n Steven Devine HARPSICHORD\nJonathan Manson VIOLA DA GAMBA\nKati Debretzeni VIOLIN\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n La Dernière Sarabande -ou l'obsolescence programmée-\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n La Dernière Sarabande -ou l’obsolescence programmée- is a musical and choreographic concert, about J.S Bach music heritage connected to to the theme of the global warming challenge .\n <\/div>\n\n
\n Musiciens<\/span>\n Musicians: Clara Barbier,Léonard Frey-Maibach, Jean-Baptiste Schwebel,\nChoreography: Juliette Rahon\nDancers: Robert Söderström, Yasmin Schönmann, Sean Nederlof, Juliette Rahon\nCamera: Ulf Wogenstein.tv\nDirector: Antje Lüdtke-Schönmann\nLight Design: Holm Querner\nCostumes: Victoria Voigt\nStage Manager: Luisa Fahrenbach\nVideographer: Robert Söderström, Yasmin Schönmann\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Vision: the imagined testimony of Hildegard von Bingen\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Blurring the boundaries of drama and concert, Vision explores the extraordinary life of the visionary medieval abbess Hildegard von Bingen, alongside her haunting and distinctive chant.\n <\/div>\n\n
\n Musiciens<\/span>\n Teresa Banham as Hildegard and The Telling: Clare Norburn, soprano; Ariane Prüssner, mezzo; Jean Kelly, harp\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n The 5th Suite of J.S. Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musiciens<\/span>\n Anna Johannsen, Baroque cello\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Unsung Heroine: the imagined life and love of troubadour Countess Beatriz de Dia\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Blurring the boundaries of drama & concert, Unsung Heroine follows the imagined life of troubadour Countess Beatriz de Dia, alongside plaintive music, medieval dances & troubadour poetry.\n <\/div>\n\n
\n Musiciens<\/span>\n Anna Demetriou as Beatriz and The Telling: Clare Norburn, soprano; Ariane Prüssner, mezzo; Joy Smith, harp & percussion; Giles Lewin, vielle & bagpipes\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 00:00 UTC (21/03/2021 01:00 CET)\n <\/small>\n <\/p>\n\n
\n The sounds of Rome: TWO "CIRCE" For Alessandro Stradella\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n CONCERT STREAMING/ We would like to stream our two recorded versions of both the CIRCE (#1 BEI RUSCELLI CRISTALLINI - #2 SE DESIO CURIOSO), written by Alessandro Stradella, and completely different each other. In both the cantatas we can already hear the deep impression left in Stradella\'s heart by the sounds of Rome\'s alleys, popular melodies, dance and the affetti of the language of the eternal city.\n <\/div>\n\n
\n Musiciens<\/span>\n LA CIRCE #1 - SE DESIO CURIOSO\nEnsemble : Stradella Y(oung) Project\nAndrea De Carlo Conductor\nMayan Rachel Goldenfeld - CIRCE, soprano\nFederico Fiorio - ZEFIRO, soprano\nMasashi Tomosugi - ALGIDO, basso\nNina Przewozniak - violin\nAnnarita Lorusso - violin\nFrancesco Olivero - theorbo and baroque guitar\nGiulio Falzone - theorbo\nEdoardo Blasetti- theorbo\nMaria Irene Caraba - viola da gamba\nSerena Seghettini - viola da gamba\nAmleto Matteucci - doublebass\nLucia Adelaide Di Nicola - harpsichord & organ\n----------------------------------------------------------------------------\n\nLA CIRCE #2 - BEI RUSCELLI CRISTALLINI\nEnsemble: Ensemble Mare Nostrum\nAndrea De Carlo - Conductor\nDorota Sczepanska - CIRCE, soprano\nGiulia Bolcato - ZEFIRO, soprano\nMauro Borgioni - ALGIDO, basso\nGabriele Pro - violin\nDomenico Scicchitano - violin\nJadran Duncumb - theorbo and baroque guitar\nFlora Papadopoulos - triple harp\nMarc De La Linde Bonal - viola da gamba\nGiulia Gillio Gianetta - baroque cello\nAnna Bator- doublebass\nLucia Adelaide Di Nicola - harpsichord & organ\n\n\nThe two videos are separate from each other and certainly should be released at different times and also from our facebook pages (Festival Stradella, Ensemble Mare Nostrum and Stradella Young Project)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n The Great Masters of the Harpsichord\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n \"Henry Purcell - A Choice Collection of Lessons for the Harpsichord or Spinnet (London, 1696). Suite in A minor, Z 663: Prelude - Almand - Corante - Saraband.\nDomenico Scarlatti - Sonatas in A minor. K.217, Andante - K.218, Vivo.\nFrançois Couperin - Troisième livre de pièces de clavecín (Paris, 1722). Quatorzième Ordre - Le rossignol en amour / Double du rossignol - La linote éfarouchée - Les fauvétes plaintives - Le rossignol vainqueur - Le carillon de Cithére - Le petit-rien.\nJohann Sebastian Bach /Transcription by Gustav Leonhardt - Partita in G minor for Harpsichord (after Partita for solo Violin in D minor, BWV 1004). Ciaccona.\"\n <\/div>\n\n
\n Musiciens<\/span>\n Diego Ruenes Rubiales\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 18/03/2021 19:30 UTC (18/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n The Italianate Englishmen: Works by Thomas Lupo and Alfonso Ferrabosco\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n The Italianate Englismen part II: Works by Thomas Lupo and Alfonso Ferrabosco\n <\/div>\n\n
\n Musiciens<\/span>\n Patricia Ann Neely, director and viola da gamba; Małgorzata Ziemnicka, violin; Vita Wallace, violin; Lawrence Lipnik, viola da gamba; Rosamund Morley, viola da gamba\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 14:00 UTC (21/03/2021 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert for Marie (dedication to Marie Leonhardt)\n <\/h3>\n\n \n \n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n Concert: 1. J.S. Bach Ciaccona 2. D. dall\'Oglio Sonata c-moll for violin and b.c. 3. G. Ph. Telemann Gulliver-siute 4. William Herschel Two capricci 5. I. Khandoshkin Chanson russe varie\n <\/div>\n\n
\n Musiciens<\/span>\n Soloists of Catherine the Great\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 20/03/2021 10:30 UTC (20/03/2021 11:30 CET)\n <\/small>\n <\/p>\n\n
\n Saturday morning classicals\n <\/h3>\n\n \n \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Ludwig van Beethoven (1770-1827): Duo for clarinet and bassoon in Bb Major WoO27\n\nGeorg Friedrich Fuchs (1752-1821): Duo for clarinet and bassoon in Eb Major\n\nFranz Tausch (1762-1817): Duo for clarinet and bassoon in F Major\n <\/div>\n\n
\n Musiciens<\/span>\n Asko Heiskanen, clarinet; Jaakko Luoma, bassoon\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:30 UTC (21/03/2021 12:30 CET)\n <\/small>\n <\/p>\n\n
\n Sublime ingegno - L'arte di Josquin Desprez\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n CONCERT\nmusic programme: Miserere mei Deus / Missa L\'homme armé Super voces Musicales / Inviolata, integra et casta\n\n <\/div>\n\n
\n Musiciens<\/span>\n De labyrintho\nNadia Caristi, Laura Fabris, Arianna Miceli cantus\nMassimo Altieri, Andrés Montilla-Acurero altus\nRiccardo Pisani, Giacomo Schiavo tenor\nGuglielmo Buonsanti, Gabriele Lombardi bassus\nwith the participation of\n\nEnsemble InCanto di Partenope\nLuigi D\'Agostino, tenor\nGiuseppe Lattanzi, tenor\nAntonio Mastantuono, tenor\nLeopoldo Punziano, tenor\nDavide Troìa, tenor\nWalter Testolin\ndirezione\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Povratak na muziku\n <\/h3>\n\n \n \n <\/span>\n\n \n Serbia<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musiciens<\/span>\n MUSICA ANTIQUA NEOPLANTENSIS\nRadoslava Vorgić, sopran\nMeila Tome Pihler, blok i traverzo flaute\nTamara Ranković, barok čelo\nBojana Dimković, čembalo i orgulje\n\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Virtual Concert of piano students of Cristina Marton-Argerich/ University Augsburg\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Virtual Concert - the piano students of the piano class of Cristina Marton-Argerich from the University of Augsburg, Leopold-Mozart-Zentrum in Germany perform an online concert with works by Bach, Scarlatti & Rameau\n <\/div>\n\n
\n Musiciens<\/span>\n Cristina Marton-Argerich - organizator and artistic adviser\nAntonia Miller - performer and organizational assistant\nBoram Yun - performer\nMarie Koenigsbeck - performer\nAlexandru Manolache - performer\nSeokho Lee - performer\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Lent 2021\n <\/h3>\n\n \n \n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n Concert virtuel\n <\/div>\n\n
\n Musiciens<\/span>\n The Art of Music, directed by Mick Swithinbank\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n 1721: A Very Good Year\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Concert Video: 1721| A Very Good Year. Orchestral music by Bach, Telemann, dal\'Abaco and Locatelli that premiered or was published 300 years ago.\n <\/div>\n\n
\n Musiciens<\/span>\n Tempesta di Mare | Philadelphia Baroque Orchestra\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n "Bach.Music of the universe"\n <\/h3>\n\n \n \n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n Concert \"Bach.Music of the universe\"\n <\/div>\n\n
\n Musiciens<\/span>\n Nina Sivachenko violino\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 06/06/2021 10:00 UTC (06/06/2021 12:00 CEST)\n <\/small>\n <\/p>\n\n
\n Händel Day\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n On Saturday, 6 June 2020, the Handel House Foundation celebrated a major Handel Festival in the birthplace of the famous baroque composer. Following the cancellation of the Handel Festival due to the Corona Pandemic, there were online performances of internationally celebrated and top-class stars of Baroque music, such as the countertenor and Handel Prize winner 2020 Valer Sabadus with the G.A.P.-Ensemble\n <\/div>\n\n
\n Musiciens<\/span>\n The countertenor and 2020 Handel Prize winner Valer Sabadus presents wonderful Handel arias with the G.A.P. Ensemble. The concert was recorded for Handel Day on June 6, 2020 in the Chamber Music Hall of the Handel House.\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:30 UTC (21/03/2021 11:30 CET)\n <\/small>\n <\/p>\n\n
\n Piano music from the Low Countries and France\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Online Concert in AMUZ: Piano music from the Low Countries and France\nHarpsichordist Mario Sarrechia plays not only in ensembles such as La Petite Bande and his own Amsterdam Corelli Collective, he also has captivating solo recitals to add to his record of achievements. He aptly explores the repertoire of the Low Countries and France, with music by Jan Pieterszoon Sweelinck, Joseph-Hector Fiocco and Jacques Duphly.\n\n <\/div>\n\n
\n Musiciens<\/span>\n Mario Sarrechia, harpsichordist\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n EARLY MUSIC DAY - Espoon barokin konsertti\n <\/h3>\n\n \n \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Carl Heinrich Graun (1704-1759):\nConcerto grosso, GraunWV Bv:XIII:55\n1. Allegro non troppo\n2. Arioso poco Largo con sordini\n3. Allegro non troppo\n\nGeorg Friedrich Händel (1685-1759):\nGloria, HWV deest\n1. Gloria in Excelsis Deo\n2. Et in terra pax\n3. Laudamus te\n4. Domine Deus\n5. Qui tollis peccata mundi\n6. Quoniam tu solus sanctus\n\nDietrich Buxtehude (1637-1707):\nHerr wenn ich nur Dich hab´ BuxWV 38\n\nJohann Sebastian Bach (1685-1750):\nHimmlische Vergnügsamkeit (from cantata BWV 204)\n <\/div>\n\n
\n Musiciens<\/span>\n Linnéa Sundfær Casserly, soprano\nKirsti Apajalahti, violin\nAnna Pohjola, violin\nHanna Haapamäki, traverso\nPieta Mattila, viol\nElina Mattila, cello\nLaura Vihreäpuu, harpsichord\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:30 UTC (21/03/2021 18:30 CET)\n <\/small>\n <\/p>\n\n
\n Nicola Antonio Porpora, Concerto for cello and strings in G Major\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Nicola Antonio Porpora\'s Concerto for cello and strings in G Major is among the finest examples of that master\'s slender corpus of instrumental music, uniformly characterised by its high or extremely high quality.\n\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble Talenti Vulcanici\nCatherine Jones, violoncello\nStefano Demicheli, direzione\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 24/03/2021 19:30 UTC (24/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n New Music for Old Instruments\n <\/h3>\n\n \n \n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n New Music for Old Instruments returns in collaboration with Van Pro Musica as part of their Sonic Boom Festival. This special concert features new compositions written for the period instruments of the Pacific Baroque Orchestra. All composers are BC-based, highlighting the emerging talent of BC’s burgeoning composers.\n\n\n <\/div>\n\n
\n Musiciens<\/span>\n Pacific Baroque Orchestra, Alexander Weimann Music Director\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Videolip premiere: "Te deum", Anónimo, Cancionero Musical de Gandía, from "El mecenatge de Germana de Foix, Virreina de València" proyect.\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Videolip premiere: \"Te deum\", Anónimo, Cancionero Musical de Gandía, from \"El mecenatge de Germana de Foix, Virreina de València\" proyect.\nSince its creation in 2012, Piacere dei Traversi has given concerts in different venues in Spain. Furthermore, Piacere dei Traversi was a finalist in the 2019 edition of the GEMA (Association of Spanish Early Music Ensembles) prizes, in the Best Renaissance ensemble and Best CD categories. This project pays homage to the historical figure of Germana de Foix\n <\/div>\n\n
\n Musiciens<\/span>\n Renaissance ensemble: Piacere dei Traversi\nCarmen Botella, soprano\nSilvia Rodríguez, Laura Palomar and Marisa Esparza: Renaissance flutes\n\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 14:00 UTC (21/03/2021 15:00 CET)\n <\/small>\n <\/p>\n\n
\n La Rêveuse en concert dans Génération France Musique, le Live, enregistré le 07/11/20.\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Vidéo de La Rêveuse en concert pour Génération France Musique, le Live, enregistré le 7 novembre 2020.\nL\'ensemble La Rêveuse interprète Le Concerto pour flûte à bec en ré majeur op. 3 n° 2 de William Babell.\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble La Rêveuse, Direction artistique Florence Bolton et Benjamin Perrot\nAvec\nStéphan Dudermel et Ajay Ranganathan , violon\nSébastien Marq, flûte à bec\nFlorence Bolton, viole de gambe\nBenjamin Perrot, théorbe\nJean Miguel Aristizabal, clavecin\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 19/03/2021 19:30 UTC (19/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n George and the Georgians\n <\/h3>\n\n \n \n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n George and the Georgians a concert celebrating the music of G.F. Handel and lesser known composers from Georgian London. The concert will take place in a tea club located in a late 18th Century mansion.\n <\/div>\n\n
\n Musiciens<\/span>\n Globus Music Baroque Ensemble:\nAnastasia Bondereva - Mezzo Soprano\nEmma-Marie Kabanova - Baroque Violin\nKatarina Melik-Ovsepiyan - Harpsichord\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Italian Baroque Masters\n <\/h3>\n\n \n \n <\/span>\n\n \n Malta<\/strong>\n <\/span>\n\n \n Paris based Maltese Soprano Claire Debono will be performing Italian arias by Vivaldi and Scarlatti along with the Goldberg Ensemble directed by Michael Laus.\n\n\nPROGRAMME\n\nDomenico SCARLATTI (1685 – 1757)\nPiangete, occhi dolente\n\nVIVALDI (1678 – 1741)\nLungi dal vago volto\n\nVIVALDI\nTrio Sonata RV 63 La follia\n\nVIVALDI\nVengo a voi luci adorate\n <\/div>\n\n
\n Musiciens<\/span>\n Goldberg Ensemble with Soprano Claire Debono directed by Maestro Michael Laus\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 17/04/2021 19:30 UTC (17/04/2021 21:30 CEST)\n <\/small>\n <\/p>\n\n
\n Le grant retthorique: Music of Guillaume de Machaut\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Concert. Le grant retthorique: The new forms & perfect amorous lays of Guillaume de Machaut\nLe lay de plour, Riches d’amour, Mors sui, Honte paour, Sans cuer dolens, Cinc un treze, Biaute parfaite etc.\n <\/div>\n\n
