Edition 2022

21/03/2022 20:30 UTC (21/03/2022 21:30 CET) \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n

\n HYMNUM (musique sacrée, du Moyen-Age à la modernité)\n <\/div>\n\n
\n Musicians<\/span>\n Barbara Kusa, soprano\nHélène Arntzen, saxophones\nNicolas Desprez, clavecin et orgue\n <\/div>\n\n
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https://centre72.fr/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2022 17:00 UTC (25/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Goldberg Variations\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Goldberg Variations - BWV 988\n <\/div>\n\n
\n Musicians<\/span>\n Alberto Busettini - Harpsichord\n <\/div>\n\n
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http://www.amicimusica.ud.it/it/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 20/03/2022 20:30 UTC (20/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Paths to Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Harpsichord recital: works by J.S.Bach, A.Vivaldi, A.Marcello, D.Buxtehude & J.A.Reincken\n <\/div>\n\n
\n Musicians<\/span>\n Nicholas Parle, Harpsichord\n <\/div>\n\n
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https://echilontani.org<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Beethoven Recital\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Beethoven Recital: Fortepiano & Baroque Cello\n <\/div>\n\n
\n Musicians<\/span>\n Stefania Neonato, Fortepiano\nGiordano Antonelli, Baroque Cello\n <\/div>\n\n
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http://www.amkj.it/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 25/03/2022 20:30 UTC (25/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Ten Dances\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Imaginez un instant le vertige que peut créer Yan Maresz en confrontant deux mondes : celui du violon moderne (la soliste) et celui des cordes anciennes (l’orchestre)… \n <\/div>\n\n
\n Musicians<\/span>\n Patrick Cohën-Akenine, violon & direction artistique\nHae-Sun Kang, violon & membre de l\'Ensemble Intercontemporain\nYan Maresz, Compositeur\n <\/div>\n\n
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https://foliesfrancoises.fr/\n\nhttps://www.facebook.com/foliesfrancoises/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 22/03/2022 14:00 UTC (22/03/2022 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Delirium Amoris\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Official video premiere : \"Delirium Amoris\" concerto grosso of Muffat. Filmed and recorded at Auditorium of Lyon\n <\/div>\n\n
\n Musicians<\/span>\n Les Nouveaux Caractères\nConductor: Sébastien d\'Hérin\n <\/div>\n\n
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http://www.nouveauxcaracteres.com https://www.facebook.com/NouveauxCaracteres\nhttps://www.facebook.com/events/269626898666872\nhttps://www.youtube.com/watch?v=pZ7l46Ioh6M<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 20:00 UTC (21/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Il Paradiso perduto \n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Attention, chef-d’œuvre ! Découvrez un oratorio inédit de Luigi da Mancia conservé à la Bibliothèque municipale de Lyon. La vision colorée du Jardin d’Éden, par un génie oublié du XVIIe siècle italien avec une distribution internationale.\n <\/div>\n\n
\n Musicians<\/span>\n Céline Scheen, soprano \nFiona McGown, mezzo-soprano \nFabien Hyon, tenor\nSalvo Vitale, basse\nAna Vieira Leite, soprano\nDagmar Šašková, mezzo-soprano \nLe Concert de l\'Hostel Dieu \nFranck-Emmanuel Comte, clavecin et direction\n <\/div>\n\n
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https://www.concert-hosteldieu.com/ https://www.facebook.com/events/3070046223119806 <\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Life and Passion of the Christ \n <\/h3>\n\n \n \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Augustin Pfleger, one of the most important composers before J S Bach, developed together with Buxtehude the German cantata tradition. Orkester Nord, Trondheim, and the orchestra\'s own vocal ensemble Vox Nidrosiensis has during the last years established as one of the leading Scandnavian ensembles of baroque and early music. \n <\/div>\n\n
\n Musicians<\/span>\n ORKESTER NORD, Trondheim, Norway\nMartin Wåhlberg, conductor\n <\/div>\n\n
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https://www.semf.se https://www.facebook.com/StockholmEarlyMusicFestival<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 20:30 UTC (19/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n RIPOSTA, Divinum Officium, in Modo Italiano\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Oeuvres de Monteverdi, Grandi, Merula, Palestrina.\n <\/div>\n\n
\n Musicians<\/span>\n La Guilde des Mercenaires\nViolaine Le Chenadec, soprano\nAdrien Mabire, cornets et flûtes\n <\/div>\n\n
\n\n
https://www.itinerairebaroque.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2022 19:00 UTC (18/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n El Jubilate\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Rising stars of the NCEM’s EEEmerging programme, Cantoria celebrate the 2022 EMD with a programme from the Spanish songbooks of the Renaissance.\n <\/div>\n\n
\n Musicians<\/span>\n Cantoria\n\nJorge Losana tenor, conductor\nInes Alonso soprano\nSamuel Tapia countertenor\nValentin Miralles bass\n <\/div>\n\n
\n\n
https://www.ncem.co.uk/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 20:30 UTC (21/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Music for the Eyes - Masques and Fancies in 17th century England\n <\/h3>\n\n \n \n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n concert de présentation de notre nouvel enregistrement \"Music for The Eyes - Masques et Fantaisies Anglaises du 17ème siècle\" qui va paraître le 11 mars chez Arcana / Outhere Music\n <\/div>\n\n
\n Musicians<\/span>\n Giulia Genini, doulciane, flûtes à bec, direction artistique\nAlfia Bakieva, violon baroque \nPietro Modesti, cornet \nSusanna Defendi, sacqueboute \nNathaniel Wood, sacqueboute \nLuca Bandini, violone \nGiovanni Bellini, luth \nMichele Vannelli, clavecin \nGabriele Miracle, percussion \n\n <\/div>\n\n
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https://www.facebook.com/ConcertoScirocco<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2022 19:00 UTC (27/03/2022 21:00 CEST)\n <\/small>\n <\/p>\n\n
\n Irène Amar Baroque Jazz Trio\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Arrangements et Adaptations d \'Airs Baroques en Jazz, avec une formation traditionnelle Piano, Contrebasse , Voix . Une Blue Note apportée à la Musique Baroque? Une Note Dorée au Jazz?\n <\/div>\n\n
\n Musicians<\/span>\n Irène Amar, chant et adaptations\nFrançois Després, piano et arrangements\nOlivier Rivaux, contrebasse\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 07/04/2022 20:30 UTC (07/04/2022 22:30 CEST)\n <\/small>\n <\/p>\n\n
\n Ensembles Med & La Camera delle Lacrime\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n La Camera delle Lacrime invite l\'ensemble musical portuguais Med (ensemble spécialisé dans l\'interprétation des musiques du Moyen Âge et de la Renaissance) pour un concert à la Chapelle des Cordeliers, à Clermont-Ferrand.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Med (dir. Daniela Tomaz) et ensemble La Camera delle Lacrime (dir. Bruno Bonhoure et Khaï-Dong Luong).\n <\/div>\n\n
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https://www.facebook.com/lacameradellelacrime<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 26/03/2022 19:30 UTC (26/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n The Baroque Solo Cello\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Gonçalo Lélis born in 1995, won several prizes national and internacional. Won the first prize EMCY in 2015. He studied with Natalia Shakhovskaya in Escuela Superior de Musica Reina Sofia in 2013.\n\n\n <\/div>\n\n
\n Musicians<\/span>\n Gonçalo Lélis, cello\n <\/div>\n\n
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https://www.facebook.com/rocailleleiria/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 19:30 UTC (21/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n A tavola ! Une musique de table pour 2022\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert : A tavola ! Une musique de table pour 2022 • Ouverture (G. P. TELEMANN) • Quadro (J. B. BOISMORTIER) • Concerto (A. VIVALDI) • Trio (J. G. GOLDBERG) • Solo (B. MARCELLO) • Conclusion (P. SANMARTINI)\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble I Martinelli\n <\/div>\n\n
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https://www.la-fedelta.fr<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 21/03/2022 20:15 UTC (21/03/2022 21:15 CET)\n <\/small>\n <\/p>\n\n
\n Giornata della Musica Antica\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert: Sonates pour violon autour de Bach\nmusiques de J.S. Bach, C.P.E. Bach, P. Nardini, C. Schaffrath, J.G. Graun\n <\/div>\n\n
\n Musicians<\/span>\n JOHANNES PRAMSOHLER, violon\nPHILIPPE GRISVARD, clavecin\n <\/div>\n\n
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https://www.amicimusicapadova.org<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2022 20:00 UTC (25/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Fair Phoenix: Tales of the Winter Queen\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Follow the remarkable tale of Elizabeth Stuart, Queen of Bohemia, with 17th-c. Scottish, English, German, and Dutch music. Elizabeth became queen in 1619 only to be deposed the next year; her brief reign earned her the nickname “The Winter Queen.”\n <\/div>\n\n
\n Musicians<\/span>\n Agnes Coakley Cox, soprano\nCorey Dalton Hart, tenor\nKaren Burciaga, violin, harp\nNathaniel Cox, cornetto, theorbo\nDan Meyers, recorder, flute, percussion\nDavid H. Miller, bass viol\nMatthew Wright, lute, bandora\n <\/div>\n\n
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http://seventimessalt.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2022 16:00 UTC (27/03/2022 18:00 CEST)\n <\/small>\n <\/p>\n\n
\n Fair Phoenix: Tales of the Winter Queen\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Follow the remarkable tale of Elizabeth Stuart, Queen of Bohemia, with 17th-c. Scottish, English, German, and Dutch music. Elizabeth became queen in 1619 only to be deposed the next year; her brief reign earned her the nickname “The Winter Queen.”\n <\/div>\n\n
\n Musicians<\/span>\n Agnes Coakley Cox, soprano\nCorey Dalton Hart, tenor, recorder\nKaren Burciaga, violin, harp\nNathaniel Cox, cornetto, theorbo\nDan Meyers, recorder, flute, percussion\nDavid H. Miller, bass viol\nMatthew Wright, lute, bandora\n <\/div>\n\n
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http://seventimessalt.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Tidiga musikens dag\n <\/h3>\n\n \n \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n consert\n <\/div>\n\n
\n Musicians<\/span>\n Ad Fontes, Bona Speranza, Canzone e Cordi, Gotlands Kammarsolister, Roma Baroque\n <\/div>\n\n
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www.tidigmusikpagotland.se/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 17/03/2022 19:00 UTC (17/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Paradigma Medioevo\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Movit\'a pietade - musica e musicisti al tempo di Zacara da Teramo\n <\/div>\n\n
\n Musicians<\/span>\n Maria Antonietta Cignitti, canto, tamburello e tammorra\nCarlotta Colombo, canto\nLuca Cervoni, canto\nMatteo Nardella, flauti dritti, flauto doppio, ceccola\nGabriele Pro, viella\nAntonio Pro, liuto\nBeatrice Dionisi, arpa\nFederico Perotti, organo\n <\/div>\n\n
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http://www.aquilaaltera.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 27/03/2022 18:00 UTC (27/03/2022 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Stagione 2021/2022\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concerto - J.S.Bach Le sonate per violino e clavicembalo\n <\/div>\n\n
\n Musicians<\/span>\n Alessandro Tampieri - violino\nOttavio Dantone - clavicembalo\n <\/div>\n\n
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http://www.barattelli.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 21:00 UTC (21/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n I Concerti del Conservatorio | Giornata europea della Musica Antica\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Suggestioni bachiane\n\n <\/div>\n\n
\n Musicians<\/span>\n Luca Scandali, organ professor at the Conservatoire Rossini.\n <\/div>\n\n
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https://www.conservatoriorossini.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Omaggio a P. A. Guglielmi\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Omaggio a Pietro Alessandro Guglielmi (Massa 1728 - Roma 1804)\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Massa Cybea \nCarla Mordan e Cecilia Colombani, violini\nEnrico Messina, violoncello \nErminia Migliorini, clavicembalo\n <\/div>\n\n
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www.facebook.com/anticamassacybea<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n EARLY MUSIC DAY Copenhagen 2022\n <\/h3>\n\n \n \n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n Three concerts with Medieval music, Renaissance music and Mozart\n <\/div>\n\n
\n Musicians<\/span>\n Medieval duo Falsobordone (SE) (Anna Rynefors & Erik Ask-Upmark), Klara Ek, soprano & Charlotte Møller, fortepiano (SE/DK), Gilbert Martinez, harpsichord, organ (US/DK)\n <\/div>\n\n
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https://renaissancemusik.dk<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 20:00 UTC (21/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Vespro solenne per la festa di San Gennaro\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Francesco Durante (1684-1755) - Vespro solenne per la festa di San Gennaro, a set of Psalms and Magnificat by Durante, a leading composer in the development of 18th century Neapolitan church music and an artistic figure of unquestionable greatness.\n <\/div>\n\n
\n Musicians<\/span>\n Nova Ars Cantandi, directed by Giovanni Acciai\n <\/div>\n\n
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https://www.turchini.it/live/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2022 18:00 UTC (27/03/2022 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Johann Sebastian Bach: Complete Sonatas for violin and harpsichord\n\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Johann Sebastian Bach: Complete Sonatas for violin and harpsichord\n\n <\/div>\n\n
\n Musicians<\/span>\n Alessandro Tampieri, violin\nOttavio Dantone , harpsichord\n <\/div>\n\n
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https://www.facebook.com/anticamassacybea/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 20/03/2022 11:00 UTC (20/03/2022 12:00 CET)\n <\/small>\n <\/p>\n\n
\n L'arrangement polyphonique de monodies anciennes : entre acoustique, musicologie et création\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Talk : L\'arrangement polyphonique de monodies anciennes : entre acoustique, musicologie et création + Présentation du nouveau programme de l\'Ensemble Irini \"Printemps Sacré\" + questions/réponses\n <\/div>\n\n
\n Musicians<\/span>\n Lila Hajosi\n <\/div>\n\n
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https://ensembleirini.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 14/03/2022 00:00 UTC (14/03/2022 01:00 CET)\n <\/small>\n <\/p>\n\n
\n Celebrating Georg Philipp Telemann's 341. birthday March 14th\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Celebrating Georg Philipp Telemann\'s 341. birthday March 14th\n <\/div>\n\n
\n Musicians<\/span>\n Simone Eckert, viola da gamba & Anke Dennert, spinet\n <\/div>\n\n
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http://www.hamburger-ratsmusik.de<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 11:00 UTC (21/03/2022 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Hervé Niquet dirige le Jeune Orchestre de l'Abbaye au Festival de Saintes\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Josef Haydn/ Les Sept Dernières Paroles de Notre Sauveur en Croix\n\nDans cette captation réalisée lors du Labo 2020 du Festival de Saintes, c’est la version pour orchestre que dirige Hervé Niquet à la tête du Jeune Orchestre de l’Abbaye.\n <\/div>\n\n
\n Musicians<\/span>\n Musiciens : Jeune Orchestre de l’Abbaye\nDirection musicale : Hervé Niquet\nRécitant : Denis Lavant\n <\/div>\n\n
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https://www.abbayeauxdames.org/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 19/03/2022 19:00 UTC (19/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n The Broken Consort\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Delirivm Musica | Juan Portilla \"The Broken Consort\" Matthew Locke (1622 – 1677)\n <\/div>\n\n
\n Musicians<\/span>\n Beatriz Amezúa, violín\nCalia Álvarez, viola da gamba\nMaría Saturno, viola da gamba\nRamiro Morales, archilaúd\nJuan Portilla, flauta y dirección artística\n <\/div>\n\n
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https://www.fess.silvadesirenas.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2022 21:00 UTC (18/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Qui-vive !\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Nouvelle création de la Compagnie Rassegna, est une proposition musicale qui aborde les répertoires du XVIIème siècle sous l’angle du bruit — « réel du son », — et de la question proprement baroque de l’ostinato.\n <\/div>\n\n
\n Musicians<\/span>\n Bruno Allary, Direction artistique, guitares, voix\nL.Atipik, DJ, turntable \nNolwenn Le Guern, Viole de gambe, basse électrique\nClémence Niclas, Flûtes à bec, chant\nCarina Salvado, Percussions, chant\n <\/div>\n\n
\n\n
https://www.theatredurance.fr/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 18:00 UTC (19/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Sortie du disque Qui-vive !\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Showcase pour la sortie officielle du disque Qui-vive ! Une proposition musicale qui aborde les répertoires du XVIIème siècle sous l’angle du bruit « réel du son » et de la question proprement baroque de l’ostinato.\n <\/div>\n\n
\n Musicians<\/span>\n Bruno Allary, Direction artistique, guitares, voix\nL.Atipik, DJ, turntable \nNolwenn Le Guern, Viole de gambe, basse électrique\nClémence Niclas, Flûtes à bec, chant\nCarina Salvado, Percussions, chant\n\n <\/div>\n\n
\n\n
https://www.marsenbaroque.com/evenements/sortie-du-disque-qui-vive<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Il Sole non si muove - Festival Mars en Baroque\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Programme constitué de pièces nées durant le XVIe siècle - en Méditerranée et en Angleterre - qui se penche sur la circulation des chansons profanes durant la Renaissance. Constitué d’airs de John Dowland / Tobias Hume\n <\/div>\n\n
\n Musicians<\/span>\n Bruno Allary, Direction artistique, guitares, voix\nL.Atipik, DJ, turntable \nNolwenn Le Guern, Viole de gambe, basse électrique\nClémence Niclas, Flûtes à bec, chant\nCarina Salvado, Percussions, chant\n <\/div>\n\n
\n\n
https://www.marsenbaroque.com/evenements/il-sole-non-si-muove<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Sucreries: Musiques baroques et traditionelles de la ville de Sucre (Bolivie)\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Véritable voyage au cœur de la ville de Sucre (Bolivie), ce programme expose les liens intrinsèques entre musiques traditionelle et pièces espagnoles du XVIIe siècle, partageant ainsi un répertoire encore peu connu du public.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Alkymia\n <\/div>\n\n
\n\n
https://fb.me/e/4lep66r9a<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 10:00 UTC (19/03/2022 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Printemps de la Musique Ancienne 2022\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Journée : Expositions de +50 facteurs d\'instruments anciens - Conférences - Mini-concerts\nSoirée : Concerts\n <\/div>\n\n
\n Musicians<\/span>\n Concerts en soirée : Les Surprises, Selva di Flauti\nConférences : Thomas Murach, Claire Michon, Philippe Bolton et Isaure Lavergne\n <\/div>\n\n
\n\n
https://www.lamelodiedespierres.fr<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 11:30 UTC (21/03/2022 12:30 CET)\n <\/small>\n <\/p>\n\n
\n Napoletani prima… o poi\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A journey among Neapolitan virtuosi with sonatas by Domenico Gallo and Angelo Ragazzi\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Talenti Vulcanici \nMonika Toth & Raffaele Nicoletti, violin\nSara Bagnati, viola\nCatherine Jones, cello\nGiorgio Sanvito, doublebass\nJuan José Francione, lute\nStefano Demicheli, harpsichord and direction\n <\/div>\n\n
\n\n
https://www.turchini.it/live/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Première de la vidéo du programme Della Beata Vergine\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Claudio MONTEVERDI, Missa \"In illo tempore\"\nDédiée à Marie, cette messe à six voix est prévue a capella. Nous\nproposons de rajouter à chaque partie un instrument en \"colla parte\".\nQuelques moments de répétition lors de notre résidence à l\'Académie Bach\nd\'Arques-la-Bataille.\n <\/div>\n\n
\n Musicians<\/span>\n Les Meslanges\nThomas Van Essen & Volny Hostiou, dir. musicale\nCantus: Cécile Granger & Sarah Dubus, cornet\nSextus: Eva Godard, cornet\nAltus: Caroline Marçot\nTenor : Damien Rivière & Aurélie Serre, sacqueboute\nQuintus: Vincent Lièvre-Picard & Arnaud Brétécher, sacqueboute\nBassus: Roland ten Weges, Thomas Van Essen & Volny Hostiou, basse de cornet\nSeptimus: Volny Hostiou, basse de cornet.\n <\/div>\n\n
\n\n
http://www.lesmeslanges.org\nhttps://youtu.be/VqnvjU2C20w<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 20/03/2022 18:00 UTC (20/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Leonardo da Vinci, la musique secrète\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Film capté pour le Boston Early music festival au Château du Clos Lucé d\'Amboise, dernière demeure de Léonard de Vinci\n <\/div>\n\n
\n Musicians<\/span>\n Doulce Mémoire (Denis Raisin Dadre, directeur artistique et flûtiste / Clara Coutouly, soprano / Bérengère Sardin, harpe / Miguel Henry, luth et guitare renaissance / Baptiste Romain, lira da braccio)\n <\/div>\n\n
\n\n
www.doulcememoire.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 27/03/2022 14:30 UTC (27/03/2022 16:30 CEST)\n <\/small>\n <\/p>\n\n
\n An Uncommon Chevalier\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n With violin concertos by Joseph de Bologne and W.A. Mozart and a lively symphony by Haydn, this program transports us to a lively Parisian concert hall in the mid 1780s, just before the Revolution changed everything.\n <\/div>\n\n
\n Musicians<\/span>\n Elizabeth Blumenstock, violin\nCynthia Roberts, violin\nMatthew Dirst, harpsichord and director\n <\/div>\n\n
\n\n
https://www.arslyricahouston.org/chevalier<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2022 19:00 UTC (08/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n BaroqueFest\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Concerto Italiano: opening concert of BaroqueFest, a three-day immersion in 17th and early-18th century music. All concerts feature acclaimed period-instrument performers and include works for voice, brass, strings and more.\n <\/div>\n\n
\n Musicians<\/span>\n Aisslinn Nosky, violin; Molly Netter, soprano; Kris Kwapis, trumpet; Adam Cockerham, lutes; Ingrid Matthews, violin; Martin Davids, violin; Jason Fisher, viola; Brian Giebler, tenor; Margaret Owens, oboe; many others\n <\/div>\n\n
\n\n
https://www.stauntonmusicfestival.org/baroquefest<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 12:00 UTC (21/03/2022 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Oh Boy, the Oboe\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Baroque program featuring Telemann cantata and trio sonata\n <\/div>\n\n
\n Musicians<\/span>\n Sung Lee, baroque oboe\nEdward Ferrell, recorder, traverso\nRebecca Miller Saunders, soprano\nGail Schroeder, viola da gamba\nKaren Hite Jacob, organ, harpsichord, director\n <\/div>\n\n
\n\n
https://www.carolinapromusica.org<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 19:30 UTC (21/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Renaissance music on a grand scale!\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Renaissance music on a grand scale!\nIncluding movements from the 10-voice mass: Dum sacrum mysterium \nby Robert Carver and the ‘Earthquake’ mass by Antoine Brumel\n\n <\/div>\n\n
\n Musicians<\/span>\n BREMF Consort of voices\nDeborah Roberts director\nMembers of THE ENGLISH CORNETT & SACKBUT ENSEMBLE\n\n <\/div>\n\n