\n Musiciens<\/span>\n Blue Heron\nKim Leeds, Owen McIntosh, Jason McStoots, Margot Rood, Aaron Sheehan, Sumner Thompson, voices\nCharles Weaver, lute\nScott Metcalfe, fiddle & harp, artistic director\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 19/03/2021 18:00 UTC (19/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Palestrina, Missa Petra Sancta\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Cappella Musicale di Santa Maria dell\'Anima plays the rare Missa “Petra Sancta” by Giovanni Pierluigi da Palestrina (1525 - 1594) and the motet \"O sacrum convivium\" by Flavio Colusso, current chapel master of the Church, during the Holy Mass of the Dedication of the New Altar, made in Pietrasanta di Lucca with the famous local marble.\nAs part of the projects \"La via dell\'Anima\" and \"Sulle orme del Palestrina\".\n <\/div>\n\n
\n Musiciens<\/span>\n Cappella Musicale di Santa Maria dell\'Anima, Flavio Colusso conductor\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Johann Sebastian Bach - French Ouverture BWV 831 Hanna Balcerzak- klawesyn/harpsichord\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Johann Sebastian Bach - French Ouverture BWV 831\nOuverture\nCourante\nGavotte I/II\nPassepied I/II\nSarabande\nBourrée I/II\nGigue\nEcho\n\n <\/div>\n\n
\n Musiciens<\/span>\n Hanna Balcerzak – klawesyn/ harpsichord\n\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 24/04/2021 18:00 UTC (24/04/2021 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Venise sous l'Etoile\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Musique italienne de la Renaissance en polyphonie. Extraits de madrigaux de Marenzio, Monteverdi, Vecchi ...\n <\/div>\n\n
\n Musiciens<\/span>\n Géraldine Jeannot, soprano / Maximin Marchand, contre-ténor / Benjamin Coutarel, ténor / Olivier Déjean, basse\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day\n <\/h3>\n\n \n \n <\/span>\n\n \n Croatia<\/strong>\n <\/span>\n\n \n Concert : Early Music Day\nOur concert programme will be dedicated to Johann Sebastian Bach, celebrating his birthday and the first day of spring!\nAmongst other pieces we will be performing 3rd and 6th Brandenburg concertos and cantata «Jauchzet Gott in allen Landen»\n <\/div>\n\n
\n Musiciens<\/span>\n Croatian Baroque Ensemble\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n The Gesualdo Six\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n A special concert from award-winning vocal consort the Gesualdo Six. Courts in renaissance Italy were meeting places for some of the greatest musicians from across Europe. The Court at Ferrara became a leading centre: many of the Franco-Flemish school passed through its gates and perhaps the most notable of these is Josquin. This programme contextualises some of the ‘jewels in the crown’ of Italian Renaissance repertoire.\n <\/div>\n\n
\n Musiciens<\/span>\n The Gesualdo Six\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 20:00 UTC (20/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n OFFICIA\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert: OFFICIUM HEBDOMADÆ SANCTÆ. Feria VI in Parasceve. Antonio Pansini (1703-1791), Responsori, Lamentazioni e Salmi per il Venerdì Santo.\n <\/div>\n\n
\n Musiciens<\/span>\n Cappella Musicale Corradiana\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Von der bildenden Nachahmung des Schönen \n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Von der bildenden Nachahmung des Schönen\nJ.S.Bach Französische Suiten BWV 812-814\nCembalo: Christian Vater ( Hannover , 1736) research reconstruction: the Greifenberg Institut of Organology\nVarvara Manukyan/ Cembalo\n\nHelmut Balk reads from:\n\n\" Irdischen Vergnügen in Gott\" Barthold Heinrich Brockes, 1722\n <\/div>\n\n
\n Musiciens<\/span>\n Varvara Manukyan- harpsichord\nHelmut Balk- recitation\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n L'Affaire Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Imaginé par Franck-Emmanuel Comte et scénarisé par le metteur en scène et sociologue Pierre-Alain Four, L’Affaire Bach est un « concert enquête » qui associera artistes et public à une quête captivante autour des œuvres prétendument attribuées à JS Bach. Via son Smartphone et depuis son salon, les spectateurs, transformés en « gamers » auront la possibilité d’interagir avec les musiciens sur scène en utilisant l’application Wooclap. Découvertes, surprises et réponses sont au programme !\n\n <\/div>\n\n
\n Musiciens<\/span>\n Axelle Verner, mezzo-soprano\nReynier Guerrero et Sayaka Shinoda, violons\nAurélie Métivier, alto\nBenoit Morel, violoncelle\nNicolas Janot, contrebasse\nFranck-Emmanuel Comte, clavecin, orgue et direction\nPierre-Alain Four, collaboration artistique\nJacques Chambon, comédien\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Achante et Céphise, Jean-Philippe Rameau\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Achante et Céphise, Jean-Philippe Rameau\nLivret : Jean-François Marmontel\nPastorale héroïque en un prologue et trois actes créée le 19 novembre 1751, à l’Académie royale de musique, Paris. Elle n’a pas été jouée depuis lors en France, en raison de sa grande difficulté. Aux côtés du Centre de musique baroque de Versailles, Alexis Kossenko et ses Ambassadeurs relèvent le défi lors d\'un enregistrement pour Warner Classics et d\'une captation audiovisuelle.\n\n <\/div>\n\n
\n Musiciens<\/span>\n Alexis Kossenko, direction musicale\nSabine Devieilhe, Céphise\nCyrille Dubois, Achante\nDavid Witczak, Le Génie Oroès\nJudith Van Wanroij, Zirphile\nJehanne Amzal, la Grande-Prêtresse\nMarine Lafdal-Franc, une Fée, une Bergère\nAnne-Sophie Petit, Délie, 2e Prêtresse\nFloriane Hassler, 3e Prêtresse\nArtavazd Sargsyan, un Coryphée, un Berger\nArnaud Richard, un Coryphée, un Chasseur\n\nAvec la participation d’étudiants du CRR de Paris\n\nLes Ambassadeurs (Alexis Kossenko, direction artistique)\nLes Chantres du Centre de musique baroque de Versailles (Olivier Schneebeli, direction artistique)\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 08:00 UTC (21/03/2021 09:00 CET)\n <\/small>\n <\/p>\n\n
\n Celebration of Early Music Day in Waterford\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n In this short video concert we will presenting some young people performing early Irish traditional music on the harp and uileann pipes. This is a showcase of young Waterford musicians and early Irish traditional music brought together through a collaboration between Waterford Libraries and Music Generation Waterford.\n <\/div>\n\n
\n Musiciens<\/span>\n Jill Devlin, Kieran Joy and Tiger Lily Keoghan\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Historic European organs and their music\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n With no possibility of live events in the UK, I will be published a series of recordings of important European historic organs, either from formal recitals or informal playing sessions, with appropriate early organ music examples.\n <\/div>\n\n
\n Musiciens<\/span>\n Andrew Benson-Wilson (organ)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 11/04/2021 13:00 UTC (11/04/2021 15:00 CEST)\n <\/small>\n <\/p>\n\n
\n Cabaret Troubadour\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert de cabaret traditionnel sur la place\n <\/div>\n\n
\n Musiciens<\/span>\n Karma, Lindsy, chesster,\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 27/03/2021 18:00 UTC (27/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Entre la terre et le ciel\n <\/h3>\n\n \n \n <\/span>\n\n \n Peru<\/strong>\n <\/span>\n\n \n Concert du Pérou baroque. Danses, tonadas et cachuas du Codex Martínez de Compañón (1782-1785) et des Hymnes sacrés des Andes.\n <\/div>\n\n
\n Musiciens<\/span>\n Erwin Jesús Calcina Vilca\nFlûte.\nJorge Gabriel Chávez Orozco\nLes vents des Andes.\nMariapaz Corrales Carpio\nPercussion\nMaría Luisa Vizcarra Zárate\nSoprano\nRafael Yoshua Toledo Dávila\nContre-ténor\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Music from Mdina Cathedral - A Tribute to Dun Gwann\n <\/h3>\n\n \n \n <\/span>\n\n \n Malta<\/strong>\n <\/span>\n\n \n A concert to in memory of Reverend Mgr John Azzopardi\n\nDomenico Balzano\nIl gioco a tresette con Filli\n\nTarquinio Merula\nEcci Flos\nVincenzo Tozzi\nScompagnato sospiro:\nClaudio Monteverdi Laudate Dominum Claudio Monteverdi\nMessa a 4 da Capella (from Selva Morale et spirituale. 1641)\n\nMikel Ang Vella\nSonata for 3 violins No 1\n\nAnon\nCurre ad Virginem\n\nAnon\nJubila Propera Festina\n\n <\/div>\n\n
\n Musiciens<\/span>\n The Valletta Baroque Ensemble & The Monteverdi Project\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Girolamo Frescobaldi and Johann Sebastian Bach in Bologna\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Presentation of two instruments built by Alessandro Trasuntino: a harpsichord (Ferrara, 1547) and a pentagonal spinet (Venice, c. 1540). Music by Girolamo Frescobaldi and Johann Sebastian Bach performed on a harpsichord by Mattia de Gand (Rome, 1685).\n <\/div>\n\n
\n Musiciens<\/span>\n Liuwe Tamminga, Curator\nAnna Zareba, Assistant curator\n\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Latinamerica baroque music\n <\/h3>\n\n \n \n <\/span>\n\n \n Argentina<\/strong>\n <\/span>\n\n \n Video of concert\n <\/div>\n\n
\n Musiciens<\/span>\n Capilla del sol baroque ensemble\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 14:30 UTC (21/03/2021 15:30 CET)\n <\/small>\n <\/p>\n\n
\n Cello un Fleut\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n As with the traditional Cologne dish “Himmel un Äd”, two ingredients form the basis of this exquisite concert: cello and flute. It will be served in a classic way, with works by J. M. Vogel, N. Dôthel, J. Dall\'Abaco and J. G. Tromlitz. Vogels identity lies in the dark, the three sonatas were published in Paris around 1800. Cellist Joseph Dall\'Abaco has written timeless capricci for his instrument and the flute virtuosos Dôthel and Tromlitz composed challenging pieces, which will also be heard.\n <\/div>\n\n
\n Musiciens<\/span>\n Thomas Wormitt, traverso\nAdrian Cygan, cello\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Io canterei d'amor - a solo concert\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \"Io canterei d\'amor\" - love songs from Gaucelm Faidit to Claudio Monteverdi, an a solo set studied for these pandemic days, to be performed in front of a couple of live listeners - speciale edition in streaming for Early Music Day.\nMatteo Zenatti, psaltery harp, gothic and renaissance harp, voice.\nWorks of anonymous, Gaucelm Faidit, Francesco Landini, Johannes Ciconia, Michele Pesenti, Cipriano De Rore, Cosimo Bottegari, Giovangiacomo Gastoldi.\n <\/div>\n\n
\n Musiciens<\/span>\n Matteo Zenatti, psaltery harp, gothic and renaissance harp, voice.\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n DE PROFUNDIS Marc - Antoine Charpentier (1643-1704)\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Concert\n\n\"De Profundis. Music for Maria Teresa de Austria (Madrid 1638 - Paris 1683)\"\n\nPour un reposoir, H. 508 Marc - Antoine Charpentier (1643-1704)\nI. Ouverture / II. Tantum ergo / III. Tantum ergo (Gregorian) / IV. Fugue / V. Genitori\n(Gregorian) / VI. Amen / VII. Allemande grave\n\nDe profundis, H. 189 Marc - Antoine Charpentier\nI. Prelude / II. De profundis clamavi / III. Fiant aures tuae / IV. Quia apud te / V. A custodia\nmatutina / VI. Et ipse redimet / VII. Requiem aeternam\n <\/div>\n\n
\n Musiciens<\/span>\n Beatriz Amezúa / Dessus [de violon]\nIgnacio Ramal / Haute-contre [de violon]\nJuan Portilla / Dessus [Flûte]\nJosé Menendez / Haute-contre [Flûte]\nCalia Álvarez / Taille de violon\nMaría Barajas / Quinte de violon\nIsmael Campanero / Basse de violon\nElia Casanova / Dessus\nLorea Agustí / Dessus\nJulieta Viñas / Bas dessus\nBeatriz Oleaga / [Haute-contre]\nVictoria Cassano / [Haute-contre]\nFran Braojos / [Taille]\nAriel Hernández / [Taille]\nSimón Millán / [Basse-taille]\nPablo Acosta / [Basse]\nJorge López-Escribano / Orgue et basse continue\nRamiro Morales / basse continue (Archilaúd)\nJuan Portilla / Director\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 17/03/2021 19:00 UTC (17/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Aftenandagt med musik af J.S.Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n Vesper with music by J.S.Bach\nOrganmusic, songs and arias.\n <\/div>\n\n
\n Musiciens<\/span>\n Ditte Freiesleben and Maria Johannsen, soprano, Eunyoung Kim, organ\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Lo stile Italiano nell’Europa barocca\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert \"Lo stile Italiano nell’Europa barocca\"\n\nG. F. Handel (1685-1759)\n\"Un alma innamorata\"\nCantata per soprano, flauto e b.c. HWV 173\nG. Ph. Telemann (1681-1767)\nTrio sonata in FA M. - TWv 42:F8\nLargo, vivace, affettuoso, allegro\nG. F. Handel:\n\"Mi palpita il cor\"\nCantata per soprano, flauto e b.c.- HWV 132\nG. Ph. Telemann\nTrio sonata in LA m. - TWv 42:a4\nLargo, vivace, affettuoso, allegro\nAgostino Steffani (1654-1728)\n“Fileno, idolo mio”\nCantata per soprano, due flauti e b.c.\n\n <\/div>\n\n
\n Musiciens<\/span>\n Lucia Cortese - soprano\nLuisa Busca - Manuel Staropoli, flauti\nAntonio Fantinuoli, violoncello\nGiangiacomo Pinardi, arciliuto\nClaudia Ferrero, clavicembalo\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:30 UTC (21/03/2021 19:30 CET)\n <\/small>\n <\/p>\n\n
\n IN CAELO ET IN TERRA - musiche di N.Matteis, G.Manna, D.Perez, Angrisani, C. Cecere, M. Mascitti, G.F. Haendel\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n L\'evento proposto per questa nostra settima partecipazione, è un concerto in streaming registrato a Napoli nella cornice della Sacrestia Papale della Basilica di S. Francesco di Paola. Affidato come tradizione all\'ensemble Le Musiche da Camera di Napoli, l\'offerta musicale prevede un ricco percorso nella \"Scuola Napoletana\" tra sacro (Caelo) con estratti da opere di Davide Perez e Gennaro Manna e profano (Terra) con sonate e divertimenti da Matteis a Mascitti, Angrisani e Cecere.\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble LE MUSICHE DA CAMERA -\nFrancesco DIVITO soprano, Rosa MONTANO mezzosoprano\nRenata CATALDI flauto traversiere\nEgidio MASTROMINICO violino barocco di concerto\nGiuseppe GRIECO violino barocco\nLeonardo MASSA violoncello barocco, Debora CAPITANIO clavicembalo\n\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Kopfkino\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Live Premiere of new Leila Schayegh\'s videoclip/documentary devoted to Leclair concertos where she meets through the music Carlos Kerr Jr dancer from Luzerner Theatre Ballet.\n <\/div>\n\n
\n Musiciens<\/span>\n Leila Schayegh, violin\nCarlos Kerr Jr, dance\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:30 UTC (21/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Bach X Fahmi Alqhai X Carmen Muñoz\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Contemporary dancer Carmen Muñoz performs an improvisation over an iconic four parts Bach composition interpreted by Fahmi Alqhai on viola da gamba.\n <\/div>\n\n
\n Musiciens<\/span>\n Fahmi Alqhai, viola da gamba\nCarmen Muñoz, dance\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 15:15 UTC (21/03/2021 16:15 CET)\n <\/small>\n <\/p>\n\n
\n Ilmur af rósum við lækjarnið\n <\/h3>\n\n \n \n <\/span>\n\n \n Iceland<\/strong>\n <\/span>\n\n \n Concert: Triosonatas by J. Rosenmuller, J.S. Bach and G.P. Telemann and movements from solo pieces for flute traverso, violin, cello and harpsicord.\n <\/div>\n\n
\n Musiciens<\/span>\n Magnea Arnadottir, flute, Hildigunnur Halldorsdottir, violin, Sigurdur Halldorsson, cello and Gudrun Oskarsdottir, harpsicord.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:30 UTC (21/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Youth Orchestra in concert at the Liverpool Parish Church\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Early Music Youth Orchestra Concert\n\nProgramme:\n\nJohann Sebastian Bach\nConcerto for Two Violins, Strings and Continuo in d minor BWV 1043:\ni. Vivace\nii. Largo ma non troppo\niii. Allegro\n\nArcangelo Corelli\nSonata for Two Violins and Cello, Strings and Continuo in g minor Wo02:\ni. Adagio\nii. Andante largo\niii. Allegro\niv. Grave\nv. Presto\nvi. Vivace\n <\/div>\n\n