\n\n
http://www.bremf.org.uk\nhttps://youtu.be/2r16aBPkkHM<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2022 20:00 UTC (24/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Stabat Mater: Pergolesi et Caldara en ouverture du festival "Sous les voûtes"\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert d\'ouverture du festival \"Sous les voûtes\": Stabat Mater G.B. Pergolesi et A. Caldara par l\'ensemble Capriola di Gioia. Ce festival accueille 6 autres concerts jusqu\'au 27 mars, avec La Rêveuse, Harmonia Sacra, The Curious Bards...\n <\/div>\n\n
\n Musicians<\/span>\n Harmonia Sacra\nBart Naessens, direction\nAmaryllis Dieltiens, soprano\nClint Van Der Linde, alto\n <\/div>\n\n
\n\n
https://abbayedevaucelles.fr/\n<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 20:30 UTC (21/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n TRIOSONATEN\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n J.S. BACH: Triosonaten BWV 529 & 1037, Sonata BWV 1027, Preludium and Fugue BWV 861\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble LOCATELLI\n <\/div>\n\n
\n\n
https://www.mareterrafestival.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Sonnatgsmusik\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n In the \"Sunday Music\" series, the chamber ensemble of the baroque orchestra from Philadelphia plays a \"best of\" the (re)discovery journeys of its programs from two decades.\n <\/div>\n\n
\n Musicians<\/span>\n Gwyn Roberts, transverse flute and recorder; Emlyn Ngai, Francis Liu & Edmond Chan, violin; Dan MacCarthy & Edmond Chan, viola; Lisa Terry (cello); Richard Stone (lute); Patrick Merrill, harpsichord\n <\/div>\n\n
\n\n
http://www.jaegerstrasse.de/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 10:00 UTC (21/03/2022 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Héros\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n El Gran Teatro del Mundo and the famous Swedish tenor Anders J. Dahlin give you a wonderful glimpse of the musical diversity of seventeenth century France and spoil you with a pure, passionate and refined concert.\n <\/div>\n\n
\n Musicians<\/span>\n Anders J. Dahlin & El Gran Teatro del Mundo \nAnders J. Dahlin, tenor \nColine Ormond and Claudio Rado, violin\nMiriam Jorde Hompanera, oboe\nMichael Form, recorder\nBruno Hurtado Gosalvez, basse de violon\nJonas Nordberg, theorbo\nJulio Caballero Pérez, harpsichord & artistic direction\n <\/div>\n\n
\n\n
https://www.amuz.be<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 19:15 UTC (21/03/2022 20:15 CET)\n <\/small>\n <\/p>\n\n
\n Concert de musique ancienne\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert de musique ancienne\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Jardin d’Éden et les Grands élèves du Conservatoire Massenet\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 17:00 UTC (21/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Missa de Beata Maria Virgine ~ Codex Las Huelgas\n <\/h3>\n\n \n \n <\/span>\n\n \n Japan<\/strong>\n <\/span>\n\n \n Codex Las Huelgas is collection of precious sacred songs in 14th century Sapin. Japanese femal vocal group, \'\'Las Huelgas Vocal ensemble\'\' will sing a Mass setting of polyphonic repertoires from this book.\n <\/div>\n\n
\n Musicians<\/span>\n Las Huelgas Vocal Ensemble - Mikae Natsuyama Artistic directer\n <\/div>\n\n
\n\n
https://youtu.be/-dA9wfoCdGo<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Il sole non si muove\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n La circulation des chansons profanes au XVIe siècle. A cette occasion, flûte kaval, luth arabe, basse, guitare baroque ou électrique invitent la viole de gambe à accompagner les chanteurs.\n <\/div>\n\n
\n Musicians<\/span>\n Compagnie Rassegna\nBruno Allary\n <\/div>\n\n
\n\n
https://www.facebook.com/anticamassacybea/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 20:00 UTC (21/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Heaven concordances.\n <\/h3>\n\n \n \n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n Russian 17th century church chant and English music of the 17th century\n <\/div>\n\n
\n Musicians<\/span>\n Musica Antiqua Russica\nVladimir Shulyakovskiy\nKluch Razumenia vocal ensemble\n <\/div>\n\n
\n\n
https://www.facebook.com/MusicaAntiquaRussica<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 16:00 UTC (19/03/2022 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Workshop of Belle Dance\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Basic steps and relationships with arms, theater Entrée and interprétation. \nSAMEDI/ SATURDAY: 16h-20h DIMANCHE/ SUNDAY: 10h-13h Sam/Sat : 2h (beginners) and everyone, 2h more (advanced), dim /Sunday, 1h30- beginners and everyone & 1h30 choreography.\n <\/div>\n\n
\n Musicians<\/span>\n Christine Bayle, choreographer\n <\/div>\n\n
\n\n
https://www.facebook.com/DanseancienneencreationChristineBayle/info<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Carnaval de Venise - Le Baroque en fête\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n L’ensemble musical vous emmène au Carnaval de Venise, un concert festif dont le programme regroupe des musiques baroques dansantes aux rythmes allegro de Monteverdi, Falconieri, Vivaldi, Bach, Handel, Lully, Rameau\n <\/div>\n\n
\n Musicians<\/span>\n Cécile Macaudière, soprano\nFlorent Rami, contre-ténor\nCatherine Hallot, violon\nSamuel Duque, alto/flûte traversière\nDimitri Goldobine, guitare baroque et luth\nMarcello Formenti, clavecin\n\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 18:30 UTC (19/03/2022 19:30 CET)\n <\/small>\n <\/p>\n\n
\n Flûtes à bec en dialogue\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Un programme didactique de sonates, canzone, chaconnes et suites de compositeurs tels que Telemann, Sammartini, Vivaldi, Frescobaldi ou Purcell pour vous faire découvrir l’expressivité et la virtuosité de la flûte à bec.\n\n <\/div>\n\n
\n Musicians<\/span>\n Stéphanie Cettolo, flûte à bec \nJean-Marc Andrieu, flûte à bec\nSophie Castellat, violoncelle\nAnne-Lise Labusquière, clavecin\n\n <\/div>\n\n
\n\n
http://www.les-passions.fr<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 10:00 UTC (21/03/2022 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Séances scolaires autour de "Flûtes à bec en dialogue"\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n Journée de séances scolaires pour découvrir la musique baroque : présentation des instruments, clés d\'écoute, repères historiques, interprétation d\'extraits, temps d\'échange avec les élèves.\n <\/div>\n\n
\n Musicians<\/span>\n Stéphanie Cettolo, flûte à bec \nJean-Marc Andrieu, flûte à bec\nSophie Castellat, violoncelle\nAnne-Lise Labusquière, clavecin\n\n <\/div>\n\n
\n\n
http://www.les-passions.fr<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Chamber music at Rennweg\n <\/h3>\n\n \n \n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n
\n Chamber music: Bach, Telemann\n <\/div>\n\n
\n Musicians<\/span>\n Students from the Early Music Department\n <\/div>\n\n
\n\n
https://youtu.be/5KTm4aPNY38<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 20/03/2022 21:00 UTC (20/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerto della Classe di Liuto e di Tastiere storiche\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Concerto degli allievi delle classi di Liuto e Tastiere storiche\n <\/div>\n\n
\n Musicians<\/span>\n Fabio Armenise, arciliuto\nAndrea Cataldo, tiorba \nStefano Stabile, arciliuto\nAlessio Arbore, Michele Gaddi e Nicola pata, fortepiano\n\n <\/div>\n\n
\n\n
https://www.consba.it/it/1/home<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 15/03/2022 19:30 UTC (15/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Haydn's Farewell' - Symphonies No. 45-47\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n
\n Symphony No. 47 in G major; Symphony No. 46 in B major; Symphony No. 45 in F sharp minor, ‘Farewell’\n <\/div>\n\n
\n Musicians<\/span>\n The Mozartists / Ian Page\n <\/div>\n\n
\n\n
https://www.mozartists.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 17:00 UTC (21/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Celebram el Dia de la Música Antiga\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n Concert with students and teachers of the Conservatori\n <\/div>\n\n
\n Musicians<\/span>\n Sofia Pou, Hector Río, Roger Gomila, Toni Pons, Joel Barber, Martín Lopesino, Catalina Pascual, Belén Colmenero, Tolo Mercadal, Ariadna Mercadal, Xavier Mercadal, Patricia Romero, Eva Febrer, Víctor Monte, Vicent Garcia, Alfredo Fuster, Clara Vivó, Chamber Orchestra (conductor: Oliver Vinent)\n <\/div>\n\n
\n\n
www.conservatoridemenorca.org<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2022 19:30 UTC (24/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Celebram el Dia de la Música Antiga\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n Students and teachers of the Conservatori\n <\/div>\n\n
\n Musicians<\/span>\n Lluc Allés, Biel Moll, Sergi Coll, Joan Anglada, Lluc Llorenç, Ivan Marquès, Emma Seguí, Sergi Sansaloni, David Castelló, Eva Febrer, String Orchestra (Oliver Vinent, conductor)\n <\/div>\n\n
\n\n
www.conservatoridemenorca.org<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Musica Maestri!\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Concert for organ: Girolamo Frescobaldi 1583-1643 \"Musica nova\" (Unpublished music from \"Chigi Codices\") - Ivana Valotti, organ (organ teacher)\n <\/div>\n\n
\n Musicians<\/span>\n Ivana Valotti, organ teacher\n <\/div>\n\n
\n\n
https://www.consmi.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2022 15:00 UTC (18/03/2022 16:00 CET)\n <\/small>\n <\/p>\n\n
\n A Bach recital for Early Music Day\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n
\n The Pastorella pro Organo & Partite diverse sopra Il Chorale O Gott, du frommer Gott played on one of the most important historic organs in the UK. \nDistinguished Baroque cellist, Poppy Walshaw, will also play one of the Bach Cello Suites.\n <\/div>\n\n
\n Musicians<\/span>\n Andrew Benson-Wilson, organ,\nPoppy Walshaw, cello\n <\/div>\n\n
\n\n
https://andrewbensonwilson.org/2022/01/16/a-bach-recital-for-early-music-day/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 18/03/2022 19:00 UTC (18/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Limerick Early Music Festival (LEMF) 2022\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n
\n Over three days and six concerts, LEMF (Limerick Early Music Festival) 2022 features a diverse lineup of local, national, and international performers who bring you music from varied styles, traditions, and time periods.\n <\/div>\n\n
\n Musicians<\/span>\n Ancór Choir, Caranzalem, Pilar Almalé, Sarah Groser, The Dublin Viols, Palisander\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/about-lemf-the-limerick-early-music-festival/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 18/03/2022 19:00 UTC (18/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Caja de música: Cuentos de un viaje imaginado (Music Box: Tales of an Imagined Journey)\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Caranzalem invites us to dream by traveling, to dream of that time when the hours of the day were counted like in the verses of the Sephardic lullaby:\n\nAt one o’clock I was born, at two I grew up,\nat three I had a lover, and at four I was married.\n <\/div>\n\n
\n Musicians<\/span>\n Caranzalem\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/2022-festival-programme/#Caranzalem1<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 19/03/2022 13:00 UTC (19/03/2022 14:00 CET)\n <\/small>\n <\/p>\n\n
\n The Grand Metamorfosis of Musick: Music for Two Bass Viols in England and France During the 1680s\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n This programme is an exploration of music written for two bass viols in England and France during the late 17th century\n <\/div>\n\n
\n Musicians<\/span>\n Pilar Almalé, Sarah Groser\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/2022-festival-programme/#GrandMetamorfosis<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 19/03/2022 15:30 UTC (19/03/2022 16:30 CET)\n <\/small>\n <\/p>\n\n
\n Annunciation and Affirmation: Cantatas and Motets by J. S. Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Cantatas and Motets by J.S.Bach: Immerse yourself in one hour of this 300-year old sacred music by J.S.Bach. These works feature unmissable musical gymnastics, deep sentiments and a glorious soundworld from choir, orchestra and soloists alike.\n <\/div>\n\n
\n Musicians<\/span>\n Ancór Choir\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/2022-festival-programme/#Ancor<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 19/03/2022 19:00 UTC (19/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Do This At Home: a Programme of 17th-century Domestic Music\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n The Dublin Viols play the legacy of an extraordinary flowering of domestic music that began in the 16th century and expanded, particularly in England, through the 17th century.\n <\/div>\n\n
\n Musicians<\/span>\n The Dublin Viols\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/2022-festival-programme/#DublinViols<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 20/03/2022 14:00 UTC (20/03/2022 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Cantos de mujer: músicas de mujeres del mundo (Songs of Women: Music of the World’s Women)\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Caranzalem explores the traditional songs of women traveling through remote territories around the world: polyphonic ancestral music from Eastern Europe; African, Galician, traditional Sephardic, and Andalusian songs and more.\n <\/div>\n\n
\n Musicians<\/span>\n Caranzalem\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/2022-festival-programme/#Caranzalem2<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 20/03/2022 19:00 UTC (20/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Double, Double Toil & Trouble!\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Throughout the ages, music and magic have been intrinsically linked. In this programme, Palisander’s members explore music’s historic relationship with the wider magical spectrum, like mathematics, philosophy, nature, religion, and the occult.\n <\/div>\n\n
\n Musicians<\/span>\n Palisander\n <\/div>\n\n
\n\n
https://limerickearlymusic.com/2022-festival-programme/#Palisander<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 19:30 UTC (20/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Renaissance Music on a Grand Scale\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n A celebration of Early Music Day 2022, including movements from the 10-voice Mass: \'Dum sacrum mysterium\' by Robert Carver and the ‘Earthquake’ Mass by Antoine Brumel.\n <\/div>\n\n
\n Musicians<\/span>\n BREMF Consort of Voices, Members of the English Cornett & Sackbut Ensemble\n <\/div>\n\n
\n\n
www.bremf.org.uk<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Jean-Philippe Rameau selon Camille Saint-Saëns\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Les Pièces en Concert de Rameau ont fait l’objet de diverses transcriptions. Au départ composées pour trois musiciens, elles seront adaptées par Saint-Saëns, un siècle plus tard, pour six musiciens.\n <\/div>\n\n
\n Musicians<\/span>\n Les Dominos\nFlorence Malgoire, violon et direction \nJosépha Jégard, violon \nMyriam Mahnane, violon \nCatherine Puig, alto \nClaire Giardelli, violoncelle \nRichard Myron, contrebasse . \n <\/div>\n\n
\n\n
https://www.festivalbaroque-pontoise.fr/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 13:05 UTC (21/03/2022 14:05 CET)\n <\/small>\n <\/p>\n\n
\n Steven Devine - Harpsichord\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Steven Devine performs Harpsichord Music by Johann Ludwig Krebs (1713 – 1780), Partita in A minor and Concerto in G major “in Italiänischen Gusto”.\n <\/div>\n\n
\n Musicians<\/span>\n Steven Devine, Harpsichord\n <\/div>\n\n
\n\n
https://www.sjss.org.uk/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach by Arrangement\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Recorder player Annemaire Klein and harpsichordist David Gerrard perform music by JS Bach, arranged especially for this event. Featuring original instruments, the performance will take place in St Cecilia\'s Hall, the oldest concert hall in Scotland.\n <\/div>\n\n
\n Musicians<\/span>\n Annemarie Klein, recorder\nDavid Gerrard, harpsichord\n <\/div>\n\n
\n\n
www.stcecilias.ed.ac.uk<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 21:00 UTC (21/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n PHANTASTICUS\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A program that immerses the audience into the extravagant virtuoso italian music in early 17th century. A focus is given to the rising role of instrumental music of that time, competing in manner and grace with the vocal counterpart.\n <\/div>\n\n
\n Musicians<\/span>\n I Madrigalisti Estensi\nAlice Fraccari, soprano\nAndrea Antonel, tiorba\nMichele Gaddi, clavicembalo\n <\/div>\n\n
\n\n
https://imadrigalistiestensi.jimdosite.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 23/03/2022 19:30 UTC (23/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Violins and Viols in Restoration England,Works by Locke, Purcell, Jenkins, and others.\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Violins and Viols in Restoration England\nWorks by Locke, Purcell, Jenkins, and others.\n\n <\/div>\n\n
\n Musicians<\/span>\n Vita Wallace, violin\nClaire Smith Bermingham, violin\nLawrence Lipnik, viola da gamba\nPatricia Ann Neely, viola da gamba\n <\/div>\n\n
\n\n
https://www.abendmusik.net<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 16:00 UTC (21/03/2022 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Video premiere: "Dalle più altre sfere"\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Video premiere: \"Dalle più altre sfere\"\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble \"Musica getutscht\" \nErika Tandiono, Soprano\nBernhard Reichel, Chitarrone\nJulius Lorscheider, Harpsichord\n <\/div>\n\n
\n\n
https://musicagetutscht.de<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Les origines de la danse\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Art universel et intemporel, la danse occidentale est ici l’objet de ce programme qui propose d’explorer les origines de ses pas.\n <\/div>\n\n
\n Musicians<\/span>\n Into the Winds \nAnabelle Guibeaud, chalemie, flûtes à bec, doulciane\nRémi Lécorché, busine, trompette à coulisse, sacqueboute, flûtes à bec\nMarion Le Moal, bombardes, flûtes à bec\nAdrien Reboisson, chalemie, bombardes, flûtes à bec\nLaurent Sauron, percussions\n <\/div>\n\n
\n\n
http://www.festival-musique-baroque-jura.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 18:30 UTC (21/03/2022 19:30 CET)\n <\/small>\n <\/p>\n\n
\n Öppen Scen\n <\/h3>\n\n \n \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Early Music Open Scene. Invites professionals, amateurs and students to share their early music with each other and the audience. Other type of acts that express or tell about cultural history related to the music period, are also welcome.\n <\/div>\n\n
\n Musicians<\/span>\n Annie Hultstein, organ, Duo SolRoos, lute and recorder, Benjamin Åberg, clavichord, Frosta Kammarkör, Natalis ensemble, students from Höörs musikskola m.fl.\n <\/div>\n\n
\n\n
www.hoerbarock.se<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 19:30 UTC (21/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n L'amour lointain\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert de chansons de trouvères jusqu\'à l\'art polyphonique de Guillaume de Machaut\n <\/div>\n\n
\n Musicians<\/span>\n Alla francesca en trio : Vivabiancaluna Biffi (chant et vièle à archet), Christel Boiron (chant), Brigitte Lesne (chant, harpe-psaltérion, percussions)\n <\/div>\n\n
\n\n
https://allafrancesca.fr/fr/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 20:30 UTC (21/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Pièces de viole de Marin Marais\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Autour des Pièces de viole de Marin Marais\n <\/div>\n\n
\n Musicians<\/span>\n François Joubert-Caillet , Aude-Marie Piloz; Miguel Henry, Yoann Moulin\n <\/div>\n\n
\n\n
https://www.festival-lanvellec.fr/en/home<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 17:00 UTC (19/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Les origines de la danse\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Art universel et intemporel, la danse occidentale est ici l’objet de ce programme qui propose d’explorer les origines de ses pas.\n <\/div>\n\n
\n Musicians<\/span>\n Into the Winds \nAnabelle Guibeaud, chalemie, flûtes à bec, doulciane\nRémi Lécorché, busine, trompette à coulisse, sacqueboute, flûtes à bec\nMarion Le Moal, bombardes, flûtes à bec\nAdrien Reboisson, chalemie, bombardes, flûtes à bec\nLaurent Sauron, percussions\n <\/div>\n\n
\n\n
http://www.festival-musique-baroque-jura.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2022 20:00 UTC (23/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Vox Luminis stages Purcell's Fairy Queen\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n In his Fairy Queen Purcell didn’t set any of Shakespeare\'s A Midsummer Night\'s Dream to music. But he did compose sung interludes. Vox Luminis stages the piece in a way that pulls out all the stops and leaves the listener pleasantly confused.\n <\/div>\n\n
\n Musicians<\/span>\n Vox Luminis / \nLionel Meunier, with Emilie Lauwers, scenography \nMario Melo Costa, video\n\n <\/div>\n\n
\n\n
https://www.concertgebouw.be/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 20:00 UTC (19/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n MADRIGALS\n <\/h3>\n\n \n \n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Monteverdi in 21st century ears and eyes. With utopian enthusiasm, director Benjamin Abel Meirhaeghe stages Monteverdi\'s Madrigali guerrieri et amorosi. Present, past and future merge into a single point, a zero point.\n\n\n <\/div>\n\n
\n Musicians<\/span>\n Muziektheater Transparant & B’Rock, Benjamin Abel Meirhaeghe: concept & direction, \nLouise Van den Eede, dramaturgy & research\n <\/div>\n\n
\n\n
https://www.concertgebouw.be/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2022 19:00 UTC (24/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Musique à la Chapelle Royale au temps de saint Louis\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Musiques au temps de saint Louis\n <\/div>\n\n
\n Musicians<\/span>\n Schola de la Sainte-Chapelle, petit chœur sous la direction de Brigitte Lesne\n <\/div>\n\n
\n\n
https://cmm-paris.fr/fr/production-artistique/ensembles-et-artistes/la-schola<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 12:00 UTC (21/03/2022 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day 2022 - Journée européenne de musique ancienne\n <\/h3>\n\n \n \n <\/span>\n\n \n Canada<\/strong>\n <\/span>\n\n \n Présentation de 2 arrangements musicaux de l’œuvre d\'Henry Purcell (1659-1695) ayant pour titre « Music for a While, de l\'Oedipus Z-583 »\n <\/div>\n\n
\n Musicians<\/span>\n Compositeur : Henry Purcell (1659-1695) - Arrangements de Robert Labrosse, Boebey58\n <\/div>\n\n
\n\n
https://boebey58.wixsite.com/mescompositions<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 18:00 UTC (19/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Les goûts-réunis\n <\/h3>\n\n \n \n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Floridante: Anthony Marini - baroque violin, Villu Vihermäe - viola da gamba, Saale Fischer - harspichord\n <\/div>\n\n
\n\n
https://floridante.org/en/home/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 18:00 UTC (20/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Les goûts-réunis\n <\/h3>\n\n \n \n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n Concert\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Floridante: Anthony Marini - baroque violin, Villu Vihermäe - viola da gamba, Saale Fischer - harpsichord\n <\/div>\n\n
\n\n
https://floridante.org/en/home/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:30 UTC (21/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n European Early Music Day concert\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n A renovating view of Medieval repertoire \"Las Cantigas de Santa María\" by Alfonso X of Castile \"El Sabio\" adding elements of jazz, folk and world music.\n <\/div>\n\n
\n Musicians<\/span>\n Pablo Pérez Sanmamed - double bass and musical direction\nBegoña Olavide - psaltery and vocals\nElena Tarrats - lead vocals\nXurxo Varela - viola de gamba and vocals\nIago Mourinho - piano\nChus Pazos - drums\n <\/div>\n\n
\n\n
http://cultura.gijon.es<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2022 11:00 UTC (27/03/2022 13:00 CEST)\n <\/small>\n <\/p>\n\n