\n Musiciens<\/span>\n Early Music Youth Orchestra\n\nFirst Violins:\nAlberto SANNA, concertmaster\nDionne LEE\nAngelina DORLIN-BARLOW\nKai FESSEY\nCharlotte ROBERTS\nSamuel OLIVER-SHERRY\n\nSecond Violins:\nMarino CAPULLI, leader\nTasmin LEE\nBeth HUGHES\nEmily SPITZER\nOlivia SMITH\nMargaret SAUNDERSON\nMaya RAVINDRAN\n\nViolas:\nDonatella PAIANO, leader\nAlexander CAMPBELL\nStephanie ROBERTS\nHannah CHIU\n\nCellos:\nElizabeth ELLIOTT, leader\nGrace HARVEY\nIsabella SIMPSON\nAmbrose PAILING\n\nDouble Bass:\nElena MARI GOMEZ ARRANZ\n\nHarpsichord:\nBenjamin MALONEY\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:30 UTC (21/03/2021 21:30 CET)\n <\/small>\n <\/p>\n\n
\n The Wondering Fiddlers in concert at the Liverpool Parish Church\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n The Wondering Fiddlers in concert at the Liverpool Parish Church\n <\/div>\n\n
\n Musiciens<\/span>\n The Wondering Fiddlers\n\nViolin: Alberto Sanna\nViolin: Marino Capulli\nCello: Elizabeth Elliott\n\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerto di musica antica\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concerto di musica antica di vari autori eseguito da allievi ed insegnanti della scuola N. Paganini\n <\/div>\n\n
\n Musiciens<\/span>\n Studenti ed insegnanti della scuola N. Paganini\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:15 UTC (21/03/2021 12:15 CET)\n <\/small>\n <\/p>\n\n
\n The end is the beginning: baroque in 360°\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n In this program in 360°, the listener can choose which direction to look and see not only the performers but also the inspiring main room of the Huygens’ Hofwijck in The Netherlands, with its 17th century windows and beautiful floor and wooden ceiling, the flutes on the table and the pendulum clock on the wall, an invention by Christiaan Huygens.\nWorks by Van Eyck, Sweelinck, Bigaglia and Marcello\nYoutube and Facebook\nwww.facebook.com/avenaribeiro\nwww.youtube.com/channel/UCN9OKlk0qjz6K88KvTDskoA\n <\/div>\n\n
\n Musiciens<\/span>\n Inês d\'Avena, recorder & Claudio Ribeiro, harpsichord\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:15 UTC (21/03/2021 17:15 CET)\n <\/small>\n <\/p>\n\n
\n In four acts\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Four ideas (\"thuis\" or home, contemplation, drama and continuum) inspiring the performance of music by Bach, Pullj, Scarlatti, Couperin and Eccles, in a historical setting. On Facebook and Youtube on 21 March at 16:15 (CET). Total length: 28 minutes.\nwww.facebook.com/avenaribeiro\nhttps://www.youtube.com/channel/UCN9OKlk0qjz6K88KvTDskoA\n <\/div>\n\n
\n Musiciens<\/span>\n Inês d\'Avena, recorder & Claudio Ribeiro, harpsichord\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 21:00 UTC (21/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Monteverdi Vespers\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Concerto with:\nCoro Casa da Música\nMúsicians of Orquestra Barroca Casa da Música\nPaul Hillier conductor\n\nClaudio Monteverdi Vespro della Beata Vergine\n <\/div>\n\n
\n Musiciens<\/span>\n Coro Casa da Música\nMúsicians of Orquestra Barroca Casa da Música\nPaul Hillier conductor\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Heu me Domine (La Camerata Chromatica)\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Première diffusion d\'un enregistrement\n <\/div>\n\n
\n Musiciens<\/span>\n La Camerata Chromatica\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 28/03/2021 17:00 UTC (28/03/2021 19:00 CEST)\n <\/small>\n <\/p>\n\n
\n MUSICA A CORTE. NATURA E ARTIFICIO\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \"G.P. Telemann, “Ouverture” in Do mag. “Hamburger Ebb und Fluth” TWV 55:C, (1723)\nG.F. Händel, “Handel’s Water Piece” from “The complete tutor for the French Horn”, (1746)\nAnonymous, Sonata da Caccia con un Cornu, (1680c.)\nMarc-Antoine de Dampierre, La Royalle (1734)\nG. Pugnani, Symphony Op. 4 n. 1 in Mib (1780)\nA.Vivaldi, concerto Ripieno in La maggiore RV 158. Allegro molto, Andante molto,\nAllegro (1720-1724)\nJ.D. Heinichen, Concerto in Fa mag. S. 231 (post 1720)\nThe programme mainly refers to the \"\"Musical art of the hunting horn players\"\" and the \"\"paysage sonore\"\" of the Reggia di Venaria Reale. The practice of the hunting horn was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity on December 17th, 2020 (multinational nomination: France, Belgium, Italy and Luxembourg). Italy is represented by the community of players of the Accademia di Sant\'Uberto, known as \"\"Equipaggio della Regia Venaria\n <\/div>\n\n
\n Musiciens<\/span>\n Accademia di Sant’Uberto Baroque Orchestra\n\nStudents “Liceo Classico Musicale Cavour di Torino” in PCTO\n” Accademia di Sant’Uberto Baroque Project”\n\nViolin I: Alessandro Conrado, JanineBratu, Johanna Crosetto, Gabriele Cervia, Ruben Galloro\nViolin II: Francesco Bergamini, Federica Rolli, Angelica Marciano, Lorenzo Capponi, Filippo Conrado\nViola: Giulia Bombonati, Jacopo Ritucci, Andrea Conrado, Meghi Zefi\nCello: Massimo Barrera, Enrica Amati, Filippo Longhi, Alice Palumbo\nDouble bass: Simone Severino, Francesca Zerbo\nOboe: Arianna Zambon, Lucia Morini\n\nBassoon: Giovanni Graziadio\nTraversiere flute: Flavio Mattea, Davide Galleano\nHarpsichord: Marco Crosetto\nHunting horns - Corni da caccia: Simonluca Arrò, Elisa Bellezza, Alberto Conrado, Lucia Gurrieri, Umberto Jiron, Aldo Marietti, Donato Gavino Murru\n\nTUTOR\nViolin I: Alessandro Conrado\nViolin II: Francesco Bergamini\nViola: Giulia Bombonati\nCello: Massimo Barrera\nReed: Arianna Zambon\nHarpsichord: Marco Crosetto\n\nDIRECTOR: Alberto Conrado\n\n\n\nStudents receive original instruments from the Accademia di Sant\'Uberto and perform the programme together with their tutors.\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:30 UTC (21/03/2021 16:30 CET)\n <\/small>\n <\/p>\n\n
\n G. Frescobaldi - Ricercar Cromatico (La Camerata Chromatica)\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Première diffusion d\'une vidéo\n <\/div>\n\n
\n Musiciens<\/span>\n Delale Benjamin, keyboardist\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 05/03/2021 17:00 UTC (05/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Fair Oriana, Two Voices, EP 1 release\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n TWO VOICES is the debut album from soprano duo Fair Oriana. It is divided into four volumes, each exploring a different sentiment: happiness, intrigue, passion and loss.\nAt the core of the recording are Thomas Morley’s little known Twelve Canzonets to Two Voices. Rooted in their passion for, and specialism in, early music, Two Voices is packed with a variety of styles from Elizabethan song to contemporary commissions, with highlights of medieval, folk and baroque along the way.\n\n <\/div>\n\n
\n Musiciens<\/span>\n Angela Hicks, Soprano\nPenelope Appleyard, Soprano\nHarry Buckoke, Viola da Gamba\nTom Gamble, Guitar\nSam Brown, Lute\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 19/03/2021 08:00 UTC (19/03/2021 09:00 CET)\n <\/small>\n <\/p>\n\n
\n RECOVERY!\n <\/h3>\n\n \n \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Special recording that will be made on 19 March, and then put together on 20 March. It will be a short concert programme, with the provisional title \"Recovery.\" It will open with Bach\'s 6-part ricercar from the Musical Offering, be followed by two of Grieg\'s baroque movements from the Holberg Suite (Praeludium and Air), and Erkki-Sven Tüür\'s Illusion: the [joyful] deconstruction of a baroque motive.\n <\/div>\n\n
\n Musiciens<\/span>\n The performers are senior students from Musikskolan Lilla Akademien in Stockholm, under the direction of Mark Tatlow. The Bach will be played by six soloists, and the Grieg and Tüür by the school\'s Chamber Orchestra.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Perle barocche con gli strumenti d'amore\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert: music for viola d\'amore\n <\/div>\n\n
\n Musiciens<\/span>\n Isobel Howard-Cordone, musician; Silvia Dell\'Agnolo, musician; Ilaria Fantin, musician.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 28/03/2021 20:00 UTC (28/03/2021 22:00 CEST)\n <\/small>\n <\/p>\n\n
\n Mestizajes sonoros: The music of Codex Trujillo in the 18th-century Peru\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This project has the aim of recovering from oblivion the musical treasures included in the Codex Trujillo, 20 pieces which have strong folkloric roots, showing a balanced and surprising blend of African, American and European elements, what gives to this music a unique signature based on syncretism and cross-cultural communication. The recovering of this music will transport the audience to the Viceroyalty of Peru and approach the musical universe of the very end of Latin American Baroque.\n <\/div>\n\n
\n Musiciens<\/span>\n ÍLIBER ENSEMBLE\nEd López, voice\nAbigail R. Horro, recorder & harp\nMaria del Mar Blasco, violin\nJavier Utrabo, violone\nLuis Vives, percussion\nAníbal Soriano, baroque guitar & theorbo\nDarío Tamayo, harpsichord & conductor\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 14/04/2021 18:00 UTC (14/04/2021 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Baro Co. Festival: Georg Friedrich Händel's musical travelogue\n <\/h3>\n\n \n \n <\/span>\n\n \n Slovakia<\/strong>\n <\/span>\n\n \n Guided by maestro Georg Friedrich Händel, The HIPsters – a newly established collective of Historically Informed Performers - will take you on a musical journey from Germany via Italy to England. A selection of Händel\'s opera and oratorio arias, attributed to several European cities, intertwined with works by him and some of his renowned colleagues, such as Corelli, Geminiani, Pepusch and Sammartini, will give you a peek into the ongoing historical dynamics of artistic influences and inspiration\n <\/div>\n\n
\n Musiciens<\/span>\n Matej Benda, countertenor\nSuzanne van der Helm, recorders\nMichal Klas, violin\nThe HIPsters\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Sempre Vivaldi\n <\/h3>\n\n \n \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n Sempre Vivaldi\n <\/div>\n\n
\n Musiciens<\/span>\n Cristina Vasilache (sopran), Mircea Ionescu / Rafael Butaru (violins), Dávid Csibi (viola),\nLázár Zsombor (violoncel), István Csata (violone), Raluca Enea (harpsichord).\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 21:00 UTC (21/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n EQUINOTIUM: Fugue BWV 562 (a new reconstruction)\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Analysis and performance by Gilberto Scordari of his musico-theological\nreconstruction of the Fugue BWV 562 according to a Gospel Tale (Luke 24:13-35)\n <\/div>\n\n
\n Musiciens<\/span>\n Gilberto Scordari (composer & organist): talk and performance\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 16:00 UTC (20/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Conférence : la vièle médiévale, l'instrument soutien de la voix\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Conférence - La vièle médiévale : l’instrument soutien de la voix.\n\nL’arrivée de l’archet en occident au XIe siècle a bouleversé la culture européenne. La vièle, grâce à son archet, est devenu l’instrument privilégié pour porter la voix, et ce jusqu’au XVIe siècle....\n\nPour recevoir le lien d\'accès à cet événement, inscrivez-vous via le formulaire : https://forms.gle/4F6RaiCEG7QvYF668\n <\/div>\n\n
\n Musiciens<\/span>\n Intervenants : Christian Rault, luthier, chercheur, organologue, et Nicolas Sansarlat, musicien.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 18:00 UTC (20/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert : Troubadours et trouvères : les inventeurs de la chanson\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert : Troubadours et trouvères : les inventeurs de la chanson (en direct sur notre chaîne YOUTUBE)\n\nce concert vous présente la fine fleur de ces inventeurs de la chanson du XIIe et XIIIe siècle. Un \"best of\" avec 4 chanteurs, harpe, percussions et vièle à archet.\n\nPour recevoir le lien d\'accès à cet événement, inscrivez-vous via le formulaire : https://forms.gle/4F6RaiCEG7QvYF668\n <\/div>\n\n
\n Musiciens<\/span>\n 4 chanteurs et chanteuses, 2 musiciens (harpe romane, percussion et vièle à archet)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Organ Music in Oranienbaum\n <\/h3>\n\n \n \n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n To celebrate the annual Early Music Day Peterhof State Museum-Reserve offers its Instagram, Facebook and VKontakte subscribers performance of two most important pieces by Claudio Monteverdi (1567-1643) and Heinrich Scheidemann (1595-1663). Both compositions will be performed in the Stone Hall Pavilion, designed for hosting concerts in 1750s in the Oranienbaum ensemble 40 km from St. Petersburg.\n <\/div>\n\n
\n Musiciens<\/span>\n 1. Irina Rozanova, organist, St Petersburg State Conservatoire graduate, prize recipient of numerous international competitions\n2. Denis Sedov, bass, concert singer and recording artist, member of Young Artist Program at the Metropolitan Opera, appeared at La Scala, Covent Garden, The MET, Opera de Paris, Teatro Colon Buenos Aires, Santiago de Chile, San Francisco Opera, La Monnaie Bruxelles, Maggio Musicale Fiorentino, Teatro Reggio Turin and many others\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 20/03/2021 18:00 UTC (20/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n [CANCELLED]Tre donne belle\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert en trio \"Tre donne belle\"\nChansons polyphoniques de la Renaissance italienne : villanelle, balletti, madrigale, canzone… de Costanzo Festa à Claudio Monteverdi en passant par Palestrina ou Marenzio parmi d\'autres.\nUn programme fait entièrement par cœur avec une légère scénographie.\n <\/div>\n\n
\n Musiciens<\/span>\n Alla francesca en trio :\nVivabiancaluna Biffi (chant et vièle à archet)\nChristel Boiron (chant)\nBrigitte Lesne (chant et harpe gothique)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Sung Eucharist\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Sung Eucharist. Lotti: Missa a tre voci. Plainchant: Psalm 143. Genet: Sederunt in terra.\n\n <\/div>\n\n
\n Musiciens<\/span>\n The Gentlemen of HM Chapel Royal, Hampton Court Palace, dir. Carl Jackson\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n [CANCELLED] Tre donne belle\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert en trio \"Tre donne belle\"\nChansons polyphoniques de la Renaissance italienne : villanelle, balletti, madrigale, canzone… de Costanzo Festa à Claudio Monteverdi en passant par Palestrina ou Marenzio parmi d\'autres.\nUn programme fait entièrement par cœur avec une légère scénographie.\n <\/div>\n\n
\n Musiciens<\/span>\n Alla francesca en trio :\nVivabiancaluna Biffi (chant et vièle à archet)\nChristel Boiron (chant)\nBrigitte Lesne (chant et harpe gothique)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Korneel Bernolet: Das wohltemperirte Clavier I\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Bach, Das wohltemperirte Clavier Book I, nos 1-12\n <\/div>\n\n
\n Musiciens<\/span>\n Korneel Bernolet\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 14:00 UTC (21/03/2021 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Elina Albach: Das wohltemperirte Clavier II\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Bach, Das wohltemperirte Clavier Book I, nos 13-24\n <\/div>\n\n
\n Musiciens<\/span>\n Elina Albach\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Andrea Buccarella: Das wohltemperirte Clavier III\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Bach, Das wohltemperirte Clavier Book II, nos 1-12\n\n <\/div>\n\n