\n Beethoven auf seinen eigenen Quartettinstrumenten & Pop-Up-Exhibition "Beethovens Quartett"\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n A concert featuring original instruments owned by Beethoven. But how do we know that the instruments really belonged to Beethoven? Come with us on a journey of discovery!\n <\/div>\n\n
\n Musicians<\/span>\n Schuppanzigh-Quartett\n <\/div>\n\n
\n\n
www.simpk.de<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:30 UTC (21/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day Concert in Memory of Monsigneur J Azzopardi\n <\/h3>\n\n \n \n <\/span>\n\n \n Malta<\/strong>\n <\/span>\n\n \n This concert is also a tribute to the life and work of one of Malta’s top scholars, Dun Ġwann. The programme includes the madrigals of V Tozzi, works of B Marini, C Farina, F Turini, and T Merula.\n\n <\/div>\n\n
\n Musicians<\/span>\n The Monteverdi Project\n\nHarpsichord and Director of The Monteverdi Project\nMarco Mencoboni\n\nValletta Baroque Ensemble (ViBE)\n\n\n <\/div>\n\n
\n\n
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\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 17:30 UTC (21/03/2022 18:30 CET)\n <\/small>\n <\/p>\n\n
\n Then and Now\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Participatory discussion. Topics will include: the marketing and programming of early music; the interaction of scholarship and performance; early music in the age of streaming; the\neducational and amateur early music scene.\n <\/div>\n\n
\n Musicians<\/span>\n Laurence Cummings (MD Academy of Ancient Music and London Handel Festival)\nSally Dunkley (singer, scholar and music editor)\nAlan Howard (current editor of Early Music)\nNicholas Kenyon (formerly BBC Radio 3 and the Barbican; former editor of the journal Early Music)\nSarah Latto (Co-Artistic Director and Conductor of Echo Ensemble)\n <\/div>\n\n
\n\n
https://youtu.be/It3zuTn3wp4<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach's Birthday! – Concert for the 337th!\n <\/h3>\n\n \n \n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Bach\'s birthday will be celebrated with music from the notebook for Anna Magdalena, improvisations, excursions into folk music, experiments between historical instruments and electronic and conversations about Bach, Köthen and the upcoming festival.\n <\/div>\n\n
\n Musicians<\/span>\n Miriam Feuersinger, soprano\nYves Ytier, baroque violin and dance\nTristan Braun, baroque violin\nSylvia Ackermann, historical keyboard instruments\nLuise Enzian, baroque harp\nLaura Mingo, harpsichord\nKaan Bulak, electronics/composition\nFolkert Uhde, moderation\n\n <\/div>\n\n
\n\n
https://www.bachfesttage.de/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2022 21:00 UTC (18/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Modena & Bologna: G. P. Colonna, G. Bononcini, A. M. Pacchioni, 3 great Maestri di Cappella in the late 17th Century\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The soloists, choir and orchestra, led by the current maestro di cappella Michele Vannelli will explore the connections among three composers that worked between Bologna and Modena in the late 17th century (G.P. Colonna, G. Bononcini, G. Pacchioni)\n <\/div>\n\n
\n Musicians<\/span>\n Cappella Musicale di S. Petronio (Bologna 1436)\n\nMiriam Fantacone, Margherita Gamberini, Laura Manzoni, Francesca Santi*, soprani I\nMaria Dalia Albertini*, Victoria Constable, Anna Tagliabue, \nLaura Vicinelli, Fabiana Zama, soprani II\nJone Babelyte*, Valerio Bellei, Alessandra Fiori, Elisa Lucà, Elisa Moretta, \nMatilde Panella, Ilaria Rossi, Elena Scati, contralti\nAlberto Allegrezza*, Riccardo Barbaresi, Lars Magnus Hvass Pujol, Angelo Zarbo, tenori\nAlberto Denti, Luca Fanteria*, Daniele Pascale Guidotti Magnani, \nGaspare Valli, Andrea Zandaval, bassi\n*solisti\n\nMichele Santi, tromba\nAlessandro Ciccolini, Domenico Scicchitano, violini\nFrancesca Camagni, Gianni Maraldi, viole\nViola Mattioni, violoncello\nLuca Bandini, violone\nSara Dieci, organo\nMichele Vannelli, Maestro di cappella\n <\/div>\n\n
\n\n
https://www.grandezzemeraviglie.it/early-music-day/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 00:00 UTC (21/03/2022 01:00 CET)\n <\/small>\n <\/p>\n\n
\n Recorded stream from the concert MODENA & BOLOGNA Masterpieces (18/03)\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Stream of selected pieces: Sinfonia VIII (Bononcini), Plectra, lyræ, votivæ voces (Colonna), Dixit Dominus (Pacchioni). From Modena & Bologna: G. P. Colonna, G. Bononcini, A. M. Pacchioni, 3 great Maestri di Cappella in the late 17th Century\n <\/div>\n\n
\n Musicians<\/span>\n Cappella Musicale di S. Petronio (Bologna 1436)\n\nMiriam Fantacone, Margherita Gamberini, Laura Manzoni, Francesca Santi*, soprani I\nMaria Dalia Albertini*, Victoria Constable, Anna Tagliabue, \nLaura Vicinelli, Fabiana Zama, soprani II\nJone Babelyte*, Valerio Bellei, Alessandra Fiori, Elisa Lucà, Elisa Moretta, \nMatilde Panella, Ilaria Rossi, Elena Scati, contralti\nAlberto Allegrezza*, Riccardo Barbaresi, Lars Magnus Hvass Pujol, Angelo Zarbo, tenori\nAlberto Denti, Luca Fanteria*, Daniele Pascale Guidotti Magnani, \nGaspare Valli, Andrea Zandaval, bassi\n*solisti\n\nMichele Santi, tromba\nAlessandro Ciccolini, Domenico Scicchitano, violini\nFrancesca Camagni, Gianni Maraldi, viole\nViola Mattioni, violoncello\nLuca Bandini, violone\nSara Dieci, organo\n\nMichele Vannelli, Maestro di cappella\n <\/div>\n\n
\n\n
https://www.grandezzemeraviglie.it/early-music-day/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2022 20:00 UTC (24/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert\n <\/h3>\n\n \n \n <\/span>\n\n \n Hungary<\/strong>\n <\/span>\n\n \n A pleasant, spacious café, the Lumen is located in the center of Budapest. It not only has its own roasted coffee, but also a top-class auditorium, which hosts concerts in various genres. \nA. Vivaldi: Sonata in c minor (RV 6)\nJ. S. Bach: Four duets (BWV 802-805)\nA. Vivaldi: Cantata \"Lungi dal vago volto\" (RV 680)\n\n <\/div>\n\n
\n Musicians<\/span>\n Eszter Molnár, voice\nZsombor Németh, baroque violin\nGabriella Miklós,viola da gamba\nNóra Szabó, spinet\n <\/div>\n\n
\n\n
https://www.facebook.com/lumen.kavezo<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 23/03/2022 20:00 UTC (23/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Portraits féminins\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert enregistré de notre programme Portraits féminins, qui mêle des musiques traditionnelles et des musiques savantes anciennes consacrées à la dévotion mariale.\n <\/div>\n\n
\n Musicians<\/span>\n Lisandro Pelegrina, haute-contre\nJulián Rincón, flûtes à bec, chalemie et doulciane\nLena Torre, basse de violon et violoncelle piccolo\nArmín Yaldaei, épinette et régale\n <\/div>\n\n
\n\n
https://www.quadernavia.fr<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Biber - Sonaty Misteryjne\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n H.I.F. Biber: Sonaten Uber die Mysterien des Rosenkranzes\n <\/div>\n\n
\n Musicians<\/span>\n Michał Marcinkowski, baroque violin\nMatthias Bergmann, viola da gamba\nŁukasz Macioszek, violone\nDorota Zimna, harpsichord\n <\/div>\n\n
\n\n
https://www.kinopomorzanin.pl/kalendarz<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 18:30 UTC (21/03/2022 19:30 CET)\n <\/small>\n <\/p>\n\n
\n Per circulum anni. Monodie e polifonie semplici tra culto e devozione\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Gregorian Chant, Simple Polyphony, Cantus ‘Patriarchinus’. Mittit ad Virginem, Puer natus in Bethlehem, Circumdederunt me, Dies irae, Victimae paschali, Submersus jacet Pharao, Gaude felix Padua, Ave maris stella.\n <\/div>\n\n
\n Musicians<\/span>\n Massimo Bisson, conductor\nConcentus Musicus Patavinus, choir: Elsa Diana Boscariolo, Giovanna Casali, Elena Murarotto, Nicolò Pasello, Giorgio Peloso, Gabriele Taschetti, Federico Tommasi, Elisa Zappata\n <\/div>\n\n
\n\n
https://www.beniculturali.unipd.it/www/dbc-news/concentus-musicus-patavinus-early-music-day-2022-21-marzo-2022/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 19/03/2022 19:30 UTC (19/03/2022 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Convivio Armonico 2022 XXI Edizione\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Napoli Barocca – Maestri Del ‘700 Napoletano / Tra Luce ed Ombra\nMottetti, Antifone, Concerti e Sonate di P. Marchitelli, A. Scarlatti, M. Mascitti, G. Manna, N. Porpora, G. Latilla\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Le Musiche da camera con strumenti d\'epoca \nFrancesco Divito, soprano\nRosa Montano, mezzosoprano\nRenata Cataldi, traversiere \nEgidio Mastrominico, violino barocco di concerto\nGiuseppe Grieco, violino barocco\nLeonardo Massa, violoncello barocco\nMichele Carreca, tiorba\nDebora Capitanio, clavicembalo\n <\/div>\n\n
\n\n
www.areaarte.eu<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2022 21:00 UTC (25/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Una sera con Dante\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The story of the life of the man Dante Alighieri, with recited readings and the music of his time, performed on replicas of medieval musical instruments.\n <\/div>\n\n
\n Musicians<\/span>\n Sara Sacchi, actress\nIn Itinere Musica Medievale duo, musicians\n <\/div>\n\n
\n\n
www.initineremusicamedievale.com <\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2022 19:00 UTC (23/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n The Cathedral, the Square and the Tower\n <\/h3>\n\n \n \n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n In this concert the Gleam Ensemble Taiwan plays music from Middle Ages to the Renaissance period, which is the first attempt for Taiwanese audience. The program consists of sacred and secular music played by Alta Capella.\n <\/div>\n\n
\n Musicians<\/span>\n Duan Ting Chang, Soprano Shawm\nShio Ohshita- Alto Shawm, Vielle\nYi-Chang Liang- Tenor Shawm, Renaissance Recorder \nMartin Chiang, Bass Dulcian, Medieval Bagpipe, Schäferpfeife\nWei Wang, Historical Percussions\n <\/div>\n\n
\n\n
https://www.facebook.com/TheGleamEnsembleTaiwan<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 20:00 UTC (21/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n J.S. Bach Sonatas, Fantasias & Improvisations\n <\/h3>\n\n \n \n <\/span>\n\n \n Japan<\/strong>\n <\/span>\n\n \n Fantasia on a Sarabande (After Bach\'s Partita in A Minor, BWV 1013\nImprovisation and Sonata in C Major BWV 1033 1st and 2nd movements.\n\n <\/div>\n\n
\n Musicians<\/span>\n Anthony Romaniuk, fortepiano\nToshiyuki Shibata, flauto traverso\n <\/div>\n\n
\n\n
https://mafestivaltakamatsu.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 09:00 UTC (21/03/2022 10:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Celebration in Waterford\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Alleluia - Mozart\nThe Minstrel Boy - Irish traditional Air with words by Thomas Moore (Irish nineteenth century composer)\nVa pensiero (song of the Hebrew slaves from opera Nabucco) Verdi\nOde to Joy ( anthem of the EU) from 9th Symphony - Beethoven\n\n <\/div>\n\n
\n Musicians<\/span>\n Bealtaine Choir, Waterford\n <\/div>\n\n
\n\n
http://waterfordlibraries.ie/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 26/03/2022 16:00 UTC (26/03/2022 17:00 CET)\n <\/small>\n <\/p>\n\n
\n La fama della scuola vivaldiana in Europa\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n La fama della scuola vivaldiana in Europa. Orchestra Barocca della Civica Scuola di Musica Claudio Abbado conducted by Antonio Frigé. Works by Giuseppe Matteo Alberti, Signor Braun, Carlo Agostino Badia, Signor Piarello\n <\/div>\n\n
\n Musicians<\/span>\n Orla Shalloo-Brundrett, sopran\nLuca Bossi, traverso\nLaura Minguzzi, traverso\nAnna Venutti, traverso\nAngelo Basile, baroque violin\nTempella Lucilla, baroque violin\nMartin Moya Fernandez, baroque violin\nNeyén Finot Copa, baroque violin\nGiorgia Gianna, baroque violin\nAndrea Vassalle, baroque alto\nNicole Leali, baroque cello\nAndrea Gelain, baroque cello\nCarlo Calegari, baroque double bass\nNorma Maria Torti, viola da gamba\nEmanuele Gorla, theorbo\nAntonio Frigé, harpsichord\n <\/div>\n\n
\n\n
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\n \n On-site\n <\/span>\n\n
\n \n 18/03/2022 21:00 UTC (18/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Fantasie, Contrappunti & Canzoni da Sonar\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Fantasie, Contrappunti & Canzoni da Sonar. Works of J. P. Sweelinck, G. Gabrieli, A. de Cabezón, G. M. Trabaci, J. L. Krebs, J. S . Bach.\n <\/div>\n\n
\n Musicians<\/span>\n Civica Scuola di Musica Claudio Abbado Recorder Consort\nChiara Busi, recorder\nNinon Dusollier, recorder\nAriadna Quappe, recorder\nJosé Manuel Fernandez Bravo, recorder\n <\/div>\n\n
\n\n
https://musica.fondazionemilano.eu/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 18:00 UTC (20/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Festival Wiosna Barokowa 2022, concert Lutes & Flutes\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Lutes & Flutes as part of the festival Wiosna Barokowa w Pałacu w Rybnej. In the programme pieces by composers such as: Nicola Matteis, Matthew Locke, Jacques-Martin Hotteterre, Francesco Corbetta, Giovanni Girolamo Kapsberger.\n <\/div>\n\n
\n Musicians<\/span>\n Katarzyna Czubek, recorders\nAnna Wiktoria Swoboda, lute, baroque guitar, theorbo.\n <\/div>\n\n
\n\n
http://palacrybna.pl<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2022 11:00 UTC (27/03/2022 13:00 CEST)\n <\/small>\n <\/p>\n\n
\n L'amor che move il sole e l'altre stelle\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Il tema dell\'amore nelle opere di Dante e la musica del suo tempo. Musica medievale\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Concentus \nDonato Chiarello, Voce narrante \nVania Palumbo, Canto, Lyra, Percussioni\nSara Valli, Canto, Organistrum\nGianluca Milanese, Flauto a becco\nMaurizio Ria: Viella, Chitarrino medievale \nAndrea Cataldo, Liuto\n <\/div>\n\n
\n\n
https://ensembleconcentuslecce.jimdofree.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 20:30 UTC (20/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Ceci n'est pas Mozart!\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n J. Haydn, Quartet in G op. 5 n. 2 for recorder, violin, viola and BC\nJ. C. Bach, Quartet in G W B66 for harpsichord obbligato, violin, viola and BC\nH. H. Zielche, Quartet in B flat op. 2 n. 5 for recorder, violin, viola and figured bass\n <\/div>\n\n
\n Musicians<\/span>\n The WIG Society Chamber Music Ensemble\nMatteo Gemolo, recorder \nConor Gricmanis, violin\nBlanca Prieto, violin/viola\nPhyllis Bartholomeus, cello\nElias Bartholomeus, doublebass\nLisa Kokwenda Schweiger, harpsichord\n <\/div>\n\n
\n\n
https://www.teatrofraschini.it/programma/ceci-nest-pas-mozart-the-wig-society/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 20:00 UTC (19/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Final Concert Theresia String Academy\n <\/h3>\n\n \n \n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n Final concert of the Theresia String Academy under the guidance of Chiara Banchini and Emilio Moreno. The program is composed of gems from the string quartet repertoire, with works by W.A. Mozart, J. Haydn, I. Pleyel and L. Boccherini.\n <\/div>\n\n
\n Musicians<\/span>\n Chiara Banchini, Emilio Moreno, tutors\nCamilo Arias Cuellar, Aura Fazio, Saaya Ikenoya, Léna Ruisz, Lavinia Soncini, Tommaso Toni, violin\nIrina Fârtat, Anna Krzyżak, Ania Wieczorek, viola\nCecilia Clò, Giulia Gillio Gianetta, Leah Plave, cello\n <\/div>\n\n
\n\n
https://www.theresia.online/calendar<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 01:00 UTC (21/03/2022 02:00 CET)\n <\/small>\n <\/p>\n\n
\n Musical Stories of the Tagliavini Collection\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Musical Stories. Curator and Artistic Director of Museo San Colombano - Colezione Tagliavini (Bologna), Catalina Vicens, narrates the stories of selected antique instruments of the collection through music and images.\n <\/div>\n\n
\n Musicians<\/span>\n Catalina Vicens\n <\/div>\n\n
\n\n
https://youtu.be/MAefh5ssQxQ<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2022 16:30 UTC (27/03/2022 18:30 CEST)\n <\/small>\n <\/p>\n\n
\n Che temperamento!\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with guided listening. Temperament in Renaissance and Baroque vocal and organ music.\nArtistic programme: A. Banchieri - G. Frescobaldi - G. Gastoldi - G.P. Palestrina - F. Giardini - D. Scarlatti - J.S. Bach.\n <\/div>\n\n
\n Musicians<\/span>\n Barbara Berlusconi, organist, director, speaker\nLeonardo Giovanni Sartori, organist, speaker\nInstrument class: Leonardo Balzotti, Chiara Carcano, Andrea Negri, Sofia Raimondi, Maria Sottocornola.\nPaganini choir: Iacometti Martina, Beatrice Livrieri, Giulia Rondanini, Nicole Monaco, Roberta Meraviglia, Lorenzo Martan, Fabrizio Salvato, Andrea Iadevaia, Leonardo Giovanni Sartori.\n <\/div>\n\n
\n\n
https://sites.google.com/view/barbara-berlusconi<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 21:00 UTC (21/03/2022 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Palavricas d'amor — Sephardic Songs in Ladino\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n \"Palavricas d\'Amor\" (Words of Love) dedicated to the Jewish sephardic songs sang in Ladino (or Judeo-Spanish).\n <\/div>\n\n
\n Musicians<\/span>\n Noa Noa Ensemble\nFilipe Faria, voice, percussion, chalumeau\nTiago Matias, romantic guitar, saz, colascione\nRaquel Reis, baroque cello\nBaltazar Molina, percussion\n <\/div>\n\n
\n\n
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\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 20:00 UTC (21/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n ¿HAYDN ABARROCADO? - Bach-Abel Society\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n The programme makes a historical reference to the series of concerts organised in London since 1764, over the course of more than 10 years by harpsichordist Johann Christian Bach (1735–1782) and viola player Carl Friedrich Abel (1723–1787).\n <\/div>\n\n
\n Musicians<\/span>\n Anacronía\nDavid Gutiérrez (baroque flute)\nPablo Albarracín (violin)\nLuis Manuel Vicente (viola)\nMarc de la Linde (viola da gamba)\nMarina López (harpsichord)\n <\/div>\n\n
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\n \n 16/03/2022 20:30 UTC (16/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Well Tempered Bach (I)\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Complete performance of \'Well Tempered Clavier - Book I\" in 3 concerts.\nFirst concert: Davide Pozzi, harpsichord\nPreludes & Fugues BWV 846, 847, 850, 851, 855, 856, 859, 860\n <\/div>\n\n
\n Musicians<\/span>\n Davide Pozzi, harpsichord\n <\/div>\n\n
\n\n
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\n \n 18/03/2022 20:30 UTC (18/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Well Tempered Bach (II)\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Complete performance of \"Well Tempered Clavier - Book I\" in 3 concerts.\nSecond concert: Maurizio Zaccaria, piano\nPreludes and Fugues BWV 848, 849, 853, 854, 858, 861, 862, 863\n <\/div>\n\n
\n Musicians<\/span>\n Maurizio Zaccaria, piano\n <\/div>\n\n
\n\n
https://www.mareterrafestival.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 19:45 UTC (19/03/2022 20:45 CET)\n <\/small>\n <\/p>\n\n
\n Well Tempered Bach (III)\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Complete performance of \"Well Tempered Clavier - Book I\" in 3 concerts.\nThird concert: Gilberto Scordari, organ\nPreludes and Fugues BWV 852, 857, 864, 865, 866, 867, 868, 869\n <\/div>\n\n
\n Musicians<\/span>\n Gilberto Scordari, organ\n <\/div>\n\n
\n\n
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\n \n 21/03/2022 17:00 UTC (21/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Strues\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Alraune and Anna Fusek play without interruption the programme based on the idea of stratification, poliphony and the sacrality of the repetition and of the rite. \nMusic by Gesualdo, Marais, Bach, Tye, Glass, Gurdjeff, Purcell. \n\n <\/div>\n\n
\n Musicians<\/span>\n Anna Fusek, recorder, violin, medieval bells\nClara Franziska Schötensack, violin\nStefano Zanobini, violin and Viola \nHildegard Kuen, viola\nRosita Ippolito, viola da gamba\nAugusto Gasbarri, cello\nMario Sollazzo, harpsichord\nFabiano Merlante, theorbo, arcilute and baroque guitar\n <\/div>\n\n
\n\n
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\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Unsung Heroine\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n The imagined life & love troubadour Countess Beatriz de Dia. This intimate concertplay starring Anna Demetriou takes you back to the heady atmosphere of 12th Century Provence, accompanied by plaintive troubadour music and poetry, and medieval dances.\n <\/div>\n\n
\n Musicians<\/span>\n Anna Demetriou. The Telling: Clare Norburn, Ariane Prüssner, Giles Lewin, Joy Smith\n <\/div>\n\n
\n\n
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\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Vision\n <\/h3>\n\n \n \n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n The imagined testimony of the extraordinary Abbess Hildegard of Bingen, alongside her haunting and distinctive chant. A concertplay starring Teresa Banham providing an insight into the visionary experiences Hildegard suffered throughout her life.\n <\/div>\n\n
\n Musicians<\/span>\n Teresa Banham. The Telling: Clare Norburn, Ariane Prüssner, Jean Kelly\n <\/div>\n\n
\n\n
https://www.thetelling.co.uk<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Johann Jacob Bach\n <\/h3>\n\n \n \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Concert with music by Johann Jacob Bach, Johann Sebastian Bach, Pierre-Gabriel Buffardin and Johan Helmich Roman.\n <\/div>\n\n
\n Musicians<\/span>\n Musicians of the King’s Road\nKatariina Malmberg, oboe\nPauliina Fred, traverso\nIlpo Laspas, harpsichord\n <\/div>\n\n
\n\n
http://www.kuninkaantienmuusikot.fi<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 20:00 UTC (19/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Leçons de Ténèbres by François Couperin\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The lamentations of Jeremiah for Jerusalem destruction are a foreshadowing of the abandoned and betrayed Christ solitude and suffering. In 1714, for the Abbey of Longchamp, F.Couperin composed le Trois Leçons de Ténèbres pour la nuit du mercredi saint\n <\/div>\n\n
\n Musicians<\/span>\n Antonio Magarelli, conductor\nEnsemble Cappella Musicale Corradiana\n <\/div>\n\n
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https://www.cappellamusicalecorradiana.it/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 20:30 UTC (21/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Un frammento di canto d’amore J.S.Bach - P.Pasolini\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A trip between the director Paolo Pasolini and his use of Bach‘s music in his movies. There will be a musicologist reading parts from Pasolini’s movies and the orchestra will play some excepts from Bach’s masterpieces.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble il Teatro Armonico Vicenza\nMargherita Dalla Vecchia, direttore\nSandro Cappelletto, texts and voice\n\n <\/div>\n\n
\n\n
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\n \n On-site\n <\/span>\n\n
\n \n 23/03/2022 20:00 UTC (23/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Mary Magdalene - a spiritual journey\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Cappella Pratensis is launching its brand new CD Apostola apostolorum, dedicated to St. Mary Magdalene. At the center is Nicolas Champion’s Missa de Sancta Maria Magdalena, a true Renaissance masterpiece. Introduction by prof. M. Jennifer Bloxam.\n <\/div>\n\n
\n Musicians<\/span>\n Cappella Pratensis, Stratton Bull, prof. M. Jennifer Bloxam\n <\/div>\n\n
\n\n
https://www.cappellapratensis.nl/en/mary-magdalene/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2022 20:00 UTC (24/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Mary Magdalene - a spiritual journey\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Cappella Pratensis is launching its brand new CD Apostola apostolorum, dedicated to St. Mary Magdalene. At the center is Nicolas Champion’s Missa de Sancta Maria Magdalena, a true Renaissance masterpiece. Introduction by prof. M. Jennifer Bloxam.\n <\/div>\n\n
\n Musicians<\/span>\n Cappella Pratensis, Stratton Bull, prof. M. Jennifer Bloxam\n <\/div>\n\n
\n\n