\n Musiciens<\/span>\n Andrea Buccarella\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 09:00 UTC (21/03/2021 10:00 CET)\n <\/small>\n <\/p>\n\n
\n Solo Bach performances for Early Music Week\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Please find in the field below the Vimeo URLs for a selection of solo Bach performances for cello, violin and piano.\n <\/div>\n\n
\n Musiciens<\/span>\n Here\'s a complete list of performers and the pieces they are playing:\n\nGarwyn Linnell, cello, performing JS Bach\'s Prelude from Cello Suite No 2 in D minor, BWV 1008: https://vimeo.com/510612828\nDaniel Stroud, violin, performing JS Bach\'s Sarabande from Partita No 2 in D minor, BWV 1004: https://vimeo.com/511037590\nMio Takahashi, violin, performing JS Bach\'s Loure from Partita No 3 in E, BWV 1006.1: https://vimeo.com/509733916\nLavinia Scarpelli, cello, performing JS Bach\'s Gigue from Cello Suite No 3 in C, BWV 1009: https://vimeo.com/510280064\nHugh Mackay, cello, performing JS Bach\'s Prelude from Cello Suite No 3 in C, BWV 1009: https://vimeo.com/513802809\nJames Chen, violin, performing JS Bach\'s Gavotte en Rondeau from Partita No 3 in E, BWV 1006.1: https://vimeo.com/510741427\nYuuki Bouterey-Ishido, cello, performing JS Bach\'s Sarabande and Gigue from Cello Suite No 4 in E flat, BWV 1010: https://vimeo.com/511035292\nIgnas Maknickas, piano, performing JS Bach\'s Prelude and Fugue in C sharp major, BWV 872: https://vimeo.com/506196873\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 21:00 UTC (21/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach - Privato ...\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \"Bach - Privato...\" is a picture of a musical moment in Bach\'s family life.\n\nJ.S. Bach: Sonata for violin and continuo in G major BWV 1021\nC.P. E. Bach: Sonata for violin and harpsichord in g minor H.542.5\nJ. S. Bach: Sonata for violin and harpsichord in G major BWV 1019\n\nThe concert has been filmed in Pavia, in the church of San Marino, in November 2020.\n <\/div>\n\n
\n Musiciens<\/span>\n Ayako Matsunaga (violin), Takashi Watanabe (harpsichord)\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 31/03/2021 13:30 UTC (31/03/2021 15:30 CEST)\n <\/small>\n <\/p>\n\n
\n Cherry Blossom Viewing with Baroque Music\n <\/h3>\n\n \n \n <\/span>\n\n \n Japan<\/strong>\n <\/span>\n\n \n Chamber music from Renaissance to Baroque era; works of Pla, Luzzaschi, Palestrina, Paisiello, J.S. Bach, J.B. Bach\n <\/div>\n\n
\n Musiciens<\/span>\n Makiko Suzuki (flute), Masayo Miyata (oboe), Ayako Igarashi (violin), Mari Ubukata (violin), Kuniko Okada (violin), Yumi Ashikawa (viola), Akane Tako (cello), Atsuko Watanabe (harpsichord & direction)\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 21/03/2021 16:00 UTC (21/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Gentil Teresa\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Mini-Concert pour des vaches laitières à 4 voix mixte Clément Janequin, Giovanni Battista Martini, Luca Marenzio\nhttps://goo.gl/maps/tqZ9LxbzytBQBGbb7\n <\/div>\n\n
\n Musiciens<\/span>\n Gaëlle Vitureau Soprano, Benoit Dumon Contre-ténor, Jean-Yves Ravoux ténor, Jean-Christophe Filiol Basse\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n AKapela Enjoy Renaissance a capella songs\n <\/h3>\n\n \n \n <\/span>\n\n \n Martinique<\/strong>\n <\/span>\n\n \n Vidéo recording of European Renaissance a capella songs, by a small vocal group of 8 men and women\n <\/div>\n\n
\n Musiciens<\/span>\n AKapela octuor vocal\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerto al Castello di Stupinigi\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n L’ Astrée est un ensemble baroque fondé à Turin il y a 30 ans, très actif en Italie et à l’étranger. Pour la Journée de la Musique Ancienne, l\'Astrée souhaite présenter un extrait de la vidéo d\'un concert réalisé au Château de Stupinigi, l\'une des plus belles résidences de la Famille de Savoie en Piémont. Ce programme, Battaglie e Follie, propose un voyage entre musique et littérature sous la forme de la bataille et de la folie, qui a inspiré musiciens et écrivains de toutes les époques.\n\n\n\n <\/div>\n\n
\n Musiciens<\/span>\n Alessandro Giangrande - tenor\nFrancesco D\'Orazio - violin\nLathika Vithanage - violin\nPaola Nervi - alto\nNicola Fiorino - cello\nPietro Prosser - theorbo\nGiorgio Tabacco - harpsichord and e artistic director\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 13:30 UTC (21/03/2021 14:30 CET)\n <\/small>\n <\/p>\n\n
\n Celebrating Early Music Day! 荒城の月Moon upon the Ruins with viol consort\n <\/h3>\n\n \n \n <\/span>\n\n \n Japan<\/strong>\n <\/span>\n\n \n Hello, we are japanese YouTube channel presenting the video clips combines \"famous tunes\" or pop music in our age and the Early Music. Our crews are professional musicians specialized in Early Music and play for this channel as anonymous. (faces are hidden) We basically play those pop music arranged in very specific early music style and played with period instruments. This time Japanese Folk Tune with gamba consort is in my mind. That is ca 3 minutes long. Probably it is too short?\n <\/div>\n\n
\n Musiciens<\/span>\n POP KOGAKU CONSORT (treble viol, tenor viol, bass viol, bass viol)\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Online harpsichord living room concert\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Living room concert (live performance) with harpsichord music by J.-H. d\'Anglebert, J.S. Bach and J.-P. Rameau\n <\/div>\n\n
\n Musiciens<\/span>\n Sels Liselotte, harpsichord\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Sete Lágrimas ECMC Live at Idanha-a-Velha Cathedral (Portugal) — Dedicated to Katina Lillios (Iowa/USA) — EARLY MUSIC DAY 2021\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n SETE LÁGRIMAS ECMC Live\n\nVenue: Idanha-a-Velha Cathedral\nIdanha-a-Nova - UNESCO Creative City of Music (Portugal)\nDedicated to Katina Lillios (Iowa/USA)\n\nSETE LÁGRIMAS ECMC\nFilipe Faria, voice and artistic direction\nSérgio Peixoto, voice and artistic direction\nPedro Castro, renaissance recorders and baroque oboe\nTiago Matias, theorbo, baroque and romantic guitars and lute\nRui Silva, historical percussion\n\nwww.setelagrimas.com\n© Arte das Musas\nEARLY MUSIC DAY 2021\n <\/div>\n\n
\n Musiciens<\/span>\n Sete Lágrimas ECMC:\nFilipe Faria, voice and artistic direction\nSérgio Peixoto, voice and artistic direction\nPedro Castro, recorder, baroque oboe\nTiago Matias, lute, theorbo, baroque guitar, romantic guitar\nRui Silva, historical percussion\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Les Récréations de Leclair\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Programme du concert :\nMarin Marais\nSuite n°5, en mi mineur (extraits)\n\nJean-Marie Leclair\nPremière récréation, opus 6, en ré majeur\n\nArcangelo Corelli\nSonate en trio, opus 2 n° 4, en mi mineur pour deux violons et continuo\nSonate en trio, opus 2 n° 12, en sol majeur pour deux violons et continuo\n\nJean-Marie Leclair\nDeuxième récréation, opus 8, en sol mineur\n\n <\/div>\n\n
\n Musiciens<\/span>\n La Diane Française : Stéphanie-Marie Degand, violon et direction ; Rozarta Luka, violon ; Gauthier Broutin, violoncelle ; Violaine Cochard, clavecin\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 21:00 UTC (20/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n DULCEUSES. Bicinia & Divisions upon madrigals\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n DULCEUSES: Bicinia & Divisions upon madrigals. Music by: Brocco, Tromboncino, Lasso, Palestrina\n <\/div>\n\n
\n Musiciens<\/span>\n QUONIAM ENSEMBLE: Paolo Tognon & Stefano Somalvico , dulcians, Cinzia Prampolini, voice, Marco Vincenzi, harpsichord, Pier Luigi Polato, lute\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:30 UTC (21/03/2021 17:30 CET)\n <\/small>\n <\/p>\n\n
\n "Madonna per voi ardo"\n <\/h3>\n\n \n \n <\/span>\n\n \n Chile<\/strong>\n <\/span>\n\n \n Concierto de Vihuela de mano \n <\/div>\n\n
\n Musiciens<\/span>\n Claudio Hernandez, Vihuela de mano\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 13:15 UTC (21/03/2021 14:15 CET)\n <\/small>\n <\/p>\n\n
\n Passagio in Italia\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Concert: Passaggio in Italia\nTravel with Galway Early Music back to 17th-century Italy and let the music of Barbara Strozzi, Girolama Frescobaldi and Biagio Marini bring some sun and warmth into your home.\n <\/div>\n\n
\n Musiciens<\/span>\n Helen Hancock (soprano), Yonit Kosovske (harpsichord), Maura Ó Cróinín (recorder)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Love in the Lockdown - Episodes 1 & 2\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Medieval musician Emilia and playwright Giovanni are in the early stages of an intense relationship just before lockdown. Over 3 months, they get closer and work on a project together inspired by the book The Decameron by Boccaccio which they plan to reimagine, drawing out parallels with the COVID-19 pandemic. They put together films of music from the 14th century by Guillaume de Machaut, Johannes Ciconia, Francesco Landini and Gherardello da Firenze, which will form part of the final show.\n <\/div>\n\n
\n Musiciens<\/span>\n The Telling: Clare Norburn, voice; Ariane Prüssner, voice, harps & percussion; Joy Smith, harps & percussion; Jorge Jiménez, Vielle with Alec Newman as Giovanni; Rachael Stirling as Emilia\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 00:00 UTC (21/03/2021 01:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day/Ensemble Hovkapell\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n One madrigal by Mogens Pedersøn arranged for one voice and five instruments / one cello solo piece\n <\/div>\n\n
\n Musiciens<\/span>\n Marta Jimenéz, Violin - Ryuko Reid, Violin - Isabel Franenberg, Viola - Juho Myllylä, Recorder - Francesco Giusti, Alto - Elianne Ardts, Cello\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Piccolo omaggio a J.S. Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Piccolo omaggio a J. S. Bach\n <\/div>\n\n
\n Musiciens<\/span>\n Erminia Migliorini, harpsichord\nLaura Mirri, violin \n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:00 UTC (21/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Happy Birthday Bach!\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Happy Birthday Bach!\nOn March 21, 2021, Johann Sebastian Bach will turn 336 and we will celebrate that with a musical birthday party.\nThe beautiful \"ensemble a\" and the crystal voices of altus Jan Wouters and soprano Liesbeth Devos form an ideal combination to interpret the heavenly music of the inspiring master.\nStabat Mater by Pergolesi, but this time in a festive tailor-made suit by Bach -Psalm 51- and Pergolesi\'s contemporaries such as Händel and Vivaldi. Fireworks assured.\n <\/div>\n\n
\n Musiciens<\/span>\n ensemble a : Orchestra, Liesbeth Devos : soprano, Jan Wouters, altus\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Lapsed caick laolacatt! Early music from Finland\n <\/h3>\n\n \n \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Ensemble Gamut! brings to life the earliest surviving Finnish music in their enchanting program, exploring the theme of colonization and the arrival of Christianity to Finland, combining music from the earliest surviving Finnish manuscripts with vernacular rune singing. Today they premier a video-teaser of the program, including a more detailed description of it! Welcome!\n\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble Gamut! TRIO\nAino Peltomaa, Voice, percussion\nJuho Myllylä, Blockflutes\nIlkka Heinonen, The Finnish bowed lyre \"jouhikko\"\n\nwww.ensemblegamut.com\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Sonatines pour mandoline et clavecin\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Sonatines pour mandoline & clavecin avec Vincent Beer-Demander (mandoline) & Jean-Marc Aymes (clavecin)\nLes artistes explorent une facette inhabituelle du génial Beethoven : découvrez les merveilleuses pièces pour mandoline et clavecin, interprétées par Vincent Beer Demander, un des plus célèbres mandolinistes actuels. Une de ces pièces sera jouée pour la première fois !\n <\/div>\n\n
\n Musiciens<\/span>\n Jean-Marc Aymes et Vincent Beer Demander\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 01:00 UTC (21/03/2021 02:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music TV - Early Music Day 2021\n <\/h3>\n\n \n \n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n Free concerts and lectures from a range of early music groups and artists across Canada and the US.\n <\/div>\n\n
\n Musiciens<\/span>\n The Toronto Consort, Infusion Baroque, Arion Orchestre Baroque and more.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Ancient and modern harpsichord\n <\/h3>\n\n \n \n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n Small concert of harpsichord music of 16-21 centuries\nLouis Marchand (1669-1732) Prélude et Chaconne de Suite No. 1 en ré mineur\nAnonymous after Girolamo Frescobaldi Two Ricercars from Sapieha Album, LT-Vn F30-119\nGirolamo Frescobaldi (1583-1643) Cento Partite sopra Passacagli\nZoltan Almashi (1975 - ) Ode\nRoderik de Man (1941 - ) Three pieces for harpsichord I Fancy II Prélude non mesuré\nIII Lesson\nJean-Philippe Rameau (1683-1764) La Dauphine\n <\/div>\n\n
\n Musiciens<\/span>\n Liubov Titarenko, harpsichordist\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n For Two to Play\n <\/h3>\n\n \n \n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n For Two to Play\nT.Tomkins (1572-1656). For two to play. Svitlana Shabaltina, Liubov Titarenko\nL.Marchand (1669-1732). Prélude et Chaconne de Première suite en ré mineur. Liubov Titarenko\nJ.-P. Rameau (1683-1764). La Dauphine. Liubov Titarenko\nJ.Duphly (1715-1789). La Forqueray. Svitlana Shabaltina\nA.Forqueray (1671/1672-1745). La Morangis ou La Plissay. Svitlana Shabaltina\nF.Couperin (1668-1733). Muséte de Choisi, Muséte de Taverni. Liubov Titarenko, Svitlana Shabaltina\n <\/div>\n\n
\n Musiciens<\/span>\n Svitlana Shabaltina (harpsichord), Liubov Titarenko (harpsichord)\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:00 UTC (21/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n An Early Music Day Online Party\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Jouyssance Early Music Ensemble celebrates Early Music Month with an interactive online event not to be missed! Join us on zoom for:\n- A Singalong featuring early choral \"hits\"\n- An Early Music Trivia Game\n- The premiere of a new collaborative video project featuring musicians from across the Los Angeles region.\n\nPlease register in advance. Registrants will receive zoom invitation and singalong scores at least one week in advance of the event.\n <\/div>\n\n
\n Musiciens<\/span>\n Jouyssance Early Music Ensemble - Nicole Baker, Artistic Director\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Music visiting Architecture\n <\/h3>\n\n \n \n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n Performance of Bach Allemande from Partita BWV 828 D-dur \n <\/div>\n\n
\n Musiciens<\/span>\n Elena Zhukova (harpsichord)\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Coudenberg Sound Box Fest\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Coudenberg Sound Box Fest is a playlist that takes you on a musical journey through the Coudenberg palace. The event is curated by flutist and musicologist Matteo Gemolo.\n\nYou can listen to the playlist at home or at the palace via an online audio guide: https://audioguide.coudenberg.brussels/visits/6.\n\nImportant for on-site visitors: you must bring your own device in order to listen to the music. You can use the free wifi network. There\'s no extra charge for the musical visit. You pay the regular rate that applies to you.\nImportant for on-site visitors: you must bring your own device in order to listen to the music. You can use the free wifi network. There\'s no extra charge for the musical visit. You pay the regular rate that applies to you.\n <\/div>\n\n
\n Musiciens<\/span>\n Europa Ritrovata (Matteo Gemolo, traverso - Conor Gricmanis, Baroque violin - Lisa Kokwenda Schweiger, harpsichord), BarrocoTout (Carlota Garcia, traverso - Izana Soria, Baroque violin - Eduard Catalan, Baroque cello), Duo Calambur (Blanca Prieto, Baroque violin - Rebecca Lefevre, viola da gamba), Conor Gricmanis, Baroque violin & Catalina Vicens, Virginals\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n The Scottish Connection / Le lien écossais\n <\/h3>\n\n \n \n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n Eighteenth-century composers were fascinated by the rhythms and colours of traditional Scottish songs. This intimate concert features arrangements of Scottish folk tunes by Francesco Geminiani, Franz Joseph Haydn, and others. / Les compositeurs du dix-huitième siècle étaient fascinés par les rythmes et les couleurs des chansons écossaises traditionnelles. Ce concert intime comprend des arrangements de chansons folkloriques écossaises de Francesco Geminiani et de Franz Joseph Haydn.\n\n <\/div>\n\n
\n Musiciens<\/span>\n Alexa Raine-Wright, flute/recorder; Sallynee Amawat, baroque violin; Andrea Stewart, baroque cello; Rona Nadler, harpsichord; Meagan Zantingh, mezzo-soprano\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 21/03/2021 14:00 UTC (21/03/2021 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Who Likes to Love\n <\/h3>\n\n \n \n <\/span>\n\n \n Iceland<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musiciens<\/span>\n Camerata IUA, dir. Sigurður Halldórsson\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Lucile Boulanger à Ambronay pour la Journée de la Musique Ancienne\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n À l’occasion de la résidence de création de la gambiste Lucile Boulanger au CCR d’Ambronay, elle nous interprète quelques œuvres de Bach pour la Journée de la Musique Ancienne.\n <\/div>\n\n
\n Musiciens<\/span>\n Lucile Boulanger - viole de gambe\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerto d'organo\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concerto d\'organo antico allo storico organo \"Nacchini 1757\" della Basilica di Santa Maria della Misericordia in Sant\'Elpidio a Mare (Marche, Italia).\nMusiche di autori fra 6 e \'700\n <\/div>\n\n
\n Musiciens<\/span>\n M° Alessandro Buffone, organista titolare della Cattedrale Metropolitana di Fermo\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n “Claudio Monteverdi: Vespro della Beata Vergine (1610)” performed by Ensemble La Fenice, Capella Prolationum, and Ensemble La Danserye - XXII FeMAUB de 2018.\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Performance of Claudio Monteverdi\'s Vespro della Beata Vergine SV 206 (1610) by Ensemble La Fenice, Capella Prolationum, and Ensemble La Danserye, Jean Tubéry, dir., as part of the XXII FeMAUB 2018. Date: 7 December 2018. Venue: Baeza Cathedral. Full information on the Festival Book (pp. 57-68): https://festivalubedaybaeza.com/wp-content/uploads/2018-Vnitas-et-diversitas.html. Video recorded by the University of Jaén.\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble La Fenice; Capella Prolationum; Ensemble La Danserye - Jean Tubéry, dir.\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Elena Zhukova Harpsichord Recital\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Harpsichord Recital - pieces by William Byrd, Henry Purcell, Johann Sebastian Bach, Domenico Scarlatti, Antoine Forqueray\n <\/div>\n\n
\n Musiciens<\/span>\n Elena Zhukova, HARPSICHORD\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:00 UTC (21/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Ancient Sounds of the New World\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n The duo \"El Parnaso Hispano\" is dedicated to the musical traditions of the New World. After the conquest of the continent by the Spaniards, a fascinating mixture of pre-Hispanic and European musical styles was created, enriched with rhythms and melodies of the African slaves.\nBut also in the oral tradition, old songs and dance melodies have survived the centuries. In this concerts these sounds from the New World are contrasted with works from the Spanish Renaissance and Baroque periods.\n <\/div>\n\n
\n Musiciens<\/span>\n Rafael Montero, Singer, Tom Daun, baroque harp (El Parnaso Hispano)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Marcin Swiatkiewicz - harpsichord / solo recital / All'improvviso Festival\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Solo harpsichord recital\n\nElisabeth Jacquet de la Guerre: Suite A minor\nGeorg Muffat: Passacaglia G minor\nJan Sebastian Bach: Partita I B-flat major BWV 825\n\n <\/div>\n\n
\n Musiciens<\/span>\n Marcin Świątkiewicz - harpsichord\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 13:00 UTC (21/03/2021 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Capriccio Stravagante Renaissance Orchestra / Skip Sempé\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musiciens<\/span>\n Capriccio Stravagante Renaissance Orchestra / Skip Sempé\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 21:00 UTC (21/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert "Cosmopolitanism of the Portuguese Barroque"\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Concert Programme - C. Seixas; F.A. Almeida; G. Bononcini; P. G. Avondano; P. A. Avondano; D. Scarlatti; A. Vivaldi\n <\/div>\n\n
\n Musiciens<\/span>\n Eduarda Melo – Soprano; Massimo Mazzeo – Viola; Iskrena Yordanova & Nuno Mendes - Violins I; César Nogueira & Raquel Cravino – Violins II; Fernando Santiago – Cello; Pedro Wallenstein – Double Bass; Pietro Prosser – Lute; José Carlos Araújo – Harpsichord & Organ\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n zamus: early music day \n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Zamus celebrates this year’s Early Music Day, also the 336th birthday of Johann Sebastian Bach, with 5 concert programmes streamed live and free of charge from Cologne.\n\n11 am - zamus: academy\n1 pm - Tombeaux for harpsichord - \"Rising into the sky\"\n2:30 pm - Cello un Fleut\n4 pm - El Parnasso Hispano - Old Sounds from the New World\n6 pm - Mysteria Paschalia - An Alternative Passion \n <\/div>\n\n
\n Musiciens<\/span>\n zamus: academy:\nProf. Clara Blessing (HfM Würzburg), baroque oboe and direction\nProf. Leonard Schelb (HfMT Köln), baroque flute/recorder and direction\nAlena Wilsdorf, baroque flute\nYun-Man Chang, baroque oboe\nWeronika Kulpa, baroque cello\nDominik Heidl, harpsichord\n\nTombeaux for harpsichord - \"Rising into the sky\" :\nTatjana Vorobjova, harpsichord\n\nCello un Fleut:\nThomas Wormitt, baroque flute\nAdrian Cygan, baroque cello\n\nEl Parnasso Hispano - Old Sounds from the New World:\nRafael Montero, voice\nTom Daun, harps (Arpa Paraguaya, Arpa Doppia)\n\nMysteria Paschalia - An Alternative Passion :\nPRISMA, ensemble\nDávid Budai, viola da gamba\nFranciska Anna Hajdu, violin, voice\nElisabeth Champollion, recorder\nAlon Sariel, lute and oud\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 28/03/2021 17:00 UTC (28/03/2021 19:00 CEST)\n <\/small>\n <\/p>\n\n
\n HYMNUM\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n HYMNUM - Musique sacrée\n <\/div>\n\n
\n Musiciens<\/span>\n Barbara Kusa, Helene Arntzen, Nicolas Desprez\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 07:00 UTC (21/03/2021 08:00 CET)\n <\/small>\n <\/p>\n\n
\n Lamentations\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Lamentations is a meditative programme of music and poetry on a theme of hope. Featurin on Josquin des Prez\'s Miserere and Robert White\'s evocative Lamentations a 6, Lamentations is framed by two striking new works by Dawn Walters and 17-year-old Indian composer Tiara Oberoi. 25% of proceeds will be donated to mental health charity, Mind. On demand until 21st April. \n <\/div>\n\n
\n Musiciens<\/span>\n The Swan Consort\nAilsa Campbell, Soprano\nLuthien Brackett, Mezzo Soprano\nRobin Datta, Tenor\nSam Gilliatt, Baritone\nStuart O\'Hara, Bass\nAnita Datta, Artistic Director and Soprano\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n ĀRT HOUSE ZOOM: Es gibt keine Alte Musik\n <\/h3>\n\n \n \n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n LIVE-SALON mit Gesprächen und Musik um die Frage, was „Alte Musik“ sein könnte,\n\nwarum der Begriff unbrauchbar erscheint,\n\nob ein Toy-Piano ein historisches Instrument ist und John Cage zu den historischen Komponisten zählt,\n\nund wie es war, Bachs Matthäuspassion mit Nikolaus Harnoncourt UND Philippe Herreweghe aufzunehmen.\n\nDer Live-Chat ist geöffnet, Meinungsaustausch willkommen.\n\n17:00 Beginn\n18:30 offizielles Ende\n\nAnmeldung unter georg.kroneis@arthouse.community und über die Homepage.\n <\/div>\n\n
\n Musiciens<\/span>\n ĀRT HOUSE\n\nDietrich Henschel, Bariton\nSofie Vanden Eynde, Theorbe & Laute\nMichael Hell, Cembalo & Toy-Piano\n\nThomas Höft\nConstanze Wimmer\nMichael Wimmer\nGeorg Kroneis\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Il piacier delle dame - Early Music Day 2021 @ Kromer Festival Biecz\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Il piacier delle dame\nEarly Music Day 2021 @ Kromer Festival Biecz\n\nprogramme:\n\nCarlo Tessarini\nIl piacier delle dame\n\nMichel Corrette\nIII Suite in F major - L’Héroïne. Allemande, Les Étoiles. Rondeau\nfrom I Livre de pieces pour le Clavecin\n\nMichel Corrette\nII Sonate in d minor - Allegro, Aria I, Aria II, Allegro\nfrom Les délices de la solitude, Op.20\n\nGiuseppe Valentini\nAllettamento XI in f minor\nfrom XII Allettamenti da Camera, Op. 8\n\n <\/div>\n\n
\n Musiciens<\/span>\n Cohaere Ensemble\nMarta Korbel - violin\nMonika Hartmann - cello\nNatalia Olczak - harpsichord\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 12:00 UTC (20/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Limerick Early Music Festival (Day 1)\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Limerick Early Music Festival Day 1: The 2021 inaugural Limerick Early Music Festival features two days of online events by early music artists from Ireland and around the world: music, dance and interdisciplinary performances, lectures, instrument exhibit and demonstrations, music and art documentaries—including WAVE~LINKS, an exploration of music and artisanry.\n <\/div>\n\n
\n Musiciens<\/span>\n LIMERICK EARLY MUSIC FESTIVAL DAY 1:\n\nSATURDAY 20 MARCH\n12pm Opening message from LEMF directors Yonit Kosovske and Vlad Smishkewych\n\n12:15 Official welcome from LEMF ambassador & Limerick native Caoimhe de Paor\n\n12:30 Performance of Palisander Recorder Quartet\n\n1pm Lunchtime concert with Rachel Factor, harpsichord, performing works by J.S. Bach and Jacques Duphly\n\n2pm Instrument exhibit video with Andrew Lawrence-King: Regal Organ\n2:30pm Instrument exhibit video with Andrew Lawrence-King: Medieval Bells\n\n3pm Hidden Soundscapes Documentary: Alive Again\nThe Repair and Restoration of a Harpsichord in Limerick\nFeaturing interviews and performances by:\nRestorers Aiden Scanlon and Michael Laffan\nLimerick School of Music faculty Maria O’Brien, Cecilia Madden, and Peter Barley\nLEMF co-director and harpsichordist Yonit Kosovske\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Limerick Early Music Festival (Day 2)\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Limerick Early Music Festival Day 2: The 2021 inaugural Limerick Early Music Festival features two days of online events by early music artists from Ireland and around the world: music, dance and interdisciplinary performances, lectures, instrument exhibit and demonstrations, music and art documentaries—including WAVE~LINKS, an exploration of music and artisanry.\n <\/div>\n\n
\n Musiciens<\/span>\n LIMERICK EARLY MUSIC FESTIVAL DAY 2:\nAll events are free except the final concert at 19h00 which is ticketed.\nSUNDAY 21 MARCH\n12pm Instrument exhibit video with Benjamin Bagby, Medieval 6-string Harp\n\n12:30pm Instrument exhibit video with Andrew Lawrence-King, Conductors & Conducting\n\n1pm Performance video: Maria dolce by Francesca Caccini, with Aisling Kenny, soprano & Yonit Kosovske, harpsichord\n\n2pm Educational historical dance workshop and performance video with Mary Collins & Steve Player\n\n3pm WAVE~LINKS video: Lines and Bridges with Nina Falk, baroque violinist & glass artist\n\n3:30pm Shades, Shapes, and Shadows: J.S. Bach’s “Allemande” in Monochrome\nFlutist and photographer Teddie Hwang will premiere a new slideshow featuring monochromatic photography and the “Allemande” from J.S. Bach’s Partita in A Minor for solo flute, played on the baroque transverse flute (flauto traverso). Following the premiere she will share her thoughts about music and photography, as well as her process in putting the work together.\n\n6:15pm Pre-concert Lecture Antonio Cascelli, NUI Maynooth\n“I baci, The Kisses: Music & Text in Sacred and Secular Music of 17th Century Italy”\n\n7pm Mainstage concert (Ticketed)\nI baci: The Kisses\nSacred and Secular Music in 17th century Italy\nWorks by: Strozzi, Monteverdi, Merula, Frescobaldi, and Corbetta\n\n(Tickets available at Eventbrite: https://www.eventbrite.ie/e/2021-limerick-early-music-festival-concert-i-baci-the-kisses-tickets-144002069065)\n\nVocalists:\nRhiannon Giddens, Laura Howes, Cecilia Madden, Mícheál P Ó Súilleabháin, Vlad Smishkewych, Eve Stafford, and Zoë Stedje\nInstrumentalists: Peter Barley, Yonit Kosovske, and Eamon Sweeney\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Jesus bleibet meine Freude ; cantate BWV 147\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A l\'initiative du Conservatoire à Rayonnement Départemental de Pau, 15 villes européennes s\'associent pour jouer la cantate BWV 147 de J.S Bach \" Jesus bleibet meine Freude \". Chaque participant est libre de choisir et d\'interpréter sa version (instruments, composition de l\'orchestre et du chœur). Les vidéos sont réalisées dans les lieux emblématiques des villes concernées et compilées dans un montage diffusé sur le site www.pau.fr le 21 mars 2021 à 12h.\n <\/div>\n\n
\n Musiciens<\/span>\n Avec les musiciens des Villes de Pau, Stuttgart, Leeds, Karlsruhe, Gdansk, Rotterdam, Dortmund, Leipzig, Birmingham, Istanbul, Düsseldorf, Varsovie, Saragosse, Debrecen, Bratislava\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Britain’s Orpheus\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n The English Concert’s Britain’s Orpheus six part concert series celebrate the music of two giants of British musical culture, Purcell and Handel. Originally broadcast in October, we make them available free of charge for 48 hours for everyone to enjoy the richness of this music and celebrate REMA’s Early Music Day!\n\nHandel - The Philanthropist\nPurcell - O Solitude\nPurcell - Odes for a Queen\nHandel - The Italian\nHandel & Purcell - Music, Home & Heritage\nHandel & Milton\n\n\n <\/div>\n\n
\n Musiciens<\/span>\n The English Concert\nHarry Bicket, Kristian Bezuidenhout and Trevor Pinnock – Directors\nSophie Bevan, Soraya Mafi, Rowan Pierce, Carolyn Sampson – Sopranos\nDame Sarah Connolly, Hugh Cutting, James Laing – Alto\nJames Way, Anthony Gregory, Hugo Hymas, Mark Padmore – Tenors\nAshley Riches – Bass\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Like the writing of J.S. Bach inspired subsequent generations of composers and musicians.\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert/Lesson: Conversation on J. S. Bach\'s keyboard music and how it inspired subsequent generations of composers and musicians (some examples)\n <\/div>\n\n
\n Musiciens<\/span>\n Tania Birardi ,\nConcertist and Teacher.\nOne of the heirs of Listzian technique expert in the practice of historically informed performance of keyboard instruments, whose repertoire encompasses musical writing from the earliest days to our days. Coloratura Soprano. Maestro al Cembalo.\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 09:30 UTC (20/03/2021 10:30 CET)\n <\/small>\n <\/p>\n\n
\n Journées 2021 de Clavecin en France : Le Clavicorde au centre des claviers\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Le Clavicorde au centre des claviers\nLes 20 et 21 mars, Conférences et Tables rondes par visioconférences - Concerts virtuels\nMagnifiques Journées de captation vidéos, interviews et moments musicaux autour du clavicorde.\n <\/div>\n\n
\n Musiciens<\/span>\n Benjamin Alard, Étienne Baillot, Ilze Bertrand, Aurélien Delage, Menno Van Delft, Alissa Duryee, Dominique Ferran, Renée Geoffrion, Martin Gester, Pierre Goy, Marcia Hadjimarkos, Jean-Luc Ho, Charlotte Marck, Jesús Noguera Guillén, Benjamin Righetti, Jermaine Sprosse, Benjamin-Joseph Steens, Peter Sykes, Olivier Wyrwas, Ilton Wjuniski, et des étudiants de différentes classes de clavicorde.\n\nConférenciers et Intervenants : Stéphane Treilhou, Pierre Verbeek, Émile Jobin et Tiziano Kraemer, Joris Potvlieghe, Renée Geoffrion, Alissa Duryee, Charlotte Marck, Jean-Claude Battault, Eugène Michelangeli, Jermaine Sprosse.\n\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:30 UTC (21/03/2021 19:30 CET)\n <\/small>\n <\/p>\n\n
\n "Contacts that heal" \n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Video premier on youtube of a live concert performed by Patricia Garcia Gil on her Broadwood 1834, recorded last September by Radio Catalunya within the festival Espurnes Barroques \"Contacts that heal\" edition. Edited by Fabio Morelli with extra contents from the other activities developed during the festival with the fortepiano (interviews, workshops and masterclasses) \n <\/div>\n\n
\n Musiciens<\/span>\n Patricia Garcia Gil, fortepiano\nJosep Barcons, artistic director of Espurnes Barroques Festival\nFabio Morelli, video creator\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Early music Day - Giornata Europea di musica antica\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concerto di Musica Medievale\n <\/div>\n\n
\n Musiciens<\/span>\n Medievales Aetnei\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:30 UTC (21/03/2021 13:30 CET)\n <\/small>\n <\/p>\n\n
\n IN NATIVITATE DOMINI Musica per il Santo Natale nella Napoli del ‘700 \n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n IN NATIVITATE DOMINI\nMusica per il Santo Natale nella Napoli del ‘700\n\nProgramma dedicato alla musica per il tempo di Natale tra sacro e profano. Manna, Giordano e Sabatino descrivono mirabilmente l\'atmosfera del Natale sacro mentre le anonime pastorali profane ci rimandano al popolo ed alla sua voglia di festeggiare l\'arrivo del Bambino, accolto dal dolce adagio dal concerto di De Filippis. Il concerto chiudeva la sezione On Air di Convivio Armonico 2020.\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble “LE MUSICHE DA CAMERA”\ncon strumenti d\'epoca\n\nFrancesco DIVITO soprano\nRosa MONTANO mezzosoprano\nRenata CATALDI flauto traversiere\nEgidio MASTROMINICO violino barocco di concerto\nGiuseppe GRIECO violino barocco\nLeonardo MASSA violoncello barocco\nDebora CAPITANIO clavicembalo\n\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Happy Birthday Bach - Geburtstagskonzert für J.S. Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n J.S. Bach\'s birthday is on March 21! The Gaechinger Cantorey and Hans-Christoph Rademann celebrate with him: with a performance of Bach\'s Mass in B minor in the joint livestream of the International Bach Academy Stuttgart and the Bach Archive Leipzig on March 21 at 3 pm (CET).\nWith a talk on Bach\'s Mass in B minor by Hans-Christoph Rademann and Michael Maul, intendant of the Leipzig Bachfest, during the concert break.\n\nJ.S. BACH\nMass in B minor\n <\/div>\n\n
\n Musiciens<\/span>\n Catalina Bertucci |soprano\nMarie Henriette Reinhold | alto\nPatrick Grahl | tenor\nTobias Berndt | bass\nGaechinger Cantorey\nHans-Christoph Rademann | conductor | talk\nMichael Maul | talk\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Opera LE FATE by Giovanni Antonio Ristori\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Giovanni Antonio Ristori, Le Fate (opera 1736)\nThe opera was composed in 1736 in Dresden for the coronation of August of Saxony to King of Poland and is based on the plot of Ruggiero and Alcina from the “Orlando Furioso” by Ariosto. Unknown until\nAlraune performed and staged it in the historical Ekhof Theatre of Gotha in Germany.\nAlraune managed the complete production: musicological work, musical direction and staging.\n\n <\/div>\n\n
\n Musiciens<\/span>\n ALCINA, Federica Carnevale\nRUGGIERO, Nicholas Spanos\nBRADAMANTE, Arianna Donadelli\nMELISSA, Carla Nahadi Babelegoto\nASTOLFO, Matteo Desole\nDORO, Giacomo Schiavo\nDancers, Francesca Caselli, Jessica Rapelli, Monica Zanotti\nStaging and coreography, Anne Juds\nMusical direction, Mario Sollazzo & Stefano Zanobini\nEnsemble Alraune\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n El Estilo Italiano - Cartagena International Music Festival 2013\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n El Estilo Italiano - editing of the best parts of the two concerts of the Ensemble Dramsam at the Cartagena International Music Festival 2013, broadcast by Colombian National TV\n <\/div>\n\n
\n Musiciens<\/span>\n Giuseppe Paolo Cecere (voice,fiddle, hurdy-gurdy), Alessandra Cossi (voice), Fabio Accurso (lute), Gianpaolo Capuzzo (flutes), Massimiliano Dragoni (percussions,salterio), Daniele Bernardini (ciaramelli, bagpipe), Mauro Morini (trombone)\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Gin Craze\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n 18th century British violin music\n <\/div>\n\n
\n Musiciens<\/span>\n Augustin Lusson: Violin Daria Zemele: Harpsichord Matthieu Lusson: Viola da gamba\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n https://leparlementdemusique.com\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Charpentier : Te Deum with dance, choreographed by Pierre-François Dollé\n <\/div>\n\n
\n Musiciens<\/span>\n Le Parlement de Musique, Martin Gester conduction - Pierre-François Dollé & Gudrun Skamletz\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Utrecht Early Music Festival concert streams\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n In celebration of Early Music Day, the Utrecht Early Music Festival presents a day of online concerts. Four unique concerts from the festival\'s video archive will be streamed on Facebook and YouTube at 11.00, 15.00, 17.00 and 20.00 (CET). Two concerts were selected by the festival team and two are selected based on audience votes.\n11.00: TBD\n15.00: Marie Lys & Abchordis Ensemble - Gennaro Manna: Arias in Word Premiere\n17.00: TBD\n20.00: Vox Luminis - Josquin\'s Missa L\'homme armé sexti toni\n <\/div>\n\n
\n Musiciens<\/span>\n Marie Lys & Abchordis Ensemble, Vox Luminis, TBD\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n From Lisbon to Leipzig - Concert\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Concert and presentation af the new early music project. ENTROLHARES Association is proud to present for the first time his Early Music Ensemble, which aims to contribute to the HIP movement with regular concerts, masterclasses, editions, exhibitions and artistic residances.\nThe ensemble is formed by specialized players and musicologists settled in Portugal, contributing for the valorization of the national musical and architectural heritage. Music by\nNogueira, Bruna, Marais and Bach.\n\n\n\n <\/div>\n\n
\n Musiciens<\/span>\n Nuno Mendes - Violin and Viola\nCatarina Passos - Traverso\nAndré Ferreira - Organ\nDuncan Fox - Violone\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 22/03/2021 11:00 UTC (22/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n HIP Talk\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Public talk between a music player, a musicologist and an instrument maker - specialized in historical instruments. The talk will be focused in the need for cross-cutting work themes between the different actors, increasing HIP criteria.\n <\/div>\n\n
\n Musiciens<\/span>\n Nuno Mendes, Moderation of the talk\n\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:15 UTC (21/03/2021 19:15 CET)\n <\/small>\n <\/p>\n\n
\n Il Clavicembalo: Musica tra il XVI e XVII secolo\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Musica per Clavicembalo tra XVI e XVII secolo\n <\/div>\n\n
\n Musiciens<\/span>\n Salvatore Coniglio, clavicembalo/Harpsichord\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n From Bach-time to Ragtime\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Concert, Harpsichord as an instrument of early music in the musical evolution from the times of Bach to the ragtime of Joplin.\n\nThe program includes compositions by J.S. Bach, D. Scarlatti, W.A. Mozart, J. de la Guerre, J. Elsner and S. Joplin.\n <\/div>\n\n
\n Musiciens<\/span>\n Magdalena Bąk, Jerzy Michał Wardęski, Paulina Horajska\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert “Around the artists of the royal court of the 17th century”\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Retransmission of the concert “Around the artists of the royal court of the 17th century”, which took place in the White Hall in the Wilanów palace – on the musuem’s fanpage on Facebook: https://www.facebook.com/wilanow/.\nProgramme: Kaspar Förster junior, Giovanni Battista Fontana, Aldebrando Subissati, Arcangelo Corelli, Marco Uccellini, Heinrich Ignaz Franz von Biber, Giovanni Pierluigi da Palestrina, Adam Jarzębski, Andrzej Rohaczewski, Henry Purcell, Dietrich Buxtehude\n <\/div>\n\n
\n Musiciens<\/span>\n Il Tempo: Agata Sapieha – violin, artistic direction; Judyta Tupczynska – violin; Marcin Zalewski – viola da gamba; Marco Vitale – harpsichord\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 18:00 UTC (20/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n “The evolution of the quartet from baroque to romanticism”\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n The concert “The evolution of the quartet from baroque to romanticism”, which took place in the White Hall in the Wilanów palace – rerun on the musuem’s fanpage on Facebook: https://www.facebook.com/wilanow/\nProgramme: Johann Sebastian Bach, Alessandro Scarlatti, Joseph Haydn, Karol Kurpiński\n <\/div>\n\n
\n Musiciens<\/span>\n Quartetto Nero: Agata Habera – violin, Paulina Woś – violin, Anna Wieczorek – viola, Katarzyna Cichoń – cello\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 20:15 UTC (21/03/2021 21:15 CET)\n <\/small>\n <\/p>\n\n
\n New Collegium around the globe\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Video premiere: a 35-minute selection of live recordings from concerts in Austria, Turkey, Brazil and The Netherlands.\nMusic by Dall\'Abaco, Bach, Muffat, De Koninck and Rebel.\n <\/div>\n\n
\n Musiciens<\/span>\n New Collegium, directed by Claudio Ribeiro\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Hybride\n <\/span>\n\n
\n \n Le 21/03/2021 12:45 UTC (21/03/2021 13:45 CET)\n <\/small>\n <\/p>\n\n
\n L'oboe nel secolo dei lumi\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Masterclass sur l\'autobus baroque\n <\/div>\n\n
\n Musiciens<\/span>\n For all people\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n HAYDN-SEEK \n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Haydn-Seek by The WIG Society\nJ. HAYDN Flute Quartet in G Major op. 5 n. 2\n <\/div>\n\n
\n Musiciens<\/span>\n Matteo Gemolo, traverso\nConor Gricmanis, violin\nBlanca Prieto, viola\nPhyllis Bartholomeus, cello\nElias Bartholomeus, double bass\nLisa Kokwenda Schweiger, harpsichord \n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Johann Sebastian Bach "Jesus bleibet meine Freude", BWV 147\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Johann Sebastian Bach \"Jesus bleibet meine Freude\", BWV 147 (Video Premiere)\n <\/div>\n\n
\n Musiciens<\/span>\n Stuttgart Boys\`Choir \"collegium iuvenum\", Antal Váradi, Organ, Benjamin Hartmann, Conductor\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 13:00 UTC (21/03/2021 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Fretwork give the world premiere of The Tudor Pull at LIFEM 2020\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n To celebrate Early Music Day 2021, LIFEM is sharing with you a special moment from its 2020 festival. On 5 November, in one of the more eye- and ear-catching new music stories of 2020, viol consort Fretwork gave the world premiere of new commission \'The Tudor Pull’, written for the ensemble by prolific composer, producer and Led Zeppelin’s legendary multi-instrumentalist John Paul Jones.\n <\/div>\n\n
\n Musiciens<\/span>\n \"Fretwork, viol consort\nJohn Paul Jones, composer\nLondon International Festival of Early Music\"\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 30/03/2021 18:30 UTC (30/03/2021 20:30 CEST)\n <\/small>\n <\/p>\n\n
\n Handel's Green Room - Session 2, 'Speaking in Tones'\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Speaking in Tones\' - Session 2 of our Handel\'s Green Room series: in preparation for \"Tamerlano\". A musically illustrated discussion between music and stage directors about the vital role of recitatives in the drama, and how, besides containing the events of the plot, they often provide the emotional launch pad for an aria.\n <\/div>\n\n
\n Musiciens<\/span>\n Dr. Ruth Smith chairs the conversation, with music director Julian Perkins and stage director Dyonisios Kyropoulos.\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 21:00 UTC (21/03/2021 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Corelli for the Early Music Day\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Arcangelo Corelli (1653-1713): Sonata op. II n. 1 (Preludio. Largo - Allemanda. Largo - Corrente. Allegro - Gavotta. Allegro). Sonata op. II n. 12 (Ciaccona)\n <\/div>\n\n
\n Musiciens<\/span>\n Ensemble strumentale dell\'Accademia del Santo Spirito: Alessandro Conrado violino, Paola Nervi violino, Massimo Barrera violoncello, Andrea Banaudi clavicembalo\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Enregistrement du concert de l'ensemble musique ancienne et cordes "J.S. Bach", direction Marie Rouquié et Sébastien Wonner\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Enregistrement du concert de l\'ensemble musique ancienne et cordes \"J.S. Bach\", direction Marie Rouquié et Sébastien Wonner\n <\/div>\n\n
\n Musiciens<\/span>\n étudiant·e·s du pôle Aliénor\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:30 UTC (21/03/2021 19:30 CET)\n <\/small>\n <\/p>\n\n
\n "BARCA DI VENETIA PER PADOVA" DRAMATODÍA\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \"\"\"Barca di Venetia per Padova\"\" (Venice, 1605) by Adriano Banchieri\n\nBanchieri\'s madrigal comedy stands out for its rich and complex narrative frame. His music gives voice to the most extraordinary group of characters on an imaginary river cruise from Venice to Padua, two principal centres of the Venetian Republic. The typical Burchiello carries every kind of passengers: merchants, courtesans, students, Jews, foreigners. Such a variety of personas offers the funniest vivid musical representation!\"\n <\/div>\n\n
\n Musiciens<\/span>\n Dramatodía\nSonia Tedla, Maria Dalia Albertini, sopranos\nArianna Rinaldi, mezzosoprano\nAlberto Allegrezza, Matteo Mezzaro, tenors\nGuglielmo Buonsanti, bass\nGiovanni Bellini, theorbo\n\nAlberto Allegrezza, conductor, director and costumes\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 20/03/2021 19:00 UTC (20/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Baroque Soirées/ L’Arte del Violino\n <\/h3>\n\n \n \n <\/span>\n\n \n Czechia<\/strong>\n <\/span>\n\n \n Concert L’Arte del Violino:\nPietro Locatelli (1695–1764)\nSonata in G major Op. 5, No. 1\nFrancesco Antonio Bonporti (1672–1749)\nInvenzione in G minor Op. 10, No. 4\nFrancesco Maria Veracini (1690–1768)\nSonata in D minor, No. 3\nGiuseppe Tartini (1692–1770)\nSonata in G minor „Didone abbandonata“ Op. 1, No. 10\nAntonio Vivaldi (1678–1741)\nSonata in D major, RV 84 \n <\/div>\n\n
\n Musiciens<\/span>\n COLLEGIUM MARIANUM\nLenka Torgersen – Baroque violin\nJana Semerádová – flauto traverso\nHana Fleková – Baroque cello\nMarek Čermák – harpsichord\nJan Krejča – theorbo \n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)\n <\/small>\n <\/p>\n\n
\n BACH MARATHON DAY 2021\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Bach Marathon Day is a event that from 6 years our organization promotes in Puglia from Bari, but in this pandemic year, we promotes only online. There are some videos contribute of various musicians of our land that play and sing music of the great Bach.\n <\/div>\n\n
\n Musiciens<\/span>\n Carlo Barile, Francesco D\'Orazio, Giorgio Tabacco, Antonella Chiarappa, Claudio Mastrangelo, Sabino Manzo, Gaetano Amodio, etc etc\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 13:00 UTC (21/03/2021 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Opéras pour la Paix\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Extraits d\'opéras de Jean-Philippe Rameau\n <\/div>\n\n
\n Musiciens<\/span>\n \"Isabelle Poulenard (soprano), Jean-François Lombard (haute-contre), Jacques-Antoine Bresch (traverso), Juliette Roumailhac, Jonathan Nubel (violons), Nicolas Crnjanski (violoncelle), Nicolas Pouyanne (basson), Franck Ratajczyk (contrebasse), Jérôme Corras (direction et clavecin)\n\"\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n #nah/ D I S T A N Z\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n In summer 2020, when the music festival had already been postponed, all the historic palaces and gardens of Sanssouci were lying dormant. So why not make the most of the situation and invite musicians to perform concerts for a later stream? Enjoy Artistic Director and Flautist Dorothee Oberlinger and Violinist Mayumi Hirasaki in a short documentary talk, filmed by Director Fosco Dubini. And listen to Bach’s „Kunst der Fuge“, performed in the enchanted New Palace Sanssouci where Bach once received the Royal Theme from Frederick The Great.In summer 2020, when the music festival had already been postponed, all the historic palaces and gardens of Sanssouci were lying dormant. So why not make the most of the situation and invite musicians to perform concerts for a later stream? Enjoy Artistic Director and Flautist Dorothee Oberlinger and Violinist Mayumi Hirasaki in a short documentary talk, filmed by Director Fosco Dubini. And listen to Bach’s „Kunst der Fuge“, performed in the enchanted New Palace Sanssouci where Bach once received the Royal Theme from Frederick The Great.\n <\/div>\n\n
\n Musiciens<\/span>\n Dorothee Oberlinger, artistic director and flute\nMayumi Hirasaki, violin\nFosco Dubini, director\nMichael Schmidt-Casdorff, flute\nKristin von der Goltz, violoncello\nChristine Schornsheim, pianoforte\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 10:00 UTC (21/03/2021 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Pan in love with Echo\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n When in summer 2020 the virus had taken over and all music became silent, Dorothee Oberlinger, Artistic Director of Musikfestspiele Potsdam Sanssouci and Flautist, together with Swiss director Fosco Dubini created a unique and astonishing film project. Sneak a peek into the surreal, poetic and abandoned palaces and gardens of Sanssouci where the story of “Pan in love with Echo” unfolds: myths and drama intertwined with early music by some of the finest performers.\n <\/div>\n\n
\n Musiciens<\/span>\n Dorothee Oberlinger, artistic director and flute\nFosco Dubini, director\nMichael Schmidt-Casdorff, flute\nLilli Fichtner, actress\nNadine Nollau, actress,\nRené Schwittay, actor\nPaul Sies, actor\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En présentiel\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach Trio Sonatas\n <\/h3>\n\n \n \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n The young musicians of the Concerto Spiralis early music ensemble are performing a selection of trio sonatas by Johann Sebastian Bach at the Csíki Movie Theatre.\n\nProgramme:\nJohan Sebastian Bach:\nContrapuctus I (The Art of Fugue)\nTrio sonata in D minor BWV 527\nAdagio and Vivace BWV 528\nTrio Sonata in C Major BWV 529\nContrapuctus IX\n <\/div>\n\n
\n Musiciens<\/span>\n Concerto Spiralis early music ensemble\nKoppány Hunyadi, Előd Gábor – baroque violin\nDávid Csibi – baroque viola\nZsombor Lázár– baroque cello\nPaul Cristian – harpsichord\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 28/03/2021 18:00 UTC (28/03/2021 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Bach Trio Sonatas Performed by Concerto Spiralis\n <\/h3>\n\n \n \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n We are publishing on 28 March the video of the concert performed on the 21 March.\nThe Concerto Spiralis early music ensemble will perform a selection of trio sonatas by Johann Sebastian Bach.\n\nProgramme:\nJohan Sebastian Bach:\nContrapuctus I (The Art of Fugue)\nTrio sonata in D minor BWV 527\nAdagio and Vivace BWV 528\nTrio Sonata in C Major BWV 529\nContrapuctus IX\n <\/div>\n\n
\n Musiciens<\/span>\n \"Concerto Spiralis early music ensemble\nKoppány Hunyadi, Előd Gábor – baroque violin\nDávid Csibi – baroque viola\nZsombor Lázár– baroque cello\nPaul Cristian – harpsichord\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n *Il Saltarello all'italiana di Galileo Galilei"\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Saltarello all\'italiana / Galilei\n\nPerformance of a solo piece, Italian-style saltarello attributed to Galileo Galilei on an 8-course lute.\n <\/div>\n\n
\n Musiciens<\/span>\n Manuel Virtù\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n LEDIRETTEDELLESETTE presents the "EARLY MUSIC DAY"\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \"LEDIRETTEDELLESETTE\" - Talk show with VALENTINO GENTILEZZA\n <\/div>\n\n
\n Musiciens<\/span>\n Guests: MATTEO CICCHITTI (musician), MAURIZIO PACIARIELLO (musician) and PIERPAOLO FERULLI (music records shop).\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 08:00 UTC (21/03/2021 09:00 CET)\n <\/small>\n <\/p>\n\n
\n Musical Offering: Transcending Time\n <\/h3>\n\n \n \n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n Bach’s Musical Offering was initiated in 1747 when Frederik the Great challenged Bach to improvise a three-part fugue on a musical theme chosen by Frederik himself. The Musical Offering was his answer: a brilliant collection of canons and fugues and a trio sonata that is without parallel, all dedicated to exploring and exhausting the contrapuntal possibilities of the same musical theme. Composed in 2002, Vancouver composer Jocelyn Morlock’s “Revenant” is based on reversing the same royal theme.\n <\/div>\n\n
\n Musiciens<\/span>\n Pacific Baroque Orchestra\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Ba(c)h! – seriously silly stuff\n <\/h3>\n\n \n \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n \"From searching for secret codes in continuo numberings and staring at smudgy slurs to even developing a special kind of bow, no stone has been left unturned while generations of musicians have been searching the One True Way to interpret Bach so us mere mortals could maybe finally understand the thoughts of this musical giant and understand just how, exactly, did he want his music to be played.\n\nWhich is all well and good. But how about we just have a bit of fun and enjoy the beautiful music?\"\n <\/div>\n\n
\n Musiciens<\/span>\n \"Anna-Sofia Anttonen, soprano saxophone\nIlkka Heinonen, double bass & bowed lyre\nMatias Häkkinen, electric harpsichord & melodica\nAnna Pulakka, glockenspiel\"\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n FELICITACIONES DÍA EUROPEO DE LA MÚSICA ANTIGUA \n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Video for the European Day of Early Music.\n <\/div>\n\n
\n Musiciens<\/span>\n Partner Groups of GEMA \n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 09:00 UTC (21/03/2021 10:00 CET)\n <\/small>\n <\/p>\n\n
\n Il Concentus Musicus Patavinus per l'Early Music Day \n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Concentus Musicus Patavinus of the University of Padua celebrates the Early Music Day 2021 with a podcast containing two live performances that frame a mini-lesson on Johann Sebastian Bach by the musicologist Federico Gon. \n <\/div>\n\n
\n Musiciens<\/span>\n \"Concentus Musicus Patavinus of the University of Padua: Coro da camera M° Ignacio Vazzoler; Gruppo jazz M° Michele Polga;\nMusicologist Federico Gon \"\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Musica Sacra Ukraina\n <\/h3>\n\n \n \n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n Partesny concertos, XVII cent, online concert.\nPartes singing is a unique feature of the Ukrainian music history. The confluence of the West European trends and the local tradition produced a striking synthesis in the partes music, making it possible to speak about the phenomenon of the Ukrainian musical baroque. The integral picture of the Ukrainian baroque culture is impossible without partes singing.\n <\/div>\n\n
\n Musiciens<\/span>\n Iryna Synovets, Soprano\nNataliya Khmilevska, Soprano\nAnna Pavlushenko, Soprano\nTetiana Yashvili, Alto\nRoman Melish, Alto\nAnna Hadetska, Alto\nSerhiy Bida, Tenor\nTaras Kushnir, Tenor\nVasyl Huliak, Tenor\nOleh Pylyp, Tenor\nYevhen Petronelli, Baritone\nYevhen Maliarevskyi, Bass\nVadym Danshyn, Bass\nOleksandr Dmytriyev, bass\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Restoration station: the 1825 Haschka plays again!\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Our beautifully restored 1825 Viennese Haschka Piano, played for the first time by the Hammertime Duo. Olga Matieva and Nikolai Martynov take us back to the battlefields of the great sieges with the dramatic Janissary bells (2 out of the 7 pedals!) in the Grand Duo Op.32, First Movement by Jan Dussek. Out thanks to Gijs Wilderom, Amsterdam, for this magnificent restoration.\n <\/div>\n\n
\n Musiciens<\/span>\n Hammertime Duo- Olga Matieva and Nikolai Martynov \n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:00 UTC (21/03/2021 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Juste pour le fun\n <\/h3>\n\n \n \n <\/span>\n\n \n Martinique<\/strong>\n <\/span>\n\n \n
Au cours d\'un micro-concert en ligne, la musique ancienne dialogue avec le sport (escalade). Autour de musiques de Couperin, Bach, Hervelois et Sancho, les différents intervenants se retrouvent, dans un lieu qui invite au dépassement. Leur échange prend corps, avec fraîcheur, tandis qu\'au fur et à mesure de la performance une quête esthétique se dessine.<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Jean-Damien Poullet (violin), Lara Slabiak (cello), Eric Martinel (harpsichord and musical coordination), Alexis Ostrovick (escalator),<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 19/03/2021 19:30 UTC (19/03/2021 20:30 CET)\n <\/small>\n <\/p>\n\n
\n For as Many as Will\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n
In this video, we\'ll take a tour of English country dances from the first edition of The English Dancing Master in 1651 to the present day alone with ballads, violin divisions, pipe solos, and more.<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Seven Times Salt: Karen Burciaga, violin, harp Dan Meyers, recorder, flute, uilleann pipes, percussion Josh Schreiber Shalem, bass viol, voice Matthew Wright, lute, cittern, bandora<\/div>\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 16:15 UTC (21/03/2021 17:15 CET)\n <\/small>\n <\/p>\n\n
\n Heinrich Biber's Sorrowful Mysteries\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
À l\'occasion de la Journée européenne de la musique ancienne 2021, l\'East Cork Early Music Festival et Nano Nagle Place poursuivent leur voyage à travers certaines des œuvres les plus emblématiques et les plus émouvantes du répertoire du XVIIe siècle - les Sonates mystérieuses de Heinrich Biber. L\'écriture de Biber, avec le violon dans un éventail de différents accords de scordatura, est une description évocatrice et viscérale d\'une histoire intensément humaine.<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Caitríona O\'Mahony, violon baroque James Taylor, orgue<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Musica Antiqua Takamatsu Live-streaming concert\n <\/h3>\n\n \n \n <\/span>\n\n \n Japan<\/strong>\n <\/span>\n\n
\n
diffusion en direct d\'un concert enregistré et monté en janvier 2021 G.F. Haendel : The Harmonious Blacksmith J.S. Bach : Sonate pour flûte en si mineur BWV 1030<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Bart Naessens (clavecin) Toshiyuki Shibata (flûte traversière)<\/div>\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen \n <\/h3>\n\n \n \n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n
\n
Concerts 15.00, 16.00, 17.00, 19.00, 20.00<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
\"Musica Ficta & Bo Holten Gilbert Martinez, Lene Langballe, Agnethe Christensen, Jesenka Balic Zunic a.o.\"<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 14:00 UTC (21/03/2021 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerts de trois ensembles Suisse\n <\/h3>\n\n \n \n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n
\n
Gli Angeli chantera des motets d\'Israels Brünnlein de Johann Hermann Schein, La Cetra jouera des concertos instrumentaux virtuoses vénitiens sous la direction d\'Andrea Marcon et Voces Suaves entonnera le printemps avec des madrigaux de Claudio Monteverdi et Giaches de Wert. <\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Voces Suaves, La Cetra Barockorchester, Gli Angeli Genève<\/div>\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 19:00 UTC (21/03/2021 20:00 CET)\n <\/small>\n <\/p>\n\n
\n If on a winter's night a traveller..\n <\/h3>\n\n \n \n <\/span>\n\n \n <\/strong>\n <\/span>\n\n
\n
SI PAR UNE NUIT D\'HIVER UN VOYAGEUR Mozart - Quintette en do mineur K407 Wranitzky - Quintette en fa op.11 n.1 Haydn - \'Amore che nel mio petto\' aria de Volpino de lo Speziale J.C.Bach - Quintette en ré majeur op.22 n.1 Boccherini - Notturno en sol G470 Lebrun - concerto pour hautbois n.4 en si bémol. Danzi - sonate pour clavecin et violon Mozart - \'zeffiretti lusinghieri\' de \'Idomeneo\' Mozart - \'ah guarda sorella\' duo de \'Cosi\' fan tutte\' histoires musicales à la manière du célèbre roman d\'Italo Calvino<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
ISTANTE COLLECTIVE Hillary Cronin - soprano Emily Gray - mezzo Eva Caballero - traverso Nicola Babragli - hautbois Dave Horvich - cor Hayley Pullen - basson Ellen Bundy - violon Christiane Eidsten Dahl - violon Emma Alter - alto Joanne Miller - alto Alex Rolton - violoncelle John-Henry Baker - contrebasse<\/div>\n <\/div>\n\n
\n\n
Site web<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 12:00 UTC (21/03/2021 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Francesco da Milano "Il Divino Challenge 2021" by Ryosuke Sakamoto\n <\/h3>\n\n \n \n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n
Le concert live en ligne (enregistré à l\'avance) lié au récent projet YouTube de Ryosuke Sakamoto \"Il Divino Challenge 2021\". Dans le cadre de ce projet en cours, il joue tous les recercares et fantasias de Francesco da Milano, le plus célèbre joueur et compositeur de luth de la Renaissance, et publie des vidéoclips chaque mardi et vendredi sur sa chaîne YouTube. Pour la journée de la musique ancienne, il présente ce projet et joue quelques pièces de Francesco sous forme de concert.<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Ryosuke Sakamoto, luth renaissance<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n En ligne\n <\/span>\n\n
\n \n Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Arias from the Gallery Early Music Day 2021\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Récital pour soprano solo et orgue dans la belle église de l\'Immaculée Conception, Blarney, Co. Cork. Le répertoire comprend des arias baroques bien connues pour soprano et des chants anciens et des airs irlandais moins connus. Représentation avec l\'aimable autorisation du Père Michael Fitzgerald PP.<\/div>\n <\/div>\n\n
\n Musiciens<\/span>\n
Gemma Magner, soprano et Jo Ann O\'Connor, orgue.<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });

Nicola Antonio Porpora, Concerto for cello and strings in G Major En ligne
Italie
Nicola Antonio Porpora's Concerto for cello and strings in G Major is among the finest examples of that master's slender corpus of instrumental music, uniformly characterised by its high or extremely high quality.

Musiciens Ensemble Talenti Vulcanici Catherine Jones, violoncello Stefano Demicheli, direzione

Site web

Le 24/03/2021 19:30 UTC (24/03/2021 20:30 CET)

New Music for Old Instruments En ligne
Canada
New Music for Old Instruments returns in collaboration with Van Pro Musica as part of their Sonic Boom Festival. This special concert features new compositions written for the period instruments of the Pacific Baroque Orchestra. All composers are BC-based, highlighting the emerging talent of BC’s burgeoning composers.

Musiciens Pacific Baroque Orchestra, Alexander Weimann Music Director

Site web

Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)

Videolip premiere: "Te deum", Anónimo, Cancionero Musical de Gandía, from "El mecenatge de Germana de Foix, Virreina de València" proyect. En ligne
Espagne
Videolip premiere: "Te deum", Anónimo, Cancionero Musical de Gandía, from "El mecenatge de Germana de Foix, Virreina de València" proyect. Since its creation in 2012, Piacere dei Traversi has given concerts in different venues in Spain. Furthermore, Piacere dei Traversi was a finalist in the 2019 edition of the GEMA (Association of Spanish Early Music Ensembles) prizes, in the Best Renaissance ensemble and Best CD categories. This project pays homage to the historical figure of Germana de Foix

Musiciens Renaissance ensemble: Piacere dei Traversi Carmen Botella, soprano Silvia Rodríguez, Laura Palomar and Marisa Esparza: Renaissance flutes

Youtube

Le 21/03/2021 14:00 UTC (21/03/2021 15:00 CET)

La Rêveuse en concert dans Génération France Musique, le Live, enregistré le 07/11/20. Hybride
France
Vidéo de La Rêveuse en concert pour Génération France Musique, le Live, enregistré le 7 novembre 2020. L'ensemble La Rêveuse interprète Le Concerto pour flûte à bec en ré majeur op. 3 n° 2 de William Babell.

Musiciens Ensemble La Rêveuse, Direction artistique Florence Bolton et Benjamin Perrot Avec Stéphan Dudermel et Ajay Ranganathan , violon Sébastien Marq, flûte à bec Florence Bolton, viole de gambe Benjamin Perrot, théorbe Jean Miguel Aristizabal, clavecin

Youtube

Le 19/03/2021 19:30 UTC (19/03/2021 20:30 CET)

George and the Georgians En présentiel
Russie, Fédération de
George and the Georgians a concert celebrating the music of G.F. Handel and lesser known composers from Georgian London. The concert will take place in a tea club located in a late 18th Century mansion.

Musiciens Globus Music Baroque Ensemble: Anastasia Bondereva - Mezzo Soprano Emma-Marie Kabanova - Baroque Violin Katarina Melik-Ovsepiyan - Harpsichord

Instagram

Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)

Italian Baroque Masters En ligne
Malte
Paris based Maltese Soprano Claire Debono will be performing Italian arias by Vivaldi and Scarlatti along with the Goldberg Ensemble directed by Michael Laus. PROGRAMME Domenico SCARLATTI (1685 – 1757) Piangete, occhi dolente VIVALDI (1678 – 1741) Lungi dal vago volto VIVALDI Trio Sonata RV 63 La follia VIVALDI Vengo a voi luci adorate

Musiciens Goldberg Ensemble with Soprano Claire Debono directed by Maestro Michael Laus

Site web

Le 17/04/2021 19:30 UTC (17/04/2021 21:30 CEST)

Le grant retthorique: Music of Guillaume de Machaut En ligne
États-Unis
Concert. Le grant retthorique: The new forms & perfect amorous lays of Guillaume de Machaut Le lay de plour, Riches d’amour, Mors sui, Honte paour, Sans cuer dolens, Cinc un treze, Biaute parfaite etc.

Musiciens Blue Heron Kim Leeds, Owen McIntosh, Jason McStoots, Margot Rood, Aaron Sheehan, Sumner Thompson, voices Charles Weaver, lute Scott Metcalfe, fiddle & harp, artistic director

Site web

Le 19/03/2021 18:00 UTC (19/03/2021 19:00 CET)

Palestrina, Missa Petra Sancta En présentiel
Italie
The Cappella Musicale di Santa Maria dell'Anima plays the rare Missa “Petra Sancta” by Giovanni Pierluigi da Palestrina (1525 - 1594) and the motet "O sacrum convivium" by Flavio Colusso, current chapel master of the Church, during the Holy Mass of the Dedication of the New Altar, made in Pietrasanta di Lucca with the famous local marble. As part of the projects "La via dell'Anima" and "Sulle orme del Palestrina".

Musiciens Cappella Musicale di Santa Maria dell'Anima, Flavio Colusso conductor

Site web

Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)

Johann Sebastian Bach - French Ouverture BWV 831 Hanna Balcerzak- klawesyn/harpsichord En ligne
Pologne
Johann Sebastian Bach - French Ouverture BWV 831 Ouverture Courante Gavotte I/II Passepied I/II Sarabande Bourrée I/II Gigue Echo

Musiciens Hanna Balcerzak – klawesyn/ harpsichord

Youtube

Le 24/04/2021 18:00 UTC (24/04/2021 20:00 CEST)

Venise sous l'Etoile En présentiel
France
Musique italienne de la Renaissance en polyphonie. Extraits de madrigaux de Marenzio, Monteverdi, Vecchi ...

Musiciens Géraldine Jeannot, soprano / Maximin Marchand, contre-ténor / Benjamin Coutarel, ténor / Olivier Déjean, basse

Site web

Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)

Early Music Day Hybride
Croatie
Concert : Early Music Day Our concert programme will be dedicated to Johann Sebastian Bach, celebrating his birthday and the first day of spring! Amongst other pieces we will be performing 3rd and 6th Brandenburg concertos and cantata «Jauchzet Gott in allen Landen»

Musiciens Croatian Baroque Ensemble

Youtube

Le 21/03/2021 15:00 UTC (21/03/2021 16:00 CET)

The Gesualdo Six En ligne
Royaume-Uni
A special concert from award-winning vocal consort the Gesualdo Six. Courts in renaissance Italy were meeting places for some of the greatest musicians from across Europe. The Court at Ferrara became a leading centre: many of the Franco-Flemish school passed through its gates and perhaps the most notable of these is Josquin. This programme contextualises some of the ‘jewels in the crown’ of Italian Renaissance repertoire.

Musiciens The Gesualdo Six

Facebook

Le 20/03/2021 20:00 UTC (20/03/2021 21:00 CET)

OFFICIA En ligne
Italie
Concert: OFFICIUM HEBDOMADÆ SANCTÆ. Feria VI in Parasceve. Antonio Pansini (1703-1791), Responsori, Lamentazioni e Salmi per il Venerdì Santo.

Musiciens Cappella Musicale Corradiana

Youtube

Le 21/03/2021 20:00 UTC (21/03/2021 21:00 CET)

Von der bildenden Nachahmung des Schönen En ligne
Allemagne
Von der bildenden Nachahmung des Schönen J.S.Bach Französische Suiten BWV 812-814 Cembalo: Christian Vater ( Hannover , 1736) research reconstruction: the Greifenberg Institut of Organology Varvara Manukyan/ Cembalo Helmut Balk reads from: " Irdischen Vergnügen in Gott" Barthold Heinrich Brockes, 1722

Musiciens Varvara Manukyan- harpsichord Helmut Balk- recitation

Youtube

Le 21/03/2021 18:00 UTC (21/03/2021 19:00 CET)

L'Affaire Bach En ligne
France
Imaginé par Franck-Emmanuel Comte et scénarisé par le metteur en scène et sociologue Pierre-Alain Four, L’Affaire Bach est un « concert enquête » qui associera artistes et public à une quête captivante autour des œuvres prétendument attribuées à JS Bach. Via son Smartphone et depuis son salon, les spectateurs, transformés en « gamers » auront la possibilité d’interagir avec les musiciens sur scène en utilisant l’application Wooclap. Découvertes, surprises et réponses sont au programme !

Musiciens Axelle Verner, mezzo-soprano Reynier Guerrero et Sayaka Shinoda, violons Aurélie Métivier, alto Benoit Morel, violoncelle Nicolas Janot, contrebasse Franck-Emmanuel Comte, clavecin, orgue et direction Pierre-Alain Four, collaboration artistique Jacques Chambon, comédien

Site web

Le 21/03/2021 17:00 UTC (21/03/2021 18:00 CET)

Achante et Céphise, Jean-Philippe Rameau En ligne
France
Achante et Céphise, Jean-Philippe Rameau Livret : Jean-François Marmontel Pastorale héroïque en un prologue et trois actes créée le 19 novembre 1751, à l’Académie royale de musique, Paris. Elle n’a pas été jouée depuis lors en France, en raison de sa grande difficulté. Aux côtés du Centre de musique baroque de Versailles, Alexis Kossenko et ses Ambassadeurs relèvent le défi lors d'un enregistrement pour Warner Classics et d'une captation audiovisuelle.

Musiciens Alexis Kossenko, direction musicale Sabine Devieilhe, Céphise Cyrille Dubois, Achante David Witczak, Le Génie Oroès Judith Van Wanroij, Zirphile Jehanne Amzal, la Grande-Prêtresse Marine Lafdal-Franc, une Fée, une Bergère Anne-Sophie Petit, Délie, 2e Prêtresse Floriane Hassler, 3e Prêtresse Artavazd Sargsyan, un Coryphée, un Berger Arnaud Richard, un Coryphée, un Chasseur Avec la participation d’étudiants du CRR de Paris Les Ambassadeurs (Alexis Kossenko, direction artistique) Les Chantres du Centre de musique baroque de Versailles (Olivier Schneebeli, direction artistique)

Youtube

Le 21/03/2021 08:00 UTC (21/03/2021 09:00 CET)

Celebration of Early Music Day in Waterford En ligne
Irlande
In this short video concert we will presenting some young people performing early Irish traditional music on the harp and uileann pipes. This is a showcase of young Waterford musicians and early Irish traditional music brought together through a collaboration between Waterford Libraries and Music Generation Waterford.

Musiciens Jill Devlin, Kieran Joy and Tiger Lily Keoghan

Youtube

Le 21/03/2021 11:00 UTC (21/03/2021 12:00 CET)

Historic European organs and their music En ligne
Royaume-Uni
With no possibility of live events in the UK, I will be published a series of recordings of important European historic organs, either from formal recitals or informal playing sessions, with appropriate early organ music examples.

Musiciens Andrew Benson-Wilson (organ)

Site web

Le 11/04/2021 13:00 UTC (11/04/2021 15:00 CEST)

Cabaret Troubadour En présentiel
France
Concert de cabaret traditionnel sur la place

Musiciens Karma, Lindsy, chesster,

Le 27/03/2021 18:00 UTC (27/03/2021 19:00 CET)

Entre la terre et le ciel En ligne
Pérou
Concert du Pérou baroque. Danses, tonadas et cachuas du Codex Martínez de Compañón (1782-1785) et des Hymnes sacrés des Andes.

Musiciens Erwin Jesús Calcina Vilca Flûte. Jorge Gabriel Chávez Orozco Les vents des Andes. Mariapaz Corrales Carpio Percussion María Luisa Vizcarra Zárate Soprano Rafael Yoshua Toledo Dávila Contre-ténor

Facebook

«

‹

1

2

3

4

5

…

›

»

Édition 2021

Rechercher un évènement