https://www.cappellapratensis.nl/en/mary-magdalene/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2022 20:00 UTC (25/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Mary Magdalene - a spiritual journey\n <\/h3>\n\n \n \n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n Cappella Pratensis is launching its brand new CD Apostola apostolorum, dedicated to St. Mary Magdalene. At the center is Nicolas Champion’s Missa de Sancta Maria Magdalena, a true Renaissance masterpiece. Introduction by prof. M. Jennifer Bloxam.\n <\/div>\n\n
\n Musicians<\/span>\n Cappella Pratensis, Stratton Bull, prof. M. Jennifer Bloxam\n <\/div>\n\n
\n\n
https://www.cappellapratensis.nl/en/mary-magdalene/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 16:00 UTC (19/03/2022 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach 2022\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Polifonia e Danza nella poetica Bachiana. Daniele Poi e gli studenti di Pianoforte del Liceo Musicale \"A. Pigafetta\" di Vicenza\n <\/div>\n\n
\n Musicians<\/span>\n Daniele Roi, docente\nStudenti delle classi di pianoforte del liceo musicale \"A. Pigafetta\" di Vicenza\n <\/div>\n\n
\n\n
https://www.facebook.com/ProgettoBach/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2022 11:00 UTC (19/03/2022 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach 2022 - Soli Deo Gloria\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Soli deo Gloria! L’arte Organistica di J.S. Bach\n\nOrganisti titolari e Organisti ospiti agli organi delle chiese di Vicenza al termine della liturgia festiva proporranno brani di J.S. Bach dalle diverse opere per organo\n\n <\/div>\n\n
\n Musicians<\/span>\n Tempio di Santa Corona, organo De Lorenzi, Pierluigi Comparin\nCattedrale di Vicenza, organo Mascioni, Orneglio Bortoliero\nChiesa di Santo Stefano, organo Zordan, Alberto Barbetta, Jeanne Chicaud, Annamaria Binato\nChiesa di San Filippo Neri, organo De Lorenzi-Zordan, Margherita Dalla Vecchia, Alessandro Pieriboni\nBasilica di Monte Berico, organo Mascioni, Diego Bertuzzo\nChiesa dei Carmini, organo Mascioni, Giulia Sudrio\n <\/div>\n\n
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www.progettobach.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 16:00 UTC (20/03/2022 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach 2022\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Memorie della vita di Giovanni Bastiano Bach, narrate da lui medesimo\nProgramma con brani d\'organo e voce recitante\n <\/div>\n\n
\n Musicians<\/span>\n Pier Giorgio Piccoli, voce narrante\nPier Damiano Peretti, organo (Zeni, 2000)\n <\/div>\n\n
\n\n
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\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 11:00 UTC (21/03/2022 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Musica Antica al Conservatorio di Musica Luisa D'Annunzio di Pescara\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concerti di musiche per Clavicembalo (J. S. Bach; G. F. Haendel),\nFlauto e Clavicembalo (B. Marcello),\nViolino e Clavicembalo (F. Fenaroli)\n <\/div>\n\n
\n Musicians<\/span>\n Massimo Salcito (docente), Roberta Bucco (studente), clavicembalo\nPietro Meldolesi (docente), Maria Cocchini (studente), flauto dolce\nPierluigi Mencattini (docente), Alessia Rancitelli (studente), violino barocco\n <\/div>\n\n
\n\n
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\n \n On-site\n <\/span>\n\n
\n \n 13/03/2022 17:00 UTC (13/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Donne in Musica\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Donne in Musica Concerto dell\'Ensemble BaroccaMente per la Rassegna Verbania Musica Programma di compositrici donne del periodo barocco\n <\/div>\n\n
\n Musicians<\/span>\n Michele Favaro, flauto traversiere e oboe barocco\nMarlise Goidanich, violoncello barocco\nEmma Bolamperti, clavicembalo\n <\/div>\n\n
\n\n
http://www.verbaniamusica.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Music of abandoned places\n <\/h3>\n\n \n \n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n The video was made in May 2021 with an aim to turn attention to the old abandoned estate and to inspire its renewal. But the russian invasion to Ukraine changed the accents of the video, and much more houses in Ukraine need renewal now...\n <\/div>\n\n
\n Musicians<\/span>\n Elena Zhukova, harpsichord\nO.Grytsyshyn, A.Mokryts\`kyy, O.Mokryts\`kyy, V.Shkilny, video, sound\n <\/div>\n\n
\n\n
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\n \n 27/03/2022 19:30 UTC (27/03/2022 21:30 CEST)\n <\/small>\n <\/p>\n\n
\n Irène Amar Baroque Jazz Trio\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert en formation traditionnelle Voix, Piano, Contrebasse, reprenant des Airs Baroques réarrangés et adaptés en Jazz. Une petite Blue Note apportée au Baroque, une petite Note Dorée apportée au jazz\n <\/div>\n\n
\n Musicians<\/span>\n Irène Amar, chant et adaptations,\nFrançois Després, piano et arrangements,\nOlivier Rivaux, contrebasse\n <\/div>\n\n
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\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 17:00 UTC (21/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n conversation: J.S. Bach, synthesis of styles as a constructive process of a language of peace\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Convesation: J.S. Bach, synthesis of styles as a constructive process of a language of peace (concert /lesson)\nbrief introduction of the first part of the concert scheduled for June 21, 2022\n <\/div>\n\n
\n Musicians<\/span>\n Tania Birardi, speaker and harpsicordist\n <\/div>\n\n
\n\n
http://www.seratemusicali.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 20/03/2022 12:00 UTC (20/03/2022 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Italian Impressions\n <\/h3>\n\n \n \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n \"French and Italian sonatas\"\nConcert Cohaere Duo\n <\/div>\n\n
\n Musicians<\/span>\n Monika Hartmann, cello\nNatalia Olczak, harpsichord\n <\/div>\n\n
\n\n
https://muzeum.bytom.pl/?event=koncert-na-klawesyn-i-wiolonczele-w-niedziele-20-marca&event_date=2022-03-20<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Vortragsstunde Barockoboe, Klasse K. Arfken\n <\/h3>\n\n \n \n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Concert on site and in live stream of the students of historical oboe, class of Katharina Arfken, professor at the Schola Cantorum Basiliensis.\nWorks by G.Ph. Telemann, A. Danican Philidor, J. Bodin de Boismortier, J.S. Bach and T.G. Albinoni\n <\/div>\n\n
\n Musicians<\/span>\n Mei Kamikawa, Oboe\nTamami Sakanaga,Violine\nAngel Daniel Alvarez Lugo, Fagott\nHan-Na Lee, Cembalo\nFrancesco Intrieri, Oboe\nBianca Cucini, Viola da gamba\nFilip Hrubý, Cembalo\nErika Maschke, Bar Zimmermann, Kinga Borowska, Oboe\nLaura Alvarado, Oboe d‘amore\nAmy Farnell, Alt\nNN, Cello\nWeronika Klosevicz, Orgel\nAnke Bernardy, Oboe\nMartin Jantzen, Viola da gamba\nRani Orenstein, Cembalo\nJosé Manuel cuadrado Sánchez, Oboe\nSoko Yoshida, Tamami Sakanaga, Violine\nMaya Webne-Behrman, Viola\nMartin Jantzen, Violoncello\nGiacomo Albenga, Kontrabass\nAdrián Blanco Peñaranda, Barockgitarre\nIrene González Roldán,Orgel\n <\/div>\n\n
\n\n
https://www.fhnw.ch/de/die-fhnw/hochschulen/musik/schola-cantorum-basiliensis<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 03/04/2022 17:00 UTC (03/04/2022 19:00 CEST)\n <\/small>\n <\/p>\n\n
\n Les voix du Baroque\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n De Rome à Naples, en passant par Venise, ce concert fera résonner des œuvres vocales et instrumentales de A. Vivaldi, F. Geminiani, A. Corelli et F. Durante.\n <\/div>\n\n
\n Musicians<\/span>\n Ce concert réunit les élèves instrumentistes de l’Atelier Cordes Baroques de Claire Zarembowitch, des chanteurs solistes de la classe de Marie-Claire Delay et les Chœurs du Conservatoire de Sophie Boucheron.\n <\/div>\n\n
\n\n
https://pau.fr<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Suites et aires de Cour de Joseph Chabanceau de la Barre\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Album en cours de réalisation. L’enregistrement a eu lieu en juillet 2020 à Epineuil (plus précisément dans le beau domaine viticole de Dominique Gruhier)\n <\/div>\n\n
\n Musicians<\/span>\n Julie Hassler (soprano) & Elena Bayeul (clavecin)\n <\/div>\n\n
\n\n
https://boutique.bellesecouteuses.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
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\n \n 05/04/2022 19:00 UTC (05/04/2022 21:00 CEST)\n <\/small>\n <\/p>\n\n
\n Concert Les Diminutions\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Le programme des diminutions présenté met en lumière les pratiques d’improvisation et les techniques d\'ornementation musicale de la Renaissance et du Baroque.\n <\/div>\n\n
\n Musicians<\/span>\n Cristina López-Tubau, flûte \nJesus Martin Moro, orgue\nElèves du Département Musique Ancienne\n <\/div>\n\n
\n\n
https://www.pau.fr/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 20:00 UTC (20/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Leçons de Ténèbres by François Couperin\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The lamentations of Jeremiah for Jerusalem destruction are a foreshadowing of the abandoned and betrayed Christ solitude and suffering. In 1714, for the Abbey of Longchamp, F.Couperin composed le Trois Leçons de Ténèbres pour la nuit du mercredi saint\n <\/div>\n\n
\n Musicians<\/span>\n Antonio Magarelli, conductor\nEnsemble Cappella Musicale Corradiana\n <\/div>\n\n
\n\n
https://www.cappellamusicalecorradiana.it/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 20:30 UTC (21/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Cendrillon, Opéra Comique\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Cendrillon, Opéra en 1 acte de Jean-Louis Laruette et Louis Anseaume\nDirection musicale Hélène Clerc-Murgier, Pauline Warnier\nHarmonisation vaudevilles Emmanuel Clerc\n <\/div>\n\n
\n Musicians<\/span>\n Cendrillon : Eve Coquart\nLa Fée-Marraine : Armelle Khourdoian\nLa soeur aînée : Anne-Marie Beaudette\nLa soeur cadette : Eléonore Lemaire\nAzor : Benjamin Alunni\nPierrot : Cécil Gallois\nTraverso :Benjamin Alunni\nViolon : Anne-Violaine Caillaux\nViolon : Matilde Pais\nAlto : Marie-Aude Guyon\nVioloncelle : Pauline Warnier\nClavecin : Hélène Clerc-Murgier\n <\/div>\n\n
\n\n
https://www.lesmontsdureuil.fr/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n ORTIZ: recercadas for solo bass, 1553\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n first world video recording of Diego Ortiz: recercadas for solo bass, performed for the first time on Dulcian.\n <\/div>\n\n
\n Musicians<\/span>\n Paolo Tognon\n <\/div>\n\n
\n\n
https://www.youtube.com/watch?v=3fhcvB23sjs<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Spring Awakening\n <\/h3>\n\n \n \n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Spring Awakening - Madrigals and instrumental music by Claudio Monteverdi, Giaches De Wert and their contemporaries\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Voces Suaves & Capricornus Consort\n <\/div>\n\n
\n\n
http://www.voces-suaves.ch<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerto dell'Accademia del Santo Spirito\n <\/h3>\n\n \n \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Pasquale Anfossi, Cinque mottetti\n <\/div>\n\n
\n Musicians<\/span>\n Laura Lanfranchi, soprano\nLuca Ronzitti, organo\n <\/div>\n\n
\n\n
https://www.accademiadelsantospirito.it<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 12:00 UTC (21/03/2022 13:00 CET)\n <\/small>\n <\/p>\n\n
\n The Totana Manuscript: Musical research and knowlegde transfer to society\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n To celebrate the Early Music Day, we premiere an online conference by Emilio Ros-Fábregas talking about the research and recovery process of the Totana Manuscript. It dates back to the 16th and contains sacred polyphonic works by spanish authors.\n <\/div>\n\n
\n Musicians<\/span>\n Emilio Ros Fábregas is a Scientific Researcher in Musicology in the CSIC-Mila i Fontanals Institution of Humanities Research in Barcelona and also one of the most involved persons in the recovery of the Totana Manuscript.\n <\/div>\n\n
\n\n
https://ecosfestival.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Gentes baldías - Instrumental music from 16th century Spain\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n An exploration on the praxis of 16th century Spanish professional instrument players: the enigmatic ‘ministriles’. Works by Francisco Guerrero, Diego Ortiz, and Antonio de Cabezón\n <\/div>\n\n
\n Musicians<\/span>\n Emiliano Pérez, cornetto\nAlfonso Barreno, dulcian\nCristina Altemir, vihuela de arco\nDimitri Kindynis, viol\nMarc Sumsi, harpsichord\n <\/div>\n\n
\n\n
http://www.dichosdiabolos.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 12:00 UTC (21/03/2022 13:00 CET)\n <\/small>\n <\/p>\n\n
\n ||:HerClassical:||\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Discover unexplored keyboard works written by women composers from the classical era with our new videos celebrating the Early Music Week. The website offers recordings, editions, and teaching resources.\n <\/div>\n\n
\n Musicians<\/span>\n Alissa Freeman, pianist and creator\nPatricia Garcia Gil, fortepianist and collaborator\n <\/div>\n\n
\n\n
https://www.herclassical.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2022 17:00 UTC (20/03/2022 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Journée Européenne de Musique Ancienne\n <\/h3>\n\n \n \n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n L´ensemble Tempus Est Iocundum présente Michael Praetorius & Pierre-Francisque Caroubel\n <\/div>\n\n
\n Musicians<\/span>\n Tempus est iocundum sous la direction de M. Johny Fritz\n <\/div>\n\n
\n\n
www.stolzembourg.lu<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 20:00 UTC (21/03/2022 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Dia Europeu da Música Antiga: Esplendores sacros do Barroco italiano\n <\/h3>\n\n \n \n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n To celebrate the European Day of Early Music, Parques de Sintra will broadcast the concert \'Sacred Splendours of the Italian Baroque\', recorded live on 7th November 2020 in the Throne Room of the National Palace of Queluz.\n <\/div>\n\n
\n Musicians<\/span>\n Josè Maria Monaco (mezzo-soprano), Divino Sospiro, Massimo Mazzeo (dir.),\n <\/div>\n\n
\n\n
https://www.parquesdesintra.pt/en/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 12:00 UTC (21/03/2022 13:00 CET)\n <\/small>\n <\/p>\n\n
\n An Office of Compline for Baeza Cathedral (c.1620)\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n XXIII FeMAUB 2019\nPerformers: Capella Prolationum & Ensemble La Danserye, Isaac Alonso de Molina, conductor\nPlace: BAEZA, Cathedral\nAn Office of Compline for Baeza Cathedral (c.1620)\n <\/div>\n\n
\n Musicians<\/span>\n Capella Prolationum & Ensemble La Danserye, Isaac Alonso de Molina, conductor\n <\/div>\n\n
\n\n
https://festivalubedaybaeza.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 18:00 UTC (21/03/2022 19:00 CET)\n <\/small>\n <\/p>\n\n
\n CumuloNimbus\n <\/h3>\n\n \n \n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Cork ETB Youth Orchestra together with East Cork Early Music are giving a new twist to old music, with the digital premiere of a brand new work written by Clonakilty-based composer Justin Grounds, inspired by music from the past.\n <\/div>\n\n
\n Musicians<\/span>\n Cork ETB Youth Orchestra, Justin Grounds (composer/violin), Caitriona O\'Mahony (violin, Norah O\'Leary (cello)\n <\/div>\n\n
\n\n
https://www.eastcorkearlymusic.ie/event/premiere-of-justin-grounds-cumulonimbus-for-early-music-day/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 31/03/2022 14:00 UTC (31/03/2022 16:00 CEST)\n <\/small>\n <\/p>\n\n
\n The Play of Music & Time: an Explorer's Guide to Early Opera\n <\/h3>\n\n \n \n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n Artist in Residence/Work in Progress. New Baroque Opera inspired by \"Peter & the Wolf\" and \"The Young Persons\' Guide to the Orchestra\". ALK creates libretto & composes music. Life is going round in circles, until Music rescues Time out of Hell.\n <\/div>\n\n
\n Musicians<\/span>\n Andrew Lawrence-King: presenter, composer, baroque harp etc.\n <\/div>\n\n
\n\n
https://www.musictime.ee/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 14:00 UTC (21/03/2022 15:00 CET)\n <\/small>\n <\/p>\n\n
\n The Play of Music & Time\n <\/h3>\n\n \n \n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n Introducing a New Baroque Opera, an Explorer\'s Guide to Early Opera, inspired by \"Peter & the Wolf\" and \"The Young Persons\' Guide\". Work in Progress/Artist in Residence\n <\/div>\n\n
\n Musicians<\/span>\n Andrew Lawrence-King presenter, composer\n <\/div>\n\n
\n\n
https://www.musictime.ee/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2022 19:00 UTC (21/03/2022 20:00 CET)\n <\/small>\n <\/p>\n\n
\n BAROQUE UNKNOWN\n <\/h3>\n\n \n \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n A concert of SEMPRE (Early Music ensamble) about some of the (almost) unknown composers of the Baroque: Albicastro, Fasch, Heinichen, Pisendel, Brescianello. We celebrate Early Music Day ”correcting” some unfair neglections in the history of music.\n <\/div>\n\n
\n Musicians<\/span>\n SEMPRE Early Music Ensamble: Mircea Ionescu / Rafael Butaru / Mircea Grigore Lazar (Baroque violin), Tamara Dica (Baroque viole), Lázár Zsombor (Baroque cello), István Csata (violone), Andrej Jovanic (theorbo, Baroque guitar), Raluca Enea (harpsichord).\n <\/div>\n\n
\n\n
http://https://earlymusic.ro/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 23/04/2022 12:00 UTC (23/04/2022 14:00 CEST)\n <\/small>\n <\/p>\n\n
\n ||:HerClassical:||\n <\/h3>\n\n \n \n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Discover unexplored keyboard works written by women composers from the classical era with our new videos celebrating the Early Music Week. The website offers recordings, editions, and teaching resources.\n <\/div>\n\n
\n Musicians<\/span>\n Alissa Freeman, pianist and creator / Patricia Garcia Gil, fortepianist and collaborator\n <\/div>\n\n
\n\n
https://www.herclassical.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 00:00 UTC (21/03/2022 01:00 CET)\n <\/small>\n <\/p>\n\n
\n Viva Vivaldi!\n <\/h3>\n\n \n \n <\/span>\n\n \n New Zealand<\/strong>\n <\/span>\n\n \n Gloria for voices, strings, and trumpet in D RV 589 by Antonio Vivaldi (1678 - 1741) performed Sunday 2nd May 2021 at St. Luke\'s Church, Remuera, Auckland, New Zealand\n <\/div>\n\n
\n Musicians<\/span>\n Vocal Ensemble \nJayne Tankersley, Soprano \nRowena Simpson, Soprano \nHelen Acheson, Alto \nJessica Wells, Alto \nJack Timings, Tenor\nSid Chand, Tenor\nChalium Poppy, Bass\nAlex Matangi, Bass\n\nNZ Barok\nGraham McPhail, Co-Artistic Director, Violin 1\nJanne Ensor, Violin 1\nAmelia Giles, Violin 1\nYuhka Nagai, Violin 1\nMiranda Hutton, Co-Artistic Director, Violin 2\nBronwen Pugh, Violin 2\nCatherine Polglase, Violin 2 \nWen Chuan Lin, Viola\nAlison Salmons, Viola\nFiona Haughton, Viola\nHelen Brinkman, Violoncello\nEmma Goodbehere, Violoncello\nEric Scholes, Bass\nPeter Reid, Trumpet \nNicholas Forbes, Organ\n <\/div>\n\n
\n\n
https://youtu.be/8xdy8403434<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 10:00 UTC (21/03/2022 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Lainahöyhenissä\n <\/h3>\n\n \n \n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Birds of a different feather\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Nylandia:\nSanni Antikainen, harpsichord\nJohanna Isokoski, soprano\nAnna Pulakka, viola da gamba\nKaisa Ruotsalainen, baroque violin\n <\/div>\n\n
\n\n
http://www.barokkikuopio.com/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 00:00 UTC (21/03/2022 01:00 CET)\n <\/small>\n <\/p>\n\n
\n Live at the Cc Ateneu Fort Pienc\n <\/h3>\n\n \n \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n A pre-recorded thirty-minute video selection of a concert by Duo Seraphim with Spanish & English renaissance music.\n <\/div>\n\n
\n Musicians<\/span>\n Andreu Brunat, recorders / Joaquim Bogunyà, vihuela\n <\/div>\n\n
\n\n
https://www.joaquimbogunya.com/duo-seraphim/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2022 00:00 UTC (21/03/2022 01:00 CET)\n <\/small>\n <\/p>\n\n
\n Le Carnaval de Venise\n <\/h3>\n\n \n \n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n Le Carnaval de Venise (André Campra) Libretto and choreography - Klaus Abromeit\n <\/div>\n\n
\n Musicians<\/span>\n St.-Peterburg baroque ballet Angiolini\nKonstantin Chuvashev (choreographer\'s assistant), Polina Artemieva, Ekaterina Barasheva, Olga Gryzunova, Xenia Dzuba, Sergey Dubrovin, Kamil Nurlygayanov, Valery Ternovoi\n\nSoloists of Catherine the Great\nAndrey Reshetin - leader, violin\nAndrey Penyugin - violin\nSergey Filchenko - violin, viola\nMarina Cuperman - viola\nAnna Burtseva - cello\nIrina Shneerova - harpsichord\nGrigory Voskoboynik - doublebass\nKonstantin Schenikov-Arkharov - theorbo\n <\/div>\n\n
\n\n
http://earlymusic.ru/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2022 20:30 UTC (21/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Une odyssée\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Les Itinérantes et Les Ombres proposent une odyssée poétique, mystérieuse et envoûtante dans laquelle les époques s’entremêlent et les frontières se dissipent. Sur des compositions anciennes, des musiques traditionnelles ou originales, la flûte en bois, les percussions et les voix entraînent le public sur des terres lointaines et inconnues.\n <\/div>\n\n
\n Musicians<\/span>\n Ensembles Les Ombres & Les Itinérantes\nPauline Langlois de Swarte, chant\nManon Cousin, chant\nÉlodie Pont, chant\nThierry Gomar, percussions\nSylvain Sartre, flûte\n <\/div>\n\n
\n\n
https://www.jema-occitanie-catalogne.com/concert/les-ombres-2022/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2022 20:30 UTC (22/03/2022 21:30 CET)\n <\/small>\n <\/p>\n\n
\n Rogation\n <\/h3>\n\n \n \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Le mot « rogation » vient du latin rogare, qui signifie « demander ».\nLe programme musical de l’ensemble-école saison 3, imaginé par les étudiants de musicologie médiévale promotion 2021-2022, permet d’interroger les différents sens de ce mot polysémique, en liant intimement profane et sacré.\nLe terme « rogation », du latin rogatio, signifiait originellement « demande », et a pris le sens de « prière, supplique » en bas latin, et de « prière accompagnée de processions » en latin ecclésiastique.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble-école du Centre international de musiques médiévales (CIMM), saison 3\nPaul Bidar, guiterne, guitare flamenca, électroacoustique\nNathanaëlle Blanc, chant, percussions et danse\nMona Hilaly, chant, harpe, oud\nMonica Lopez, chant, castagnettes, vièle, danse\nAymeline Recours, chant, flûte de tambourin, tambour sur cadre, danse\nPablo Massarotto, lumières\nEstelle Mazillo, médiation, administration\nKhaï-dong Luong, Bruno Bonhoure, Gisèle Clément, Yves Massarotto, encadrement\n <\/div>\n\n
\n\n
https://www.jema-occitanie-catalogne.com/concert/cimm-2022/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });

Une odyssée On-site
France
Les Itinérantes et Les Ombres proposent une odyssée poétique, mystérieuse et envoûtante dans laquelle les époques s’entremêlent et les frontières se dissipent. Sur des compositions anciennes, des musiques traditionnelles ou originales, la flûte en bois, les percussions et les voix entraînent le public sur des terres lointaines et inconnues.

Musicians Ensembles Les Ombres & Les Itinérantes Pauline Langlois de Swarte, chant Manon Cousin, chant Élodie Pont, chant Thierry Gomar, percussions Sylvain Sartre, flûte

https://www.jema-occitanie-catalogne.com/concert/les-ombres-2022/

22/03/2022 20:30 UTC (22/03/2022 21:30 CET)

Rogation On-site
France
Le mot « rogation » vient du latin rogare, qui signifie « demander ». Le programme musical de l’ensemble-école saison 3, imaginé par les étudiants de musicologie médiévale promotion 2021-2022, permet d’interroger les différents sens de ce mot polysémique, en liant intimement profane et sacré. Le terme « rogation », du latin rogatio, signifiait originellement « demande », et a pris le sens de « prière, supplique » en bas latin, et de « prière accompagnée de processions » en latin ecclésiastique.

Musicians Ensemble-école du Centre international de musiques médiévales (CIMM), saison 3 Paul Bidar, guiterne, guitare flamenca, électroacoustique Nathanaëlle Blanc, chant, percussions et danse Mona Hilaly, chant, harpe, oud Monica Lopez, chant, castagnettes, vièle, danse Aymeline Recours, chant, flûte de tambourin, tambour sur cadre, danse Pablo Massarotto, lumières Estelle Mazillo, médiation, administration Khaï-dong Luong, Bruno Bonhoure, Gisèle Clément, Yves Massarotto, encadrement

https://www.jema-occitanie-catalogne.com/concert/cimm-2022/

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Edition 2022

